I used to think Saving Private Ryan losing to Shakespeare in Love was the best proof. Then the other day I read Apocalypse Now lost to Kramer vs Kramer. Priceless.
I don't find that so surprising, when you consider the Academy often rewards what its members see as social consciences and issues
du jour over pure achievements in filmmaking. Not always, but I'd say more often than not.
Kramer vs Kramer was, above all, about women "finding themselves" and the dreadfully unfair dilemma of having to balance responsibilities and commitments they've already made with wanting to drop everything at a moment's notice. (If I sound sarcastic, it's because I am -- sorry!)
Ahem. It was very much in tune with the zeitgeist of its time -- a time, incidentally, when most people were trying to
avoid the issue of Vietnam and its vets -- and so I'm firmly of the opinion that it was a social vote that won that one the prize.
As for
Shakespeare in Love ... well, you'll likely dismiss me on this one, but I bluntly, honestly think it was a better film than
Saving Private Ryan. SPR had some brilliant set pieces (both technically and dramatically), but it was a problematic film, in that it set up some tough questions as its
raison d'etre that it then never went near answering. It wimped out, in other words, something I found more than a little frustrating.
Shakespeare achieved everything it set out to do, in spades. It gets my vote.
You might very well think that. I couldn't possibly comment.
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