Sooooo boring


I just had to make this topic because I'm amazed that no one HAS.

Personally I loved the film, and I'm kind of confused because everything about it means it should really drag. Everything is just so slow moving- It SHOULD be boring.

Yet I was absolutely captivated from beginning to end and I'm still trying to work out precisely why.

I found Stalker incredibly tedious, so after watching this I wondered if my film-sensibilities had somehow suddenly and unexpectedly inverted themselves, but so far I've hardly found a word against it, which I also thought was kind of odd...

Do you think Sátántangó somehow lends itself more to the mainstream viewer than other films its often compared to, like all those nasty pretentious Takovsky films? *shudder*

reply

[deleted]

That's so funny, I had just the opposite experience. I was completely captivated by Stalker but found Satantango incredibly boring.

To me, Tarr is the pretentious one, not Tarkovsky (who is possibly the greatest filmmaker in history).

reply

Totally agree. I kept thinking, why do I love Tarkovsky but just can't stand this? The answer is simple. There is a point to long shots in Tarkovsky films and they are all poetic. I just did not see the point in most of the long shots in this films.


- No animal was hurt during the making of this burger -

reply

That is my experience also.

reply

There is nothing about this film that 'should' be boring. Each image is incredibly beautiful and I really don't see anything boring in looking at something beautiful for an extended period of time. Extended periods of flashing pictures and cuts so quick you can't work out whats going on is boring, things that have no meaning is boring and this film doesn't fit into to either of those categories.

IT is a masterpiece cinema and thank god it doesn't have a word against it as so many other great films do.

'Pretentious' is usually a word used by idiots to describe something they don't understand, and this is certainly not an exception. Tarkovsky obviously heavily influenced Tarr and rightfully so. Stalker is not only a fabulous and intellectual piece of science-fiction, but also, like Satantango, a visual feast and a technically sublime film.

I'm glad you enjoyed Satantango, but if you judge Tarkovsky in that way, it is a miracle that you did.

reply

You seem quick to dismiss claims of pretentiousness. A lot of idiots say it, but the context matters. I define 'pretentious' as a piece of art that demands patience and understanding on the part of the person taking it in (meaning that the film may have a slower pace, less onscreen action, or obvious artistic intentions). This may not be a perfect definition, but it's the one I use if I need to describe a film to someone. It does not always imply idiotic use since many movies can be pretentious but also have a lot to offer the viewer who gives it their time. A film can be "pretentious and boring" or "pretentious and fulfilling". I guess it depends on the viewer.

reply

I think you really need to expand your vocabulary. You may use the word 'pretentious' in that way, but that is really not what it means. As we have the great pleasure on imdb of discussing great films we should be careful on what language we use; this is part of our cultural heritage, the only decent thing left in humanity. The word prententious, simply put is something that pretends to be greater than it actually is, something with outward snobbishness but with no substance and arguably something bourgeois. By its very meaning something cannot be "pretentious and fulfilling". IF you are talking to a person who thinks a film is 'pretentious' because "the film may have a slower pace, less onscreen action, or obvious artistic intentions", they are, as I said ealier, an idiot. If anything, the opposite of what you describe as 'pretentious' IS pretentious as despite its outward show of action and speed it is specious and has no quality or depth whatsoever.

reply

[deleted]

I'm all for messing with language. I believe that anyone WITH A CLUE should do it, liberally too - the grand cliché, 'Master your art before you deign to deconstruct it'. You are obviously a yank - amongst all the other failings of a nation and people with far more arrogance and brute force, than a clue - is the butchering of the language, and doing ridiculous, pseudo or anti intellectual things with it. That is a TERRIBLE usage of the word. Apart from you, about 100% of the history and usage of the word is PEJORATIVE! Full stop, it's a pejorative word. Sure, go saying that black is really white, night is really day, BRAVO, but like a typical yank you are 'speaking loud and saying N O T H I N G', as your head is so firmly shoved up your arse.
Pretentiousness DOES SUCK - what IS WRONG is when someone has an extremely limited idea of what a film should be, and worse, projects all their feeble desires (ignorance?) onto it - THOSE being the main reasons a person usually perceives any film... pretentious. You lose, start again - EVERY thing you said about that film basically sounds like it is S L O W moving, light on the narrative or action side. So, stick to slow, easy words instead of screwing up the basics of communication, and worse still, thinking you are smart at it. Los, (Laugh out softly - see, I just invented that - I still have NEVER used 'lol' except when criticising ubiquitous, moronic language :).
Love from,
your holier than thou... no, kidding - being obviously smarter and sharper witted, and helping you lessen your language mutilation is enough. Kisses.

reply

Wisdom right there.

reply

I utterly fail to understand what nationality has to do with anything, though I suppose it's become the standard fall-back accusation for people who are evidently emotionally disturbed, or at least utilizing Internet forums to vent some sort of deep-seated frustration over their lives. Regardless, "pretentious" is definitionally *not* pejorative, as it merely means 'of or having pretense.' Calling something 'pretentious' implies it was executed with more, or with more obvious, thought and deliberation than something that isn't 'pretentious.' Of course, it is usually (incorrectly) used as a synonym for "pompous," which itself basically means 'to be archly pretentious in order to demonstrate personal superiority or preeminence.' 'Pompous' is pejorative. 'Pretentious' can go either way. I adore Tarkovsky and Kubrick, but also readily admit that they are extremely pretentious. So what? It works for their movies. Howard Hawks is a great example of a revered filmmaker who was almost studiously *not* pretentious. Again, that's perfect for his style. Contrarily, I myself detest Gaspar Noe's stuff, because I find it extremely pretentious and *also* dislike the form and intent of said pretenses. All of these things can (and are!) true, because 'pretentious' is *not* a qualitative concept.

Your rant is much appreciated, and is clearly setting a high example for "non yanks," but you should save your swagger for instances in which you have any idea what the heck you're talking about. Also, clever capitalization and schoolyard vitriol fool no one but yourself.

Anyhoo, the original post makes a good point --- personally I love Tarkovsky, dislike Bergman and am ambivalent to Tarr. Maybe we all group these guys together based on superficial or technical similarities (exquisite, slow-paced photography), when really they're far removed from each other by dint of basic intent. That is, Tarkovsky's basic predilection seemed to be for poetry, specifically for making film 'poetic,' and that kind of open-aired approach is something that resonates for me. I get more of a criticality to Bergman that eventually just suffocates me. And Tarr, well, after seeing his stuff and reading his interviews, I'm semi-convinced the guy is a certifiable depressive. As in, he should be on suicide watch. And his stuff is just stunningly wonderful, but it's also a head-space in which I don't particularly want to spend much time. So, for me, it's Tarkovsky's stuff that I rewatch. It would be insane to rank these filmmakers objectively (though, good grief, many have tried and will continue to do so with *authoritative certitude*); I think we can only notice what truly speaks to us individually, and realize that our psychological reactions to movies and styles goes deeper than shot-length or even subject matter.

reply

[deleted]

[deleted]

The latter contribution to this thread/discussion by this fellow named flanger216 - and I hope that doesn't mean there are 215 more such "flangers" out there "flanging" similar delirious, incoherent ideas about the semantics of words they clearly know nothing about. Every once in a while, and especially here at IMdB, I happen to fall upon the ranting of one flanger or another in the middle of an otherwise interesting, potentially stimulating discussion on a subject I care about like thousands of readers who frequent this forum.

You want pretentious NOT to be pejorative? How can you imagine anybody in his/her right mind might understand a word you mean when you write amateurish, dumb and hallucinatory mumbo jumbo such as "Calling something 'pretentious' implies it was executed with more, or with more obvious, thought and deliberation than something that isn't 'pretentious.". Whhhhaaaaa-aaaaat ????? Look, I have nothing against you, I don't know you at all and I won't repeat it to your friends, if any, that I read this prose of yours at IMdB, but I do hope that your pseudonym is not something that could betray your actual identity, because.... Here's another good word for you, Mr. Aurae Calidae Saccus (search for it; to be sure you're getting it, I'm using Latin, which used to be the international language, the common currency that allowed honest me to communicate with each other a while ago...): You were saying that your correspondent was confounding “pretentious” (a non-pejorative attribute in your lexicon from hell) with “pompous” (something I’d swear fits you well in person!)? Try this instead: sententious ! Now, mix sententious + wrong = fallacious! I’d bet you’ll turn this one into something good too! If that’d be so: you’re probably too self-important to realize your arse is on backwards :-)

It's been a while (at least back to good ol' Danny Boy Quayle days) that I hadn't witnessed utterances made by as genuine a nincompoop as you, Sir Flanger my man! If it weren't so sad to see how crassly, persistently and deliberately ignorant one can remain despite having been provided with clear explanations by others previously in the thread about the actual meaning of pretentious and pretentiousness ..... I would laugh so hard it might hurt my maxillary muscles for weeks. But I have been said to be a fair judge of characters and I will enter a plea of innocence in your favor. Correct me if I’m wrong, but English is not your mother tongue (and then please don’t say anything about your mom, please!), right? The way I see things now, you had a fit about semantics for the simple reason that in your own first language (Albanian? Zulu?), the morpheme equivalent to pretentious(ness) is non-pejorative, and represents in fact a quality. Accordingly, you are proud to be pretentious, although I wish you knew how pathetic this really sounds in the mouth of someone speaking English...

You want to pretend you know your English? Learn the language first, Dan Quayle !!!!

P.S.: And thanks for providing the good laughs!

reply

I agree Tarkovsky and Tarr can be demanding, and I usually describe them as boring to people to level with people that I do struggle with these films. One thing I try to take into account though when watching these films is perhaps I have something to learn. I am no master and learned a lot sticking with these directors and putting my first impressions aside. Remember these are directors that have fought against odds and circumstance to achieve these pieces, so maybe there is more than immediately meets the eye. And also maybe its not for you. But Tarr and Tarkovsky are like my masters, my teachers, so please stick to criticism that is logical and that you could know, because it is offense and hurts when people make ignorant derogatory statements about them.

reply

does anybody else find queerever's comment particularly pretentious?

reply

I liked the film but I still felt it was a bit too long.

Strange that the 4 1/2 hour epic "Eureka" (2001) has never had a domestic release. As far as brilliant long films go........ it's amazing.

reply

That's interesting. I found both films fairly dull, but I found Stalker much more boring than Satantango, despite its much shorter length.

reply

I loved Stalker...

but I fell asleep watching this. I got throught 1 hour 49 minutes and just stopped it. I woke up five minutes ago.

Are you guys sure this is really that good? It was soooooooooooooooooooooo boring. Shots of people walking in the rain for two minutes.

Stalker was forgivable because at least you knew what was happening. There was a plot.

reply

Whatever floats your boat, man. I gotta thing for Tarr's walking scenes, I think they're genius. Why? Dunno. They just are. The persistence of the action is actually a little rebellious (it's the kind of thing that would strike fear into the heart of a hollywood exec!). The sequence of Irimias and whats-his-name walking through the streets with the wind blowing behind them was amaongst the most hypnotic I've ever seen in a film; the stark black and white photography is stunning. Not to everyone's taste, I'm sure... but that's not to say I was on the edge of my seat for the whole 7 hours!

reply

no one has because it ISN"T boring. thats a huge part of why it's so incredible.

and did you seriously just shudder at tarkovsky's films?? seriously??

reply

[deleted]