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Smith being Black = Whole Point of Book Ruined


One of the main themes of the book was to show how inherently xenophobic, racist and intolerant Japanese society is (not that I agree with that). Crichton went to great strides to talk about how much Smith had to continually learn Japanese customs and ideosyncracies in order to do his job as the LAPD liaison to the Japanese community.

Within the context of the story as Crichton presented it, it would make no sense to have Smith's position be held by a black man. This is not to say that Chrichton's assessment is correct or that I agree with it, but it was sort of the entire point of the book.

To read the book as Crichton wrote it, you would never believe a black man could ever do Smith's job.

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SO you're saying that in the book Smith's character being black wouldn't work because the Japanese wouldn't accept him?

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You are all missing a very important point here.

However, before we get in to that, I can tell you that Japan is a very racist culture. If you want a glimpse in to how the Japanese view blacks, just consider how an African-American was viewed and treated in the American South say during the depression.

Okay. Now double that for the worse.

The Japanese are masters of reversing sterotypes and claiming that weterners harbor racial prejudice against asians, while they practice the very same thing to all other cultures. This was point that Crichton brought up.

In any event, you can agrue back and forth about casting and racism until the cows come home. I feel the main point to consider is this:

(warning: spoilers below)


In his book Crichton describes the Japanese culture and compares and contrasts it to American culture; his major theme in the novel is that the Japanese approach to business, life, and social situations is starkly different to those of the West.

To that end, Crichton describes how the Japanese use money and other pressures to influence events in their favor. It is their intimate understanding of American culture and our lack of understanding of the Japanese culture that provides them their greatest strength and asset.

What I find HIGHLY ironic is that in the novel, the actual murderer is a Japanese national, who kills the girl to advance his company's agenda and please his bosses.

In the movie, the bad guy murderer turns out to be an American lawyer, whose actions "dishonor" his Japanese masters. Typical sterotypical western view of Japan and Japanese culture.

How I would have loved to have been there when Crichton found out about that change and seen his reaction; everything he wrote about concerning Japanese influence and a reversal of sterotypes was born out.

After all, who owns a good chunk of Hollywood? Is it any wonder that the studio would not let a Japanese national be the heavy in the film?

AE36

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Wesley Snipes was cast in the role of Lt. Smith so that 20th Century Fox could deflect charges of racism.

It seems to me that the whole point behind Michael Crichton's novel "Rising Sun" was to express anxiety about a non-white nation becoming strongly influential in America's business dealings. If Japan had been racially white, I don't think that Crichton would have been as worried.

While there is a level of racial and ethnic discrimination in Japan that would be unacceptable in the U.S., I think that Crichton overstates the case. Crichton seems to say that because Japan's racism is so extreme, he should be able to say whatever he likes about Japan without being accused of racism.

To me, the whole point of the film "Rising Sun" was to play upon non-Asian viewers' fears and misunderstandings of Asian people. Much less frequently seen on the Hollywood screen are the positive contributions and experiences of Asians in America, including the U.S. citizens of Asian ancestry, some of whom have been in America for generations. If there had been more Hollywood movies with Asian Americans as main characters, "Rising Sun" wouldn't have stood out so much as one of Hollywood's select films "about" Asian people. The Asian American viewer is basically off Hollywood's radar.

Consequently, when Fox announced that it was turning Crichton's novel into a $40-million movie starring Sean Connery, many Asian Americans were angry that Hollywood was all too eager to show the bad side of Asian people and too slow to show the good side. So, Fox cast the role of Smith with an African American -- black audiences being a demographic that Hollywood actually cares about -- to shield itself from charges of racism. After all, as I believe Fox reasoned, you can be as anti-Asian as all get-out, but as long as you cast an ostensibly "white" role with a black actor, no one can accuse you of racism.

*SPOILER ALERT* As for the identity of the murderer, the film's epilogue leaves open the possibility that the white Japanese-business employee who had been fingered as the killer might have only been taking the fall for someone higher up. So, in saying that the murderer might have been either white or Japanese, the movie "Rising Sun" tries to have it both ways.

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In the movie, the bad guy murderer turns out to be an American lawyer, whose actions "dishonor" his Japanese masters. Typical sterotypical western view of Japan and Japanese culture.


I saw the movie soon after it was released, and several times over the years since then. I saw it after I read the book.

My take on it has always been that in the movie, the guy who killed her did so either at the explicit or understood direction of his Japanese masters - they fully expected him to kill the gaijin woman to gain authority over the Senator.

It was only once he was caught that the Japanese threw him under the bus, and *that* caught him by surprise.

It never once occurred to me that he wasn't doing exactly what his bosses wanted him to do.

--
Philo's Law: To learn from your mistakes, you have to realize you're making mistakes.

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^ True, but its only natural.

I've yet to see the movie, but from what I'm reading, it seems ironically as if the entire point of the book has been watered down until it is exactly what the novel was talking about in the first place. Yeesh do I hate that. Would a decent director PLEASE come along and do a Crichton novel some justice...Jurassic Park excluded.

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I read the book a couple of years ago after having seen the movie several times. There is so much to this story I never have figured it all out. In the book the 2 cop characters are a lot more believable, they are not super-heroes. Police Departments are not staffed by Sean Connery and Wesley Snipes, or Segal or even John Wayne. In real life average detectives (not neccesarily swat types) would be no match for yakuza heavies. The characters get along better, instead of bickering back n forth. I definitely didn't see Smith as a black guy, and he picked that job to get normal hours and more time with his daughter. In the book you get a better feel for what Smith's job really is. In the book they hinted that the black security guard was more helpful because his Japanese bosses were racist. Eddie seemed like more of your average trust fund dope fiend rather than some black belt super ninja, and that other cop is a true antagonist rather than an annoyance.

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To read the book as Crichton wrote it, you would never believe a black man could ever do Smith's job.


I guess if you're incredibly racist sure! I mean, why wouldn't a black mean be able to do Smith's job?

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