From interviews that I've read, Woody bases his like/dislike on whether or not the finished film in question corresponds with his conception of said film. Efforts like Manhattan Murder Mystery, Stardust Memories, The Purple Rose of Cairo, and even lesser works like Hollywood Ending and Cassandra's Dream populate Allen's list of personal favorites.
It's an odd way to see one's work but I guess Woody bases his own artistic success on how closely the finished work is to the film's conception.
I'm a little late to the show here (like a year and a half!), but I wanted to respond anyway. I don't find it odd at all. In fact, from an artistic point of view, it makes all the sense in the world. The artist has a vision in his mind of what he wants to create, in any medium, and the closer he gets to it, the happier he is. And then you take someone who's as neurotic as Woody Allen, and unless he's spot on, or close to it, he will not be satisfied. We may love it, but he doesn't. It makes me wonder what he had in mind for Manhattan.
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