How Ariel met Flounder (counting Ariel's Beginning there are THREE different origins)
Actually, that storybook thing from your description was pretty similar to the Evil Manta episode's rendition of their first meeting so I'm not entirely sure it's three times, more like two at best.
Ariel is at a Dinner Table UNDERWATER using what is CLEARLY a fork thougn made out of rock or coral
Yeah, but then again, I've seen people having trouble with new cultures to the extent they actually do get confused over objects that were prevalent even in their home countries, so that's probably not much of an issue.
In the film Ariel states I've Never seen a human this close up before
YET in Metal Fish...........
Okay, now THAT I'll acknowledge as a plothole. Then again, technically, HCA was obscured by a window, while the humans onboard the ship were clearly out of the open.
Plus Ariel's Friend Archimedes is better versed in Humanology then Scuttle
Considering his age, he's probably dead by the time of the film (and that's assuming of course Triton didn't just find out about him and had him arrested because of possibly fraternizing with humans), so we could explain that regarding how Ariel's going for Scuttle instead of Archimedes.
But the episode that prove continuity issues was Thingamajiger
At the end Ariel takes the boots tooa secret Trove Stands to reason she started small and eventually had to find a bigger cave
BUT Sebastain knows about the first one The film he did not
In all fairness, that got rectified in the penultimate episode of the series (namely, Ariel was forced to destroy her original grotto thanks to Ursula creating the objects), so that's probably not even an issue. Besides, Sebastian could have been expressing shock that she started a new collection.
Either way, it definitely has a lot less plot holes that cannot be resolved compared to Ariel's Beginning, now THAT was just sad. I guess you could count the Serpentine Teen two-parter, though.
EDIT: Besides, I can name plenty of other plotholes in various Disney media at the time that were arguably even MORE severe than the TV series for The Little Mermaid. Like Beauty and the Beast Marvel Comics: They characterized the triplets as spiteful little shrews who were obviously jealous of Belle's status of being Gaston's beloved, and have gone to great lengths to sabotage Gaston's plans for Belle in practically every issue they appeared him, and even their failures at least succeeded in stopping Gaston, which conflicted with their behavior in the actual film. Or how about the Dove Tales two-parter, where Maurice managed to win the fair despite sabotage from the triplets to ensure they can't come back to the village, yet they stayed at the village until the movie as planned despite the fact that Maurice explicitly stated they would move out to a better life if they win. And don't get me started on how Disney Comics' New Adventures of Beauty and the Beast and the Marvel Comics serial managed to conflict with the original film constantly and with each other. Or how Winter Wonderland didn't seem to even remotely hint at Christmas being the time Beast and the castle got cursed, or how in the main Marvel storyline, Beast actually HELPED decorate the castle with boughs of holly in stark contrast to his attitudes towards Christmas in Enchanted Christmas. Aladdin even had a different sequel to the film than Return of Jafar in Disney Comics, one where Jafar just got imprisoned again, and Iago NEVER reformed.
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