MovieChat Forums > Star Trek: Generations (1994) Discussion > Probably the WORST PLOT HOLE in the hist...

Probably the WORST PLOT HOLE in the history of movies.........


Trying to stay calm while typing this...

Ok Data states that this energy ribbon (or Nexus) travels the galaxy every 39.1 years. Ok lets say for the sake of argument that is true, then explain to me in the simplest terms HOW THE HELL NOBODY KNOWS ABOUT IT?!?

I mean other than Soran, Guinan, and the few other people who got swept into it, nobody knows anything about this damn thing and people look like confused dogs everytime they see it. We are talking STARFLEET officers, Kirk should know what it is, Chekov should know what it is, Scotty should know what it is, Picard and everyone else on Enterprise-D should know what it is. Hell its the very thing that supposedly killed Kirk, and yet nobody during the span of 78 years ever bothered to ask what that thing was that killed our legendary captain?!?

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Good point. :D

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And I'm sure that it never traveled anywhere else affecting other worlds.

"Lovey-dovey. Bonk bonk on the head!"

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Its a big galaxy. You expect a biologist to know every living creature on the planet and never be surprised by something they might find in the Amazon? Give one biologist millions of planets to explore.

Big galaxy, lots of stuff. In a galaxy with enough crazy crap to populate this many franchises with weekly antics something as big and crazy as an energy nexus would be like finding a comet, except it has magical plot driving powers.

Okay, so its Star Trek. Apparently they should be seeking out known life and known civilizations, boldly going where they've been a few times before so that nothing surprises them? Great plot device. "My god! Its that thing we saw a report on last week!" That really sets the mood doesn't it.

Also, ribbon obviously doesn't intersect any planets or else Sorin would have gone to one of them, so he blows up two stars to create the gravitational shift necessary to get it to pass near one.

Poor plot device? Sure. Plot hole? Not really, and if it is its not a gaping one. How you wrote that thread title is beyond me.

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The whole plot is a bit reminiscent of Wiley Coyote spending a fortune on Acme crap to try and catch one Road Runner.

Soran had to blow up stars and be on a planet surface in order to get to the Nexus? Uh, wasn't he on a ship that got caught in the path of the Nexus the first time? Or is it that you can only get caught in the Nexus if you're not trying to get caught in the Nexus.

My money is on really poor plot device. Of course, my money is also on Picard never actually leaving the Nexus.


"Lovey-dovey. Bonk bonk on the head!"

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I'm perfectly willing to believe that flying into the nexus is a dangerous gambit likely to fail. Look at all the damage done to the Enterprise B. They didn't get anywhere near close enough to be sucked into the Nexus but still got really chewed up.

Also there's no guarantee that what they experienced while on their ships was properly being in the nexus. They phased in and out, so it at least implies they're half in, not all in, so maybe they only get a taste until their ships blow up, then they're dead. Flying into it with a ship is imperfect, but enough to get a guy like Soran obsessed.

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Err, and blowing up stars in the hopes that it will pass your way is not dangerous?

They could have gone with a nice Twilight Zone twist and had Soran make it back to the Nexus only to discover that instead of eternal joy, he experiences eternal agony. Anything would've been an improvement.

"Lovey-dovey. Bonk bonk on the head!"

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Blowing up stars is dangerous, but its also more effective. Flying into the nexus is basically guaranteed failure where blowing up stars is not as long as you've got a Bird of Prey ready to beam you over and take off at warp. Soran also being somewhat mad and driven to his ultimate goal views the risks as acceptable since its the only way its possible. Madmen making mad choices make sense when you consider their warped sense of reality.

I don't like the twilight zone twist personally. Terribly cliche. That said the final act with respect to the Nexus itself wasn't terribly satisfying for me. Not only is Picard's version of joy totally inconsistent with who he was in the show but he and Kirk are also apparently have no problem dismissing the Nexus as a cheap trick, not real and whatnot. So apparently Guinan who is some centuries old extremely wise being finds the Nexus this perfect den of pleasure a place she labours to forget, and Soran finds it a place he cannot forget, while 2 humans with a life of regrets just shrug it off in about 15 minutes apiece. Not particularly compelling because it makes the whole notion of the Nexus contradictory.

Coulda been done better but ultimately I find it a more satisfying final act that most of the other Trek movies. In the end I find the end of First Contact less interesting than this. At least this is trying to be more than just a schlocky action flick. Its making failed attempts at burrowing into some essential question of humanity, mortality, regret, choice, etc. First Contact was just a bunch of one liners and action nonsense that gutted the Borg as this faceless force of nature and personified it into some moist sexualized emotional queen bitch of the universe thing. Insurrection and Nemesis need not even be reviewed.

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But that's the problem with a feature length movie. The Motion Picture had a fairly hardcore scifi theme, and lots of people didn't like it.

That said, as a way to get Picard and Kirk together, the Nexus is a pretty weak concept.

"Lovey-dovey. Bonk bonk on the head!"

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Its an okay concept they executed poorly. They on the drawing board had a very good idea about driven career men who never put time aside for family. This was always a theme with Picard and was at least part of what we saw in some of the films with Kirk. They didn't do a good job at all with it

I loved the theme for Motion Picture. That long scene where the Enterprise just flies through the massive ship was amazing, and even more so because it looks incredible with today's technology. But if you're going to make big movies you have to peddle to the lowest common denominator.

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"So apparently Guinan who is some centuries old extremely wise being finds the Nexus this perfect den of pleasure a place she labours to forget, and Soran finds it a place he cannot forget, while 2 humans with a life of regrets just shrug it off in about 15 minutes apiece. Not particularly compelling because it makes the whole notion of the Nexus contradictory. "

Almost perfectly said, some grammar failures aside (missing commas and using numbers instead of words for numbers, when the numbers are small). The word "apiece" is not really needed, because time is the same for everyone.

But this is the exact same thing I always wondered, and found extremely weak in the movie.

It's like so many other movies and TV shows that first EXPLAIN something to be "like this", but when they actually SHOW it, it turns out to be NOTHING "like this".

The amazing sharpshooting of the Stormtroopers in Star Wars is another example of this.

Look, if you can't come up with a kind of 'normal life' that would bring 'happiness' to Picard and Kirk (and forget the feminized 'relationship and family' crap that hollyweird loves so much), at least you can make it some kind of hazy euphoria that doesn't need to be spelled out in detail (like taking some drug that brings you extremely good feelings and experiences).

Just show some kind of hazy figures in euphoric, psychedelic, colorful and nebulalike lightshow, for example. And show their facial expressions that look like they are in extreme euphoria constantly, or something.

Don't show an old man riding horses or going to bedrooms (that aren't there after all - what a tease the Nexus is!), or making tea or cutting wood or talking to his 'family' or whatever.

Just show EUPHORIA, and it solves the problem.

Your point about Kirk and Picard not having been affected by it afterwards AT ALL is also very good. They should at least lust for it, miss it, and yearn for it, like an alcoholic craves for a drink, or like a thirsty man craves water, or an RC Heli addict yearns for a transmitter. Whatever, just make them yearn for it deeply and passionately, even disturbingly, if you like. Don't just show them like NOTHING AT ALL HAPPENED, just because they figured out "it wasn't real".

Who cares if it's 'real' or not, as long as you get the EUPHORIA, the incredibly GOOD FEELING that comes in so many flavors that you wouldn't, in reality, ever want to leave?

This is a crappy movie that doesn't make any sense, but especially this whole core point of the Nexus - the way it's described versus the way it's shown to us - TOTALLY destroys it and prevents it from being even a passable piece of entertainment. It completely obliterates any immersion the viewer might have had otherwise.

In other words, it sucks.

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Your point about Kirk and Picard not having been affected by it afterwards AT ALL is also very good. They should at least lust for it, miss it, and yearn for it, like an alcoholic craves for a drink, or like a thirsty man craves water, or an RC Heli addict yearns for a transmitter. Whatever, just make them yearn for it deeply and passionately, even disturbingly, if you like. Don't just show them like NOTHING AT ALL HAPPENED, just because they figured out "it wasn't real".

This is where this film fails compared to TNG. You could argue that TOS films had greater character impact than the TOS series, but with TNG its clearly the opposite. Where in the show when something this enormous would occur it would affect Picard, and there were instances where events greatly changed him in fact, the films instead lose this trait of the show because they apparently decide every film has to be a one off.

The TNG films will never be what the TOS films were because they form no coherent whole next to what at the very least Star Trek II and III represent together. Whats more you find even in Star Trek IV that where the last film left off we begin again, and then again in Star Trek VI Kirk's animosity towards the Klingons is exacerbated by the death of his son in a previous film.

Nothing in the TNG films had any lasting consequence except in passing. Data's emotion chip is about the only bit of continuity that affected character. For Picard in Generations he lost his familial security blanket, the get out of being a father free card. In First Contact we see no shred of this effect, instead we get a vulgar revenge story where they try to stuff Picard's character into a poorly fitted Ahab costume. In Insurrection we get perhaps a hint again that he has some romantic inclination, but this interplay is really not essential to the story and is again completely lost in the final film.

TNG films... truly disposable.

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I'm going to go to my grave believing that Picard never left the Nexus and that everything that happened at the end of this film and beyond is just part of Picard's Nexus fantasy.

"Lovey-dovey. Bonk bonk on the head!"

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I disagree. The Enterprise-B was still in our solar system when they received the distress call. That means the nexus was relatively close by when it grabbed up the two ships (stupid helmsmen on both that flew so close to it in the first place).

If the nexus passed that close to our solar system that often, it would've been known.

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Star Trek: Swiss Cheese.

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I'd also like to point out that the nexus is supposed to travel around the Galaxy/ universe every such and such amount of time yet we clearly see it traveling slower than the speed of light!
I believe the entire concept is weak and extremely badly written, not to mention it's highly illogical. You can just leave it by wishing to? To any time? BS

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The time span is what got me. It's supposedly going all the way around the galaxy in under 40 years, it must be going at like warp 500 or something. There's no way they'd be able to see it etc.

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