Who's responsible.....
for the risible quality of the script? Anne Bronte or David Nokes and Janet Barron? The latter, I'll be bound. Even so, you can see why people weren't lining up to adapt this work for the screen. The first episode, setting up the mystery, was pretty good, but the last two dragged on relentlessly. Well, at least my endurance was rewarded with a happy ending. The acting standard was good to acceptable, but with such a weak script it's little wonder this didn't garner any acting awards.