compared to Bresson and Dreyer?


How does Rivette's version of the trial of Jeanne d'Arc compare to Bresson's and Dreyer's comparable films?

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Yes, Maria Falconetti is absolutely transcendent. Though Florence Carrez's potrayal of Jeanne in Bresson's version has something to it as well, something mysterious and obdurate.

Then of course there's Besson's version...

--
I should warn you -- he's a Fourierist.

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