MovieChat Forums > Basquiat (1996) Discussion > He's an *beep* and not a very good artis...

He's an *beep* and not a very good artist.


Why make a movie at all? And it wasn't even that good, feeble attempts at being avante garde.

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you have no idea what your talking about.
why post a theard about it? its a feeble attempt at trying to be smart

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EVERY OPINION ABOUT ANY ART EVER IS IRRELEVANT.

Read that again.

Art is objective, it's a different experience for everyone.

End of thread, end of discussion, there is no debate.



http://us.imdb.com/name/nm2339870/

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100% incorrect. Art is SUBjective, not objective. I think that's what you were going for though, and I completely agree with that! ;)

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That`s exactly the problem about many of the modern artists, you need to go through a brainwashing process of reading several books by "specialists" that apparently saw something you couldn`t.
Also fame and personality counts, few people dare to question what`s already engraved on stone.

If you speak out loudly what you think about that art, then "connoisseurs" will call you "ignorant", & that`s the main reason many never question it. "Maybe i truly don`t know, maybe it is art because many believes so" (specially people in the art market have no doubt).

I recommend reading the short story "the kings new clothes". Its been said before, but it is just what`s happening with modern/contemporary art.

By the way i don`t say you cannot make art in a different way as academic, but how convenient that just when humanity discovers that you can make art in a easier way, suddenly an army of modern artists appears, along with specialists & galleries to support them.

Remember, most modern works of art takes hours to do, if not seconds!
& that helps galleries a lot! While a decent academic painting or even impressionist takes maybe weeks or months.
(Impressionists almost never finished the work on a session).
(Mona Lisa took years in the making for example).
Is funny that before there wasn`t art universities just small guilds, & now art is more institutionalized than ever (while technically leaves a lot to be desired). That being said, technique is not even 50% important to a work of art, i recognize that, loads of garbage have amazing technique (new digital computer films for kids for example shrek).

Old master had craftmanship & scientific knowledge among several other things (hidden knowledges for the time), most modern artists just project their madness on canvas or sculpture, the result sometimes is interesting, but a mental patient could do it even better (Adolf Wölfli), because they are even more deep into the world of madness, they don`t have agents or media upon them.
They achieve the goal with less effort than modern primitivists in the market.

So why most people paint today in a modernist fashion?

BECAUSE IT IS EASIER!
(& todays system supports & encourages it)

Today a rebel would be someone painting "academically" (autodidact too for sure) but with completely new subjects & philosophy, no more angels or royalty on canvas, but new aesthetic using the craftmanship that took us centuries to achieve. (modern physics is loaded with subjects)
(Like the shoes or clothes you are using, or how daily things evolved, cars, harvesting, spaceships etc etc all that thanks to our knowledge (saved over the years) & craftmanship.
Someone that denies craftmanship in art has to deny his nice well done shoes, his nice house, his car & live exactly in the way he promotes how art should be done. (is not as honest as caveman art was for example, they did it that way because was the best they could at the time).




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Amen and amen!

If I wanted to be rich with a minimal amount of effort, I would become a modern artist. Draw a blue square over a yellow one and sell it for 5 million dollars, and people will be climbing over each other to get their hands on it. It's insane! While deconstruction can and is a valuable part of the creative process and can produce wonderful results, the overemphasis on this sort of thing is shocking. I took a contemporary art class and the reasons some people will make for painting half a canvas orange and the other half lavender are absolutely comical.

It's frustrating how artists nowadays can look on traditional methods and techniques with disdain. If you're going to break the rules, you have to know what the rules are, and when it's fine to break them.

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idiots, not modern artist you, art nowadays is almost never about aesthetic quality, its about feeling and mood deeper meanings rather than photographic painting and drawing. Alright then do a blue square and a yellow one, if no one buys it for 5mil ill buy it for 10 quid. People are to ignorant and lazy to take time and learn about conceptual and expressionistic art, because they'd rather look at the classic *beep*

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ok so i am attending an art school and disagree with much of the hand-waving "what does it mean" crap, but honestly, if its so easy to become a modern rich master of art, why dont you do it? i cant think of anyone that, if given the chance, would do the easiest thig possible to get money. the fact is is that its almost impossible to make a GOOD living at art. The art society is so hypocritical, that a jackson pollock sells for 100 million and an equally stimulating piece would bring next to nothing. the blue square you're talking about was done by albers (most likely) and if you came out wiht one, you'd either be shunned as a copycat, or else just seen as egotistical. it is soo hard to make it in the art world no matter how original you are, or how closely you follow someone famous.
and by the way, i LOVE art history and hate where art is going, so i am not trying to say that i defend the movements of postmodernism, i am just saying that getting money in art is not as simple as "my ten year old daughter could have done that"

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I have the same problem with art now, specifically painting and to a smaller degree, sculpting. These days you have to be "educated" in a myriad of different (but really the same) art techniques and so on. Everyone who calls these painters hacks is instantly uneducated in the arts, and doesn't under stand color or whatever the issue at hand is... And this trend seems specific to this art form. The majority of successful painters belong to this category, where you have to have certain knowledge and intuition to understand their works. This doesn't exist in other forms of art. You don't see successful writers just throw random words on the page, and then explain it as "emotions". In film, art house movies are mostly considered trash by the great directors. Music, however *beep* it is today, doesn't have successful artists just record random noises. Ok, there are artists in all of these fields that are successful at making stuff like that, but they are a very small minority. This brings me to my second point. If you are intelligent and can appreciate beauty, than art should be appealing to you from the get go. No need to consult art literature, consult with "experts" and so on. For example, when I enter the Sistine chapel and look up, I am instantly transfixed in a flurry of emotion...it is just so beautiful. I don't kneed to understand some intricate property of art, it just comes to me. Again, I'm not expecting everyone to have the same feelings as me (even though I can't imagine anyone not being completely blown away by Michelangelo), but modern art has (d)evolved into something most people don't recognize as beautiful.
And when people say "I could draw this". Yes, I really think you or anyone of us could. Some people post challenges "Oh if you can, why don't you just do it and see how well you do". That's just a logical fallacy. The fact that most people wouldn't make it by producing such art has nothing to do with actual talent. As someone else said, it's mostly who you know, and being in the right place at the right time. My writing might seem disjointed right now, as i'm very tired but I just had to write this out.

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as an artist myself (broke, albeit), and a fine art major and art history minor, i'll say this.

it is not worth the time to argue with those who don't get it. either you do or you don't. if you do, there's nothing that needs explaining.

and basquiat was an amazing artist. sometimes you just have to look at things at face value - other times dig deeper - mostly within yourself.

anyone want to buy a painting?

who knows where thoughts come from...they just appear ~ empire records

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I've tried my hand and painting. I do a damn fine job of putting my emotions into it, and I feel very satisfied with the final product. Then I junk it, because, like teenage poetry, it's nothing I want the world to see.

I can look at Basquiat's work, look at Pollock's, and look at my own, and I can see where my work is weighed and found wanting. I'm not a good painter. The sign-language gorilla that dabbles in fingerpaint? She's a good painter. Enjoyment of a painting comes from a primal place just a little north of the spleen; there's seldom much thought behind the attraction, just in the explanation.

Not everybody likes the same thing, and that is part of what makes the arts such a great media.





(So, from one starving artist to another, can I see some of your works?)



http://www.amazon.com/Dream-Thief-Novel-Herb-Durgin/dp/1424114829

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Here Here, jennie-ann!! Exactly Put!

Stop arguing, debating, weighing and judging. If you get it, you do, if you don't, you don't- either way, it's OK! It's about you're own perspective. If you need to weigh or even consider the opinions of others on particular artists/styles, you yourself are not even experiencing art. Try this... go to the MOMA, stand in front of an actual Basquiat canvas, silence the "voices" in your head, and see what you see and feel what you feel. If you dig it great, if not, that's fine, but you can't deny the perspective and feeling someone else gained from their experience of the piece. If you don't see any of the pieces in real life, you have not experienced them and hence should not really even be discussing them.

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stand in front of an actual Basquiat canvas, silence the "voices" in your head, and see what you see and feel what you feel. If you dig it great, if not, that's fine, but you can't deny the perspective and feeling someone else gained from their experience of the piece. If you don't see any of the pieces in real life, you have not experienced them and hence should not really even be discussing them.

EXACTLY!!!
I doubt the OP has actually seen a Basquiat painting in person so how can he/she even speak on it?



Everyday I write the book.

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Same sorts of things have been said about improv jazz and free verse poetry. The beauty in the art is its appeal to others. Clearly it doesn't appeal to you, which is perfectly fine. But to blanketly disregard his work because you do not understand or appreciate it is an insult to all of those out there to whom it does appeal. His work appeals greatly to me, as well as the free form stylings of Monk or Davis, and the wild, almost indecipherable writings of e. e. cummings. I have a tendency to be broad in my acceptance and appreciation of art, appreciating the likes of Velazquez and Goya, as well as Basquiat and Haring. You don't like them, you're free to ignore them, but to say its crap, or to write them off as worthless is just a bit vulgar. Perhaps you should try expanding your tastes, you may find life gets a little better you broaden your perspective. Just a friendly suggestion...

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The funny thing is I read one of the more definitive Biographies on Basquiat and after reading it, I cam to the conclusion that the Art world needed a new art world star, a savage new artist to get excited about and Basquiat fit the bill. Do I believe he was talented, he was as talented or much less so then the graffiti artists like Fab 5 freddy that he initially hanged out with. He was very good with color and composition, exceptionally good for someone who didn't have academic training, but from an artistic standpoint, he only had 2 years of really good stuff, and even his bad stuff could be sold for an inordinate amount of money. This was occurring during the 80's , where art was thought as an asset that appreciated and could be sold to the highest bidder as opposed to a true artistic endeavor.

I believe Basquiat knew this and towards the end, was "phoning in" his work retreading old themes he had done before which lacked the emotional depth of his previous work. Jackson Pollock was a very good academically trained painter, so to say he was not talented because of his later works is absurd.

In terms of his private life, its safe to say he was a major douche, but in the art world, who isn't?

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Why make a post at all? And it wasn't even that good, feeble attempt at being a hit-and-run critic.

;)

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how the hell can people think making art is an easy way to make money? do they have any idea how hard it is to become a successful artist?

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Like it was said in the movie, it really comes down to who you know. I've always viewed art as a kind of Dadaist self-expressive approach and growth--nothing that is defined by whether other people enjoy the art or not. If you're transforming inside, to me, that's the true goal of art. The mistake in trying to make a living might be by doing it for purposes other than internal transformation, and I've known people who paint just to sell. I've never really been very open to the idea of making a career out of something artistic. I've always considered it a side-project. But for those who can successfully express themselves in the way they truly wish to and make money off of it: more power to you.

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[deleted]

not a good artist? wtf? from a technical perspective his paintings were solid. so technically he was a good artist. the rest is just your opinion.

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[deleted]