Hej, I think "metre" should be "meter", as in electricity meter. But check that, I could be wrong.
I regard myself as a spiritual person, but not a religious person, meaning I am more than just a bunch of atoms, molecules, organs, tissues and so forth, or meaning that I am a thinking sentient being that is self-aware. But I do not believe in god, other than as a word for an idea devised by people long ago, that has now taken on a "life" of its own in languages, books, dictionaries and so forth.
Why did I write that ? Well, all that said, to me this film should go down well with subversive followers of Christianity... If I were in their shoes, I would count this film as having a happy ending:- a naive, pure and innocent woman unintentionally died and went to heaven, to save her husband (ironically) from dying/perhaps also going to heaven. (I don´t believe in heaven either, but Bess did, and I might be wrong, so I give her the benefit of the doubt, it´s her creed.) Added bonus for the subversives, the conventional church elders are depicted as bigots, that was the 1970s. Apart from Catholics, there are still now factions in the Church of England holding out against the ordination of women too.
I am thinking that besides the similar character to the simpleton messiah in Ordet, and the reminiscent setup of the ending shot to Solaris, there is also something here by way of an inverted Orpheus and Eurydice. I think there is quite a lot one can probe through in this film. But most postings miss these openings.
"Med venlig hilsen" to Melbourne, my home town (Heatherdale) from way back --- but I am typing this in Danmark.
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