Themes


I don't know if there were any parts of this film to be taken seriously (always tough to tell with Euro films), but I saw this film as a depiction of the inadequacies of male love at various stages of a man's life, and the frustrations that come with it.

Tete the boy is too young to distinguish maternal and sexual attraction. He shies away from competition, preferring the security of his mother's breasts, and is thus called ball-less (= not a man) by his father. Seeking undivided love, he abandons his mother in pursuit of the Frenchman's wife, where yet again he runs into competition. He cannot sing like Miquel nor fart like the Frenchman, but at the finale of the film, he musters the courage to climb the human tower in an attempt to impress the wife. In doing so, he learns the joys of competing and enters early manhood.

Miquel the adolescent cannot distinguish love from lust, and though he is healthy and youthful, he is naive and lacks the wisdom of a man. The only things he does well is to sing and make passionate love.

The husband (Frenchman) is wise and witty, loves his wife, has an emotional connection with her, but is no longer able to satisfy her physically.

[Other: Stallone -the tough guy who prefers to pursue his hobby rather than chase after women- has his life literally consumed by it.]

So: when you're little you just want undivided love and security but quickly learn this can never be attained, when you're young you can't wait to grow up; when you're older you have no idea how to channel the lust; when you're finally old enough to deserve the woman you love, your body betrays you.

What did you see in this film? (Other than Mathilda May's perfect pair)

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I agree with you on all of those themes. The fantasy and symbolism is so well mixed with the real world that I think It makes a perfect example on how we live our childhood as a surreal voyage. I'm a Spanish speaker so I got confused sometimes, when they spoke Catalá, I though I didn't heard very well. The love for the country, the land, a kind of nationalism/pride that has lost it's way is present for me.

There's a place where people speak English, French, Spanish, Catalan, and who knows what else. Where the frenchman is so proud of his country that even cleans a flag that is not even his'. At the same time, he's coward because of his love for Estrellita. A father who likes to live the fantasy that he descends from romans, hoping to inherit their strength, which may help him through his late shifts on the gas station. Albeit wants to be the captain of an army able to make the biggest human castle of his tradition. And of course wants his son to be as great as he can imagine.

A young man with a fair flamenco voice, who has an obvious future on that art, is proud of his traditions, his culture, but is working as an electrician. Even if the end shows him in a place that might be happy, I think his story isn't finished.
Another young man, a strong one, who dreams to go to a far away place (California) despites of the French women.

A woman from nowhere. Born in Portugal, but with a strong connection with France, living temporarily in a Hispanic land. A woman who easily could be from the Moon. A woman who though she was someone and then that was challenged without notice.

The nationalism/pride on Tete (name that sound like tits in Spanish and is the way that we say baby bottle in few spanish spoken countries) is more about what he can do, what he wants to do, and what everybody else thinks he cannot do. Everyone else besides his grandpa of course.
We call that Magical Realism, because, yes, real things are truly stranger than fiction.

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