Agreed, about your first two. For "the most beautiful," I'd narrow Three Colors to Red. It's a hard call, for me, to rank Red, Veronique, and The Leopard. All are visual feasts. And all are superior to anything by Malick. Days of Heaven is self-conscious, affected, and mannered, imho. He tries far too hard, while Kieslowski's films--any of them that I've seen--and Visconti's The Leopard are both beautiful and controlled. I never have the feeling that either director is forcing anything. Also, each director uses the visuals to tell the story, symbolically and literally, an art that is mystery to far too many directors.
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