Why did this movie flop?


I am trying to understand why this movie flopped. I love this movie. I am 27 now, and it came out in my teens. I still can't get enough of this movie. It was fun, entertaining, great music, funny, good action, etc.... It was all those things when I was a teen, and it certainly is still all those things now. I know lots of people of enjoyed this movie. If you think about it, it isn't that far off from Pirates of the Caribbean, yet it did great. I just don't understand.

reply

[deleted]

You could argue that it lacked bankable actors, but I think the major problem was its lack of an advertising campaign to match its budget. Waterworld wasn't any better of a film, but due to its high budget (nearly double that of Cutthroat) it received a lot of attention which made people want to see it. Cutthroat Island remained practically under the radar until the rumor leaked that it put Carolco out of business.

What doesn't kill you, hurts like hell.

reply

[deleted]

Na, I like her American one . . . (it makes no sense given the circumstances of the film), but I still like it better than I would with her doing something European, it was an artistic choice I assume . . . there was a lot of illogical artistic choices, such as canon balls causing large explosions, rather than just crushing stuff . . . But the battle scenes "as is" are a huge part of the movie's charm, as is Geena's performance.

As to your post question, people try to come up with reasons why the movie flopped, but the film for me will always be enjoyable. As for the insufficient advertising, I heard Corelco was bankrupt before the film even went to theaters, and had to sell the rights to another company (who bought the film for only 20 million), and the new company did not advertise the movie as if it had cost them 90 million, but rather advertised it as if it had only cost them 20 mil (which is what they paid for it) . . . Someone wrote all about it somewhere on these threads . . . Anyway, highly enjoyable film . . . Someday it will receive it's justice . . !

reply

[deleted]

They had explosive cannonballs in those days, but they exploded with a flash,as in high explosive (Black Powder) not as if they were filled with gasoline.

"They sucked his brains out!"

reply

As much as I like Cutthroat Island for what it is, I think Geena Davis was terribly miscast. Her acting is pretty horrid, she never feels like a character of her time or trade and she's too obviously playing it tongue-in-cheek.

That said: It's pretty hard to think of an actress who could've looked good in the Morgan-role. You'd need someone who can be tough and ruthless yet vulnerable, feminine, sexy *and* funny all at once.

So while I think it's admirable to try and establish a woman in the classic swashbuckler-role, maybe going with "historical accuracy" and making the main pirate male would've been the better option.

Other points to consider:

1. No big stars/names. An old-fashioned pirate- or adventure-movie needs at least one big star IMO. Plus a bigger name director wouldn't have hurt, either.

2. Lack of advertising / wrong release date

3. Choice of genre. Pirate movies were deader than Westerns in 1995. Which still begs the question how those silly POTC-movies managed to revive the genre a few years later with childish "humor" and stupid zombie-elements.


Anyway: Looking back I still can't understand why this flick bombed so badly. Especially when comparing "Cutthroat" to "POTC" - which was basically a ripoff of "Monkey Island" minus the wit, charm or humor.



S.

reply

I think Geena Davis was terribly miscast.


I pretty much agree, although in some parts she works. Decent chemistry with Matthew Modine, plausible character and motivation.

The entire movie feels rushed, as if the whole would have done better if the producer took it more seriously. In some places Geena in particular mumbles a bit, which reeks of bad production values; reluctance to reshoot a scene. Geena has the chops, she's done well in other movies.

The fight scenes, the cornerstone of the movie, were perhaps the most poorly done element. Dwag passes through the walls of the ship, body intact (presumeably dead), riding a cannon ball. Morgan falls several stories and basically walks away. The cannons rip both ships apart, then they are virtually unscathed until the one blows up. Meh, fun but I've seen better.

reply

Sorry, but I have to disagree with a few of your points here.

I agree it was difficult to cast a role like Morgan. That combination of tough/ruthless/vulnerable/feminine/sexy/funny is nigh impossible to pull off. That said, I think Geena Davis did better than any other actress (or indeed, actor) could have in her time.

Changing the role to a male one would neither be more accurate nor have helped the film at all. There were many female pirates in the 18th century, a few of which even became captains. The pirate who was arguably the most successful in all of Asia's history was a woman who started out as a prostitute, and ended up commanding a FLEET of ships in her armada. Not a ship, a fleet. So women held their own in those days.

For the film itself, I think a strong female lead did a lot of credit to the movie and the story. She is funny, sexy, feminine, vulnerable and yet tough and ruthless all at once. I was fully invested in her character throughout the film and found it very believable. There was a bit of tongue-in-cheek about her portrayal of the character, sure, but it never broke the fourth wall and ruined my suspension of disbelief the way Jack Sparrow did in Pirates of the Carribean (especially the second and third ones).

As for the point about big stars, clearly you just aren't familiar with the cast. Matthew Modine was already famous from Full Metal Jacket and Memphis Belle before this cam out. Geena Davis from The Fly, Beetlejuice and Thelma & Louise. Frank Langella has a long history of good villains under his belt, not the least of which were Dracula and Skeletor, both before this movie. The problem wasn't the cast nor their recognition.

Where I think you've struck gold is with point #2. A nearly complete lack of advertising is what (to my mind) killed this movie's chances in theatres. It's still a great popcorn flick to own on home video, and will always be a treasured item in my personal collection.

(oh, and about your final point, I don't think Pirate movies have ever been dead, but Pirates of the Caribbean did have the benefit of being named after an already world-famous amusement park ride, and backed/marketed by one of the biggest-budget companies in the world)

reply

I think more critically, it was too expensive -- note the budget, at 95 million (in early-mid 1990s dollars, about half again that much today), yet it grossed only 10 million. That's a massive, really massive, flop.

Pirate movies have a niche market, and that wasn't the movie market that existed in the mid-1990s. They are generally swashbuckling fantasy pictures, and the big pictures in the 1990s were either more down to earth or more SF oriented. True fantasy did not do well in the 1990s. The 00s, though, fantasy took off, with the FX tech rising to the capability to do comic books justice, and with the LotR trilogy. This set the market open for something well-done like PotC.

I recall seeing the previews in theaters, and I distinctly recall they just looked stupid and unappealing somehow. My impression was, right off the bat, "That looks like a really, really stupid and uninteresting movie." Its massive flop did not surprise at all.

It wasn't it alone that put Carolco out of business, they also did Showgirls. Two massive, expensive flops at once is what did them in, esp. following a number of disappointments -- Cliffhanger cost 65m and only brought in 85m (rule of thumb is 2x costs for a successful movie), and Chaplin, which got some critical acclaim, mainly for RDjr, only managed to make 10m (IMDB doesn't list its costs, but prob. at least 10m). So Showgirls and CT were more the straws that broke the camel's back, more than sole causes of its failures.

Hell, I heard that, after T4:Salvation Warner and Sony were both hurt pretty bad -- it cost 200m to make and only brought back 125. Given that they totally screwed up the series with T3/T4 (for a much better storyline, check out S.M Stirling's excellent Terminator: Infiltrator storyline, which didn't --F U * *-- up Cameron's T2 "No Fate But What We Make" replacing it with "Bend Over and Kiss Your A$$ Goodbye -- It Was Always Inevitable" (The two followups did, but I personally think that was more to keep the books in line with what the studio idiots wanted). T3 should have been based on Infiltrator, not the crappy idea it was based on.

reply

<i>Showgirls</i>, however, eventually proved a massive hit on video and DVD (somewhere in the region of $100m), only Carolco missed out on a chunk of that because MGM handled US distribution and it was already overstretched thanks to <i>Cutthroat Island</i>. Similarly, the success of the <i>Stargate</i> franchise came far too late to bail the company out.

reply

Really? I would like to see how you argue the leads in Thelma and Louise and Full Metal Jacket weren't bankable and Geena Davis was voted 61 in the top 100 movies stars of all time.

The reason the movie failed was the same reason The Long Kiss Goodnight also did - unfavourable press influenced by a hostile Holywood that resented Gina Davis then husband using his influence to try to promote his wife to the very top of the A listers by assigning her a series of vehicles for her career.

reply

How were the leads in Thelma and Louise and Full Metal Jacket bankable? Both films grossed roughly 45 million. Both of those films also had superior marketing to Cutthroat. You only need bankable actors if the marketing campaigns are low or there is low word of mouth. Cutthroat had neither. The press wasn't unfavorable until the movie bankrupted Carolco. Before then, it was as if the only adverts for the film were the big letters over the theater.

If you can read this then you are trying too hard.

reply

i think that it flopped because it came out in 1995. i think that if it came out today it could have much higher success, but because of "pirates of the caribbean" everyone will say "cutthroat island" stole ideas.

reply

i wonder if the movie might have done better as a summer release rather than being released in december of 95?

i never saw it til i got on dvd in the $5 bin at walmart, and even though it isnt anamorphic, and its obvious the end of the film is on the right hand side of the screen, due to the white line that shows up there on the edge, the movie still kicks ass!

i think the best part of the movie was that it wasnt supernatural like the potc movies, that all the special effects were natural and not computer generated, and of course the wonderful score.

i especially love the line about "blowing up another city", lol.

reply

I thought both the dialog as written and as spoken was inconsistent. More effort should have been made to make everyone speak in the same dialect style/era/geography.

reply

I'm 40 years older than you and this movie reminds me of the old pirate stories I used to read as a kid. For my money it's a far superior treatment of pirates than Pirates of the Caribbean was (generally I like Johnny Depp and Geoffrey Rush as actors (e.g. as in Chocolat (Deep) and Tailor of Panama (Rush) but they over-acted and were far too much over the top in that rather far-fetched show. Like you I can't understand why Cutthroat Island flopped at the theatre while Pirates of the Caribbean was a resounding success. Perhaps it had better publicity and promotion. It was far les intelligent than Modine and Gina's romp. Some of the lines in Cutthroat Island were almost Shakespearean in quality ("as you are shallow and lying I shall dig you a shallow grave in which to lie in" and there were many other good lines and quips . "So you know Latin? Then say something in Latinish!", etc, altogether much more cerebral than anything in Pirates of the Caribbean. A good plot laced with plenty of romping and almost ceaseless activity , and last but not least Morgan's monkey. Still there is no accounting for popular taste or lack of such.

reply

>It was far les intelligent than Modine and Gina's romp.

And that is why I think the movie flopped with viewers. People don't want to have to -think- when they see a movie. Especially a "pirate fantasy" movie. Just let 'em veg out while eating candy and pop corn and entertain them for an hour or so. Don't make them work at using their brains!


And POTC is a Disney flick and they know how to pander to the tweens.... there's the secret to its popularity.



I saw POTC before I saw Cutthroat Island and I enjoyed both movies. I really enjoyed CI once I saw it and found it a shame that it flopped so badly. But since I saw POTC first when I finally viewed CT I could see all the cool bits of that movie Disney snitched to add into POTC. Looking at it now POTC just feels like a watered down kids version of CT without a cool female pirate lead.

reply

I'm really glad that someone addressed this, because I was wondering the exact same thing. I saw "Cutthroat Island" for sale in a video rental place, and thought, "A pirate movie? I've never heard of it!" so I looked it up and rented it. Totally going back to buy it!

I think I like it even better than the POTC series (and I was a huge fan of those). I mean, you have to admire POTC's effects, but CTI is incredibly brilliant considering the technology available in '95. I also like that they filmed it in Malta and Thailand, which isn't really typical of Hollywood (as far as I know).

I think Cpt. Jack Sparrow is awesome, but Morgan Adams (Geena) blew him out of the water when it comes to being a bad-ass! The "CutThroat Island" plot itself was very consistent, whereas with "Pirates of the Caribbean" the audience is always playing catch-up.

reply

This movie was just ahead of its time. It is an excellent movie sadly not too many know of it, just those so so Pirates of the Carribean movies.

reply

I think it was ahead of its time too. Until Pirates of the Caribbean, there hadnt been a successful pirate movie in decades. I just watched it and found it fun and full of adventure.

reply

This film was on TV the other night and and I actually enjoyed it. I initially knew about it being the biggest Hollywood flop but decided to watch it anyway. I felt Gina Davis was a bit lacking in the acting department but the cinemitography and score was top notch. Overall this film is hugely underated. Its a shame its catagorized w/ films like Ishtar and Heavens Gate.

Who runs Barter Town?!?!

reply

Here are my guesses as to why (some have been commented on above):
1.Wrong timing. It was a summertime movie released in winter.
2.It got panned by the critics unmercifully even before it was released and the advertising made no attempt to counteract this.
3.Today's audiences couldn't accept a woman as a swashbuckling hero good as she might be and I thought Geena was terrific!!. I'm afraid many people cannot accept a woman in an Errol Flynn type role.
4.It was expensive to make causing someone to lose a lot of money. The word "failure" attached to a movie always is relative. If this had been a low budget movie it would have been treated differently.

reply

I still do not understand why the movie flopped so badly (cost 90, made 10). Yesterday i had my wife watch it for the first time without knowing anything about it, and she gave it a 10/10, and was sure it was a success.

I can say the following are the possible reason:
1- Promotion
2- Delay in release
3- too many re writes
4- Nobody wanted the lead make role (all high profile actor rejected it)
5- Having a female role that is more powerful than the male role

Anyway, maybe a new generation will appreciate this movie better.

reply

I don't pretend to have any great objective insights, so all I can do is give my own subjective impressions.

Overall, I generally enjoy this movie, but I find myself really wanting to like it more than I do. It had so much going for it -- a fairly clever and good-natured script that was funny when appropriate without being insulting to the intelligence; some lovely performances (and I thought Geena Davis was in fact really good in this -- certainly better than she gets credit for); some brilliant cinematography and stunts; and of course that stunning musical score.

The biggest problem for me with this movie was that, as leading man, Matthew Modine had almost zero charisma in his on-screen character, and he had utterly zero chemistry in his relationship with Geena Davis. There was no spark.

(I think if Geena had had someone to play her scenes against that she could really bounce off, we would have seen her performance as much better than she seemed.)

Add to that: the pacing was glacial in some scenes, with no apparent benefit to it's being that way, and that killed the flick's forward momentum. I'm not all that surprised that we got that from Renny Harlin -- I've never thought he was much chop as a director, especially in the finer points like shaping a movie and judging its pace -- but I would have hoped that one of the four editors might have said, "Hey Renny, this bit doesn't really work, does it?"

And my last quibble -- maybe it's nit-picking -- is over whoever chose the locations for shooting. It's hard to simply enjoy the flick, to get lost in the story like I prefer to do, when you're spending your time wondering why they're pretending to be in the Caribbean when they're quite clearly in south-east Asia. It's distracting.

Bottom line: with no chemistry between the romantic leads for the audience to relate to, and constant lapses of dynamics in the direction to keep you swept up in the action, then this movie was missing what it really needed to energise audiences. Without that, they'll just go somewhere else. (As, in fact, they did.)


You might very well think that. I couldn't possibly comment.

reply

I agree it was ahead of its time. Times were different in 1995-most would not have approved a female lead, kicking butt and heading a pirate ship and being tough, a great fighter, and sexual (remember the opening scene with her getting out of bed?). Plus Matthew Modine? What? If it was Michael Douglas or Michael Keaton, it would have worked, with a bigger role. Matthew needed more to do. He was more like a supporting player than the co-star, and I'm sorry, but he just wasn't hot enough. Heck, Langella was hotter than Matthew, and he was in his 50s!

reply

You're not wrong about Modine, jlfan. Partly because of the way his character was written, and partly because of the way he played it (trying to be capital-C charming all the time, smiling his biggest movie-star smile), he reminded me strongly of the clichéd dumb leading lady from the adventure movies of the mid-century -- just hanging around, doing what she's told and vamping a bit, providing an excuse in her dumbness for repeated and extensive verbal exposition, and then twisting her ankle whenever danger approaches.

I guess we should give the movie some brownie points for inverting the gender stereotypes. It's just a pity Modine couldn't pull it off.

Keaton probably could have. I'm glad that Douglas didn't make the movie though, because even though I like him as an actor, he's a bit too alpha-male for this, and I think the whole movie would have been an on-screen tussle for dominance between him and Geena.

(Hmmm, having said that -- maybe that would have given it the spark it was missing.)


You might very well think that. I couldn't possibly comment.

reply