MovieChat Forums > Braveheart (1995) Discussion > People STILL complaining about inaccurac...

People STILL complaining about inaccuracies?


I don't get why this film is almost always singled out for it's inaccuracies when every single war movie ever made was equally or more so inaccurate.

In fact name me one movie ever which was 100% accurate?

Was William Wallace real? Yes

Did he fight the English? Yes

There seem to be cries of English hating too but well.....just who exactly was he meant to fight? Russians? Aliens? They were the films antagonists and they couldn't exactly be portrayed as misunderstood victims.

Anyone with half a brain knows that this is all for show anyway and not to be taken seriously. It's a hugely entertaining and brilliantly made film, just like other classics like Spartacus or The Great Escape, none of which were 100% accurate. I doubt very much the vintage war films made in the late 1940s were very accurate either.

Seriously, when you mention inaccuracies it sounds like you are spitting the dummy. I could understand if the film did something drastic like had Wallace survive by conquering the country and becoming King at the end but it doesn't.

If you want total accuracy then watch a documentary.

If you want entertainment then watch a movie.

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I don't get why this film is almost always singled out for it's inaccuracies when every single war movie ever made was equally or more so inaccurate.


Boll*cks.

In fact name me one movie ever which was 100% accurate?


Go and Google something called 'the fallacy of the excluded middle'.

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This guy even breaks the law.

https://en.wikipedia.org/wiki/Law_of_excluded_middle

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I could understand if the film did something drastic like had Wallace survive by conquering the country and becoming King at the end but it doesn't.


Funnily enough, the movie's implication near the end that the princess is pregnant with Wallace's child who will eventually become king in place of the Edward dynasty isn't far off what you say doesn't happen.

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Quite. How much more drastic could you get, than to imply that William Wallace, not Cerdic of Wessex and William the Conqueror, was the ancestor of every king of England and the UK since 1327?

And I'd say it was more than an 'implication', surely? The movie outright says so.

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It's implied in that she doesn't say the child is Wallace's, but the viewer works out that it is from the bit when he banged her.

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It's implied in that she doesn't say the child is Wallace's, but the viewer works out that it is from the bit when he banged her.

But she does say that, as a taunt to Edward as he lies dying. And certainly, she wasn't sleeping with anyone else. In the movie, that is.

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She doesn't tell him the child is specifically Wallace's, she only says it's "not of your line".

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I don't get why this film is almost always singled out for it's inaccuracies when every single war movie ever made was equally or more so inaccurate.

Extremely few movies are less accurate than Braveheart. I can't actually think of any off the top of my head.


Seriously, when you mention inaccuracies it sounds like you are spitting the dummy. I could understand if the film did something drastic like had Wallace survive by conquering the country and becoming King at the end but it doesn't.

Actually, by the time I had gotten to the end of the movie I was half expecting just that. Hell, if that had happened in the film, it would actually have been an improvement, as it would be evident that it wasn't trying to take itself seriously at all, but more like an action/comedy. And that would have been fine, sort of like Mel Brooks' History of the World, or Tarantino's Inglorious Basterds. Incidentally, Inglorious Basterds is more historically accurate than Braveheart, in spite of the successful assassination of Hitler.

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Incidentally, Inglorious Basterds is more historically accurate than Braveheart, in spite of the successful assassination of Hitler.


What's accurate about IB? Every character (other than Hitler, his top Nazis and Churchill) and event in the film is completely fictional.

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What's accurate about IB? Every character (other than Hitler, his top Nazis and Churchill) and event in the film is completely fictional.

And they are portrayed as completely fictional. However, the German occupation was real, the political environment as seen in IR was real, the costumes were accurate (they couldn't even get that right in Braveheart), the technology was accurately portrayed etc. etc.

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That's just background stuff, not enough to make a film 'accurate'. If it was, you might as well argue the Pirates of the Caribbean movies are accurate because the British had a presence in the Caribbean, the costumes are also accurate, and cutlasses, muskets and cannons were used in the 18th century.

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That's just background stuff, not enough to make a film 'accurate'. If it was, you might as well argue the Pirates of the Caribbean movies are accurate because the British had a presence in the Caribbean, the costumes are also accurate, and cutlasses, muskets and cannons were used in the 18th century.

But how they used that technology was not accurately presented, and zombies are not accurate either. Put it this way: Inglorious Basterds was pretty accurate in the parts where it purported to be historical, save the assassination of Hitler. And Hitler's portrayal, too, was more a caricature than anything else. But no less accurate, as such, than Braveheart's portrayal of central characters. And Braveheart didn't even get the background stuff right. Not the costumes, not the politics, not the combination of which historical character should even be involved... Inglorious Basterds got the background stuff right, so that's one point ahead right there.

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But how they used that technology was not accurately presented, and zombies are not accurate either.


Are you talking about the pirates who turned into skeletons in the first? They were hardly 'zombies' in the sense of a reanimated dead body, they were living people under a curse.

Put it this way: Inglorious Basterds was pretty accurate in the parts where it purported to be historical


And what does it purport to be historical about, other than the fairly easy aspects of the Germans occupying France as a backdrop and the clothes and guns being accurate?

And Braveheart didn't even get the background stuff right. Not the costumes, not the politics, not the combination of which historical character should even be involved... Inglorious Basterds got the background stuff right, so that's one point ahead right there.


You are right in that much, but you don't acknowledge that Braveheart does get some genuine truth in - there actually was a Scot named William Wallace who led a rebellion against the English under Edward I then got captured and executed, and a man named Robert the Bruce who took up the cause after that.

How many true events happen in IB?

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Are you talking about the pirates who turned into skeletons in the first? They were hardly 'zombies' in the sense of a reanimated dead body, they were living people under a curse.

Potatoe potatoe. Zombies or other undead, makes no difference for realism.


And what does it purport to be historical about, other than the fairly easy aspects of the Germans occupying France as a backdrop and the clothes and guns being accurate?

The historical setting, the political map of the time, the nature of the war and the invasion.


You are right in that much, but you don't acknowledge that Braveheart does get some genuine truth in - there actually was a Scot named William Wallace who led a rebellion against the English under Edward I then got captured and executed, and a man named Robert the Bruce who took up the cause after that.

How is that not "fairly easy aspects" of history? And Braveheart doesn't even get it right: what the hell is Isabella doing there? There really wasn't a princess called Isabella who was married to Edward II at that time (and when she was, long after Wallace's death, she wasn't the demure, good-natured philantropist we see in Braveheart), and the characters in Braveheart which should be in the story are all completely misrepresented. As are all the purportedly historical events taking place. If the characters in Braveheart had not had the names of historical individuals, it would have been more accurate. But precisely because it includes historical characters, but does an absolute rubbish job of placing them in their historical context, it becomes less accurate for it. It is blatantly falsifying history.

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Potatoe potatoe. Zombies or other undead, makes no difference for realism.


In any case, I brought Pirates of the Caribbean up to show that just because a film gets the background right doesn't mean it can claim to be accurate. It's the events and characters that count.

The historical setting, the political map of the time, the nature of the war and the invasion.


Was even that very accurate? Why is there no mention of the threat to Germany from the Soviet Union and the Eastern Front? Why have Hitler in Paris when the Western Allies have already entered France with D-Day?

How is that not "fairly easy aspects" of history? And Braveheart doesn't even get it right: what the hell is Isabella doing there? There really wasn't a princess called Isabella who was married to Edward II at that time (and when she was, long after Wallace's death, she wasn't the demure, good-natured philantropist we see in Braveheart), and the characters in Braveheart which should be in the story are all completely misrepresented. As are all the purportedly historical events taking place.


I don't disagree for a second, but the fact remains that there are still some elements of truth incorporated. This is what allows Braveheart to be passed off as a historical film, however much else it gets wrong, rather than historical fiction like IB or Saving Private Ryan.

If the characters in Braveheart had not had the names of historical individuals, it would have been more accurate. But precisely because it includes historical characters, but does an absolute rubbish job of placing them in their historical context, it becomes less accurate for it.


Wouldn't changing the characters' names make the film even less accurate? If it was still claiming to be a historical account, that is. A character with a made up name and made up actions is surely less accurate than a character with at least a real name.

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Wouldn't changing the characters' names make the film even less accurate? If it was still claiming to be a historical account, that is. A character with a made up name and made up actions is surely less accurate than a character with at least a real name.
How about setting it in an entirely made-up fantasy kingdom? That would have been preferable. Game of Thrones contains elements recognisable from real-world history but can play with them freely because it does so in an entirely made-up universe.

"Active but Odd"

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I've thought of that possibility a few times myself, but the chances of it actually happening at the time were slim as fantasy had been pretty much dead since Willow flopped seven years earlier, and there was also still a bit of a 'childish' stigma to fantasy which wouldn't go well with the realistic violence featured in Braveheart.

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Except Game of thrones sucks so theres that.

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I don't disagree for a second, but the fact remains that there are still some elements of truth incorporated. This is what allows Braveheart to be passed off as a historical film, however much else it gets wrong, rather than historical fiction like IB or Saving Private Ryan.

Wouldn't changing the characters' names make the film even less accurate? If it was still claiming to be a historical account, that is. A character with a made up name and made up actions is surely less accurate than a character with at least a real name.

A lie becomes worse if you hide it between truths, because it becomes all the more difficult to separate the wheat from the chaff. This is why I liked James Clavell's Shogun: all the main characters were based on real people (it is a fictionalised retelling of William Adams's rise to hatamoto in early 17th century Japan). Because Clavell gave all historical persons fictional names, he could justify any modification to historical events. Mind you, even if he had kept the real names, it would still have been more accurate than Braveheart. However, as it is, Shogun presents actual historical events with varying degrees of accuracy, but never claims to be historically accurate - not even indirectly.

This means that no one is going to come away from the book - or the mini-series - thinking "this is how it happened", though they will be thinking it was an accurate representation of Japanese society if they don't know any better. Shogun is guilty of some exaggerations here and there for the purposes of cultural contrast, a few fictions (eg. the ninja in Shogun bear no semblance to anything historical), but by no means the most inaccurate book I have ever read. And again, it does nothing to distort one's perceptions of historical events.

Braveheart, on the other hand... I saw it when it in '95-'96 when it was new - I was in high school at that time. And I knew next to nothing about the history in question. I had no reason to question the main events of the movie. Sure, I knew there was bound to be artistic license, but the movie absolutely had me believe that Wallace sacked York; that he was the chief figure in the struggle for Scottish independence; that Robert de Bruce betrayed him at Falkirk; that Robert de Bruce was a weak character of minor importance; that prima noctis was a thing; that Isabella and prince Edward were the same age as William... I honestly don't remember if I bought the love story between Wallace and Isabella, but I hope I didn't - though I know that quite a few did.

In short, if you have three people, all equally ignorant of history, and you had one of them watch Braveheart, another Inglorious Basterds, and the last would watch the Shogun mini-series, the one who watched Braveheart would come out of the experience with the most bogus information.

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Braveheart, on the other hand... I saw it when it in '95-'96 when it was new - I was in high school at that time. And I knew next to nothing about the history in question. I had no reason to question the main events of the movie. Sure, I knew there was bound to be artistic license, but the movie absolutely had me believe that Wallace sacked York; that he was the chief figure in the struggle for Scottish independence; that Robert de Bruce betrayed him at Falkirk; that Robert de Bruce was a weak character of minor importance; that prima noctis was a thing; that Isabella and prince Edward were the same age as William... I honestly don't remember if I bought the love story between Wallace and Isabella, but I hope I didn't - though I know that quite a few did.


I fully agree it's a highly misleading film.

In short, if you have three people, all equally ignorant of history, and you had one of them watch Braveheart, another Inglorious Basterds, and the last would watch the Shogun mini-series, the one who watched Braveheart would come out of the experience with the most bogus information.


And the one who watched Hitler machine gunned to death by American commandos in a burning cinema whilst a film of a cackling Jewish woman played would have a better grasp of history?

I only let IB's total inaccuracy go because (as most people know the true events) it's obviously inaccurate, and there also isn't a claim to be telling the truth as there is in Braveheart.

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"and there also isn't a claim to be telling the truth as there is in Braveheart."

But Braveheart admitted right off the bat that it wasn't going to be historically accurate with the "Historians from England will say that I'm a lair, but history is written by those who have hanged heroes" line.

It's not claiming to be a historically accurate film.

It's a film that is very loosely based on historical figures and events...and a pretty great film, despite being a wildly inaccurate history lesson in many ways.

+++by His wounds we are healed. - Isaiah 53:5+++


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But Braveheart admitted right off the bat that it wasn't going to be historically accurate with the "Historians from England will say that I'm a lair, but history is written by those who have hanged heroes" line. It's not claiming to be a historically accurate film.


Don't you understand basic wording? He says that those who disagree with the truthfulness of what he will tell are wrong, because all history books are apparently the work of people who practise the death penalty.

That most certainly is a claim to being historically accurate. I don't see how it can be read as anything else.

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"That most certainly is a claim to being historically accurate. I don't see how it can be read as anything else."

It can be read as the version of events told within the context of a film...that's all.

If I hear a line like that at the beginning of a film I'm not going to assume history books got all the details wrong and filmmakers born thousands of years later got them right. I'm going to assume I'm about to see a film that's admitting to me that it's loosely based on historical events and won't match up in many ways to the historical narrative.

+++by His wounds we are healed. - Isaiah 53:5+++


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If I hear a line like that at the beginning of a film I'm not going to assume history books got all the details wrong


Why not? That's what the line wants you to think - that you shouldn't believe history because it's written by people who practise capital punishment.

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What the line is telling you is the events as told in the film are going to differ quite a bit from the historical narrative...if that alone is going to ruin the film for someone, it'd probably be in their best interest to stop watching right then and there.

+++by His wounds we are healed. - Isaiah 53:5+++


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What the line is telling you is the events as told in the film are going to differ quite a bit from the historical narrative


And what it then tells you is that the historical narrative is not trustworthy because everyone who's ever written a history book also operates a gallows.

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Of course it's not 'those who have hanged heroes' who have proverbially written history: it's the winners. And the Scots, of course, won their Wars of Independence. (It's rather comical how few people actually realise this, and how many will simply reject the fact when it's pointed out to them, so deep is their need for Scottish victimhood.)

Also, even when not written by the winners, history-writing suffers chronically from the illusion of inevitability - the assumption that what actually happened was the only thing that could have happened, and therefore is in some sense the right and proper thing to have happened.

For whichever reason, the result of the Scottish win is that in British historiography the Scots cause has traditionally been taken for granted as an absolutely right and proper thing, and the Scots' persistence and success applauded. That's certainly what I was taught at an extremely traditional English primary school. We were given to understand that the Scottish victory at Bannockburn was self-evidently a Good Thing (as Sellars and Yeatman would have put it), and that we were supposed to cheer wholeheartedly when Bruce on his palfrey split the skull of Humphrey de Bohun. Bruce as a British hero-king was right up there with Alfred the Great, and in fact the legend of 'Bruce and the Spider' was told to us as a moral parable just like that of 'Alfred and the Cakes'. (I was seriously taken aback when as an adult I read more about the Bruce and learnt what a ruthless, self-serving, occasionally murderous baron he actually was.)

The contrast with the Welsh, who comprehensively lost their wars of independence, was stark. In the very same lessons in which we heard the Scots praised, the Welsh were written off as a bunch of squabbling nuisances whose failure to organise themselves into a coherent state led to regular bloodshed between petty princes and persistent raids over the border, to the extent that Edward I was obliged to conquer them in everybody's best interests, thus bringing them the benefits of sound English government and enabling them to fulfil their destiny by impressing the heck out of everybody with their longbows in the Plantagenets' French wars.

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Another aspect was that William Wallace wasn't all that competent on his own. Andrew de Moray was mortally wounded at Stirling Bridge, and thereafter Wallace tended to screw up. The obvious implication is that Moray was the one with the real ability as a commander. Of course, Moray didn't exist in the universe of the film. Some of his admirers were upset about this, but I recall writing to the press at the time to tell them they should be glad he was spared the travesty...

"Active but Odd"

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Moray just got himself killed too early, the careless fellow. If you want to become a national hero, it's absolutely crucial to expire at the Ideal Moment (Sellar & Yeatman again). And too late is just as bad as too early. Do you know this wonderful quote by Max Beerbohm?

Byron!--he would be all forgotten today if he had lived to be a florid old gentleman with iron-grey whiskers, writing very long, very able letters to The Times about the Repeal of the Corn Laws.


I'm sure that's absolutely true. Would Nelson have been idolised as he has been and still is, if like Wellington he had survived the Napoleonic Wars and thoroughly embarrassed everyone by interminably parading around an increasingly blowsy and boozy Emma insisting that she be received in high society? (Plus, I suspect, annoying the hell out of HMG by trying to conduct freelance diplomacy around the Mediterranean, rather in the way that Bernard Montgomery kept getting himself invited to countries such as China, South Africa and the Soviet Union and publicly making political pronouncements about them.)

Then again, let's face it, some people just have the stardust gene. If you have that, it doesn't matter whose brains and efforts actually staved off disaster - the grateful populace will swarm around you crying 'Commander Taggart has saved us!' and no amount of pointing out who actually deserves the credit will shift it away from you.

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Yep – though I suspect the pox would have got Byron sooner than later, and he would probably have died in some dive abroad.

And you're right about Nelson. He and Emma... Rather reminiscent of a lot of the flashy 'celeb couple' de nos jours... (I have a pressed glass cameo brooch/pendant, slightly chipped at one edge, but otherwise in good condition, that's a Nelson commemorative: mourning figure leaning on an urn, on which there's a 'N' and in very tiny writing, 'TRAFALGAR'.)

I think with the Wallace/Moray thing, it's more a question of, Why don't people see that Wallace was simply not very competent on his own, and draw the obvious conclusion – that Moray was the one who actually had the ability?

"Active but Odd"

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I think with the Wallace/Moray thing, it's more a question of, Why don't people see that Wallace was simply not very competent on his own, and draw the obvious conclusion – that Moray was the one who actually had the ability?


Because Moray is largely forgotten and so the victory at Stirling Bridge almost automatically gets credited to Wallace as he was the only other prominent Scottish leader there.

Plus a small industry devoted to Wallace emerged in later centuries that credited him with many things he never actually did. The same can't be said for Moray.

Put simply, popular culture chose Wallace. He was the breakout character.

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If the characters in Braveheart had not had the names of historical individuals, it would have been more accurate. But precisely because it includes historical characters, but does an absolute rubbish job of placing them in their historical context, it becomes less accurate for it. It is blatantly falsifying history.


This!

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While I agree with you that most movies based on an actual event are never 100% accurate people still get worked up because the simple fact is Braveheart is basically 98% fiction. As you ACCURATELY point out:

Was William Wallace real? Yes

Did he fight the English? Yes

I'll add one for you
Did Robert the Bruce exist? Yes

But after that the rest of the movie is pretty much fiction. The Battle of Stirling BRIDGE tends to really rub people the wrong way simply because of the way it is portrayed in the movie.

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Because it's one of the most ridiculously inaccurate films ever made regarding historical figures. Costumes, dates, people, actions, etc. It runs the gamut. While enjoyable, for a film based on a historical figure, it's quite ridiculous.

Yes, there was a William Wallace. Yes, he fought the English. There isn't much more that's accurate about this film.


Time wounds all heels.

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as long as it's against the english it has a good direction. But film isn't just good, it's a masterpiece. :)

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Very well said.

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To those people complaining: cram it up your f'ing ass. I couldn't care less. It's a f'ing MOVIE, not a documentary. Asshats.

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