All stories have to stop somewhere, and I consider it more honest when a storyteller does that rather than painting a "happy ending". Life goes on, it isn't fundamentally transformed, but the story does tell us about events that changed the characters. Here, Valentine and August have a near death experience - the miraculous survival of a disaster. That isn't climactic enough for you. The other point is that obviously they are thrown together, and if the judge's dream is actually a prophecy, then he is the one with whom she will wake up happy when she is older. Valentine may be a woman who has all sorts of things going for her, but spiritually she is in a rut. She even says to the judge that she feels that important things are happening to her. She meets the judge and is deeply impressed by the experience of getting to know him, she obviously realizes her boyfriend is an abusive creep, and she is thrown together with August. Seems like a pretty clear resolution to me.
About the poster, to me it just fits in with the theme running through the film that people's fate is hinted at in so many ways before it happens. I'm not endorsing that view, but I think that is what he was getting at. She is a model who is told to strike a tragic pose (I believe the photographer was telling her to think of something terrible happening), and in her life that pose becomes a reality - life imitating art.
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