The Music
Anybody know about the print Fulci is talking about? Is it on dvd?
ML: About DOOR TO SILENCE, I heard that Joe D'Amato has reedited it.
LF: (angry) *beep* He hasn't the right to talk, he hasn't even paid me! He changed the music score, making a big mistake. It was perfect for my movie. Recently I was invited to a Fest in London where they screened the print with the original soundtrack. It has been an incredible success. It's an extraordinary movie.
ML: Maybe. But it isn't a commercial movie.
LF: I don't care about the audience. I told Aristide (Massaccesi) not to do it, but he insisted. It's shot in real time, ninety minutes. I wanted to insert a chronometer in order to visualize the passing of time, but Aristide took it off.
ML: Weren't you pissed off from the ridiculous pseudonym printed on the poster?
LF: Let me explain. It was the fault of a woman with *beep* breath, a despicable being called Lucaroni. She told Aristide that "in this moment Fulci isn't fashionable... let's call him Simon Kittay". Even the Japanese asked me to explain about this matter. She isn't working for Massaccesi anymore, hah!