novella vs film


Anybody who has read/studied the book and seen/studied the film, please leave your opinion here on each, in relation to each other.

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I dont think anyone has lol...

The novella is the best litreture period...Loads better than the moive. You cannot get the same quailty from film. Its a complelty different mean. Nothing can compare to reading HoD, let alone a version that is not a book!

Havent seen the film..sorry lol, just taking a guess.

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In spite of all its differences, Apocalypse Now was still a better adaptation than this.

—Ray

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Vote history: http://www.imdb.com/mymovies/list?l=12320866

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Absolutely agree with Ray. Considering the film makers had the hindsight of Apocalypse Now, they COULD have made a stunning film. Unfortunately, they didn't. No real engagement with the characters, no real idea of a journey to a dark place, no real suspense. A great novel, a poor film, although still watchable. Wish someone would come along and do real justice to this brilliant story. Still unsure if Tim Roth was miscast.

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Two things: first, this is a TV movie, along with all the limitations that go with it. Heart of Darkness, although considered exceptionally good in literature, I believe it's not seen as something very accessible to the general public, so I think producers don't really want to commit to something seen as obscure. Considering these limitations, I believe thay have made something extraordinary out of it.

Second, the film follows the book quite closely. It IS quite stunning, in its own way. Not in the mostly premade Hollywood angles and effects that we got hooked on, or that several multi-million dollar productions got us hooked on, but in its own, modest way of filming some minor detail or important event that occurs in the film. I can't forget the scene where Malkovich wrings the monkey's neck, or when Tim Roth arrives to Kurtz's station with a bloodied face and, although unflinching, you can feel that the horror is there. And you have to listen to the text. They won't spoon-feed you the story, this film demands certain attention. I like that kind of challenge.

I believe it does more justice to Heart of Darkness than Apocalypse Now does. Coppola's film is really only about Vietnam, using elements from Heart of Darkness, and it's more in-your-face and American, it's more about the human condition than the study in social anthropology the novel is, and less intellectual than Heart of Darkness - which is not a problem; I'm not saying better or worse, I'm just saying different. Each of the two films have their own value, but in their own contexts.

About Tim Roth being miscast - Tim Roth has this aura of mischief around him, that's his specialty, being the arrogant little devil that usually comes out smiling at the end. I believe that this role didn't require that certain quality from him, he's playing a different character, an honest, terrified victorian facing the quiet, exquisite horrors of the perceived barbaric darkness; he is without an agenda.

Ok, that was long. I hope you read it and find some points, if not true, interesting enough to think about.

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<i>I believe it's not seen as something very accessible to the general public</i>
What do you mean? Do you just not think the general public is intelligent enough to get it? I've always felt <i>Heart of Darkness</i> was incredibly accessible. His style is relatively easy to read, compelling and completely engrossing, and his themes are well-developed and well within the average individual's grasp.

-Who do you think you're trying to fool?-

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@tour___de___force on Thu May 10 2007

I agree that the novel is better than the film. I believe that Tim Roth was miscast. Marlow is central to Conrad's book: Roth's acting does not do justice to Conrad's depiction of Marlow, who serves as spokesman for Conrad and his bitter experiences in the Congo.

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This film was a respectable attempt, but it failed to convey any part of the novella other than the bare essentials of the plot.

Conrad just doesn't adapt well to the screen. Usually, adaptations of Conrad (recently "Victory" with Willem Defoe, and "Lord Jim" with Peter O'Toole some years back) turn out to be jungle or sea adventure stories without any of Conrad's psychological depth. The reason is that the real meat of Conrad's books and stories is the interior monologue and the author/narrator's reflections, which you can't really film. So what you're left with is a victorian adventure story when you put it on screen.

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[deleted]

[deleted]

the film did not do the book justice
lots of plotholes in the film that were covered in the book

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[deleted]

Well, the book is beautiful and engaging, but this mundane, lifeless movie captures absolutely none of that. Iman was nice to look at though.

Apocalypse Now shall probably always be the great adaptation of Conrad's work.

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@ibbi on Fri Jan 29 2010

Sorry, ibbi, but I disagree. No film, however good, can ever match as fine a book as "Heart of Darkness."

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Where did I say otherwise?

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The whole cast was rhubbish.

Both Tim Roth and John Malkovich failed to engage half the time.

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@ grohistEr and others:

I've read the book and viewed the film. Each has merits. Conrad's novel is darkly brilliant. The effect of Marlow's account on the unnamed narrator who tells the entire story is memorable: At the end of Marlow's tale, the narrator--who has never seen the Congo--finds himself looking "into the heart of an immense darkness."

The film has certain strengths--particularly in its visual effects and for the most part in its acting. John Malkovich is excellent as Kurtz. Phoebe Nicholls is spectacular as The Intended. There are, inevitably, changes made from book to film. I had read Conrad's book before I saw the film, so I prefer the book, but I appreciated the film precisely because I had read the novel.

My chief complaint is that I think Tim Roth is miscast as Marlow. The film needs a stronger, more contemplative narrator than Roth.

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