I've heard Lewis's literary executor Walter Hooper say that the producers of the film wanted to turn Tolkien into the villain of the piece. In fact of course there was no falling out between them. Tolkien didn't approve of Lewis's marriage because Joy was a divorcee. But he and Lewis disagreed about religion as well, and he hated Narnia, but they didn't fall out about these things either. Tolkien didn't actually argue with Lewis about his marriage. He just felt that Lewis's argument (that Joy's husband Gresham was himself a divorcee) was logical but also self-serving.
The real problem with "no Tolkien" in the film, though, is that the film gives Lewis lots of made up friends who aren't really his friends in the film anyway, and they're all awful. In real life Tolkien liked Joy and he liked Americans. And Joy herself was hardly the wholesome, innocent person portrayed by Miss Winger. (The producers were embarrassed about her, actually. According to Hooper they were embarrassed that in real life she wore a fur coat. They were also embarrassed about Lewis's Christianity -- for example, that he had an image of the Turin Shroud in his bedroom.)
Indeed there's one bit in the film when Joy says "You don't look like CS Lewis." Well duh! Not only does Hopkins not look like Lewis but he doesn't sound like him or act at all like him either. Lewis was a fat, jolly, bald man, who had a very deep voice and a very warm, funny, outgoing personality. According to Douglas in real life, you could hardly be with him for ten minutes without laughing. His personality also comes across in almost all his books: he's almost always very cheerful and ebullient. The character Anthony Hopkins plays is almost the complete opposite of CS Lewis. In fact he really is almost more like Tolkien than Lewis, because Tolkien was a much quieter, less extrovert character than Lewis was. His life would also make a better love-story than Lewis's, and it would have to have much more to do with his writing.
And that's the real problem. At the time the play was first written, Lewis's Christian writing was very unpopular with non-Christians. (It still is, but now it has a greater following amongst Christians and there is a bigger "CS Lewis fanbase".) Tolkien's stories were likewise very unpopular with snobbish, trendy people. The result was a play in which the seriousness of Lewis' faith, which in part grew out of his relationship with Tolkien, is seriously downplayed. So are his Narnia stories, which themselves grew out of Tolkien's Middle-earth stories. The result, in fact, is a run-off-the-mill Hollywood love-story, albeit one for older audiences that doesn't have any sex-scenes in it. (And why not? one wonders.) It's beautifully done, of course. Hopkins sounds lovely as usual, Oxfordshire looks beautiful, the 1950s setting is charming, Edward Hardwicke is just as comforting and reassuring as he was as Dr Watson in Granada's Sherlock Holmes series, even Debra Winger is bearable and Joseph Mazzello is simply delightful. But it's not nearly as interesting as what really happened!
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