I've never read Wilde's original story, but the two later film versions feel closer to the original. (Still looking for a copy of the original story.)
The 1944 production is my least favorite, too. The only reason I'd watched it in the first place was to see Charles Laughton as Sir Simon — and to see Robert Young playing someone other than Jim Anderson from Father Knows Best.
I'll have to watch the 1986 production again in order to give Alyssa Milano another chance. I remember liking John Gielgud as Sir Simon and Ted Wass as the Dad and not liking Alyssa Milano. — However, the first time I saw that '86 version was just before (or after) Ms Milano did an interview on a popular Los Angeles talk show. She must have been having a really bad day and she left a really bad impression with remarks like, "For this I got up at 5 o'clock in the morning." And that memory was clouding my impression of her performance.
The main thing I didn't care for about the 1996 version was the Dad character. He was so abrasive you could have used that performance to take the old paint off your woodwork! He came off as abusive — or near it.
Have you noticed that, in Shakespeare's day, soothsayers said the sooth, the whole sooth, and nothing but the sooth?
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