Some subtleties in this film that haven't been discussed as yet . . .

IIRC we first met him putting up a Therapy poster. He then provided Johnny with a brief break from his own company; he was someone to talk to at least.

A short while later, he starts posting "cancelled" stickers over the Therapy. He then gave Johnny a kicking and - instead of providing a respite - left J worse off than he was in the first place.

So much for counselling!

I will say this: As a student of film, it is common knowledge that EVERYTHING in a shot is absolutely intentional. There is always a reason, which just adds to the complexity of film. Of course it wasn't a coincidence about the number on the house of the posters in the alleyways. It's all there for a reason.

I didn't notice the house one or the album one (did notice the band, though). I have no doubt that both were intentional, well spotted.

I don't want Fop, goddamn it! I'm a Dapper Dan man!

A few more:

1. When Johnny was at the Cafe Girl's house, in the Gay Greek room, he walked in front of the sun-like object on the wall above the mantlepiece (either a clock or a mirror) and the frame of the clock/mirror, which were rays of the sun, surrounded his head. He also tilted his head to the side. It resembled this image:
http://img.dailymail.co.uk/i/pix/2008/03_03/crucifictionL1603_468x650. jpg (note ironic url source of the pic).

Then, in virtually the next shot, we see Johnny from a low angle come into view so that a lightshade surrounds his head, again like a halo. In contrast, Jeremy seems to be a purely satanic character.

2. Also in the Cafe Girl's house was a poster with 'Atilla' written on it. Maybe this links Johnny with the invading warlord that ravaged the Roman Empire (i.e. the civilised western world) in the middle ages.

3. After Johnny was beaten-up by the gang and returned to the flat: The wound on his foot bears a passing resemblance to the stigmata. One of the girls asks him if he can move his foot 'like this'. In a scene soon after he moves his foot in just that way to stroke Louise's hip. Later, one of the girls asks the other what day it was. 'Friday' is the reply, and on this day, following his injuries, Johnny 'rises from the dead'.

4. When Sophie left at the end she was carrying a shiny s-shaped object. I don't know what it was or what it signified (I wondered if it might have symbolised a snake), but there seemed to be a similar shape painted onto the van she then walked past. It also resembled the '33' on the door, and a heart-like smudge with a squiggle on it that was daubed on the bathroom mirror towards the end.

I know you are, you said you are, but what am I?