some people miss the whole point
this isn't a typical happy ending movie. it's pensive, deep. it's about how life throws you curve balls and forces you to make lemonade from them. for anyone who didn't realize it on their own, jack is the main character in this story. susie and frank are supports. the story is about jack and his lost dreams, how he could've done way more, and better work, but that he held back to play with his brother to help him out. but then we find him at age 38 wondering what coulda been, and if he made the right decisions. i agree that much of the story was very subtle, and centered around what was going on in jack's head. maybe that is hard to follow for some people. (or maybe they watched the movie with the laptop in their lap and missed a lot of the nuances)
the movie is about failed opportunity, second chances, heartbreak, how the world can change and leave you behind, inner conflict (jack wanted to leave his brother but didn't want to hurt him).
another poster pointed out that it is also about how time can pass us by. the bakers' style was old and outdated and they were in danger of extinction. so they felt pressure to modify, update. anybody who has lived long enough to be passed over, downsized, or squander a great opportunity should identify with this film. it's about longing for something missing, something inthe past. it's about being stuck in a rut, and lonely, and not sitting well with it.
as for the rest of the movie, i think the casting was perfect. i mean, the bridges brothers. comeon! they were at the perfect age at the perfect time, then played the roles just right. there is no way it coulda been cast better than it was. pfeiffer was completely in her prime then, coming off tequila sunrise (another dave grusin film) and her glamour was at its peak.
then you factor in seattle, the great cityscapes/cinematography, the 'feel' that city had at that time (late 80s when grunge was being born there) which fit the theme of changing times.
and last but CERTAINLY not least, the dave grusin music was off the hook. it was perfectly arranged and fit the theme and the characters and the city and the whole thing.
don't know about yawl but i love this film. i saw it when it was out in 1989, and i still like it.
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behold, sublime genius: http://www.youtube.com/watch?v=WXRYA1dxP_0