EXTREME CLOSE-UPS
did anyone else feel that part of what makes this film so inescapably taut and in your face was the use of extreme close-ups throughout?? i remember watching this back when it first came out and being totally blown away by this almost claustrophobia-inducing technique. at that time, it seemed so innovative. of course, i haven't watched it since '92, so i'm not sure if my impressions still hold any weight. could anyone else share their views??