Bad guy didn't die


I liked that they didn't kill "bad guy" in some gruesome way...but he was arrested! thats a rare thing in movies.

reply

I agree.

There seems to be that unwritten rule in the thriller/action genre that all bad guys must be killed by the hero in the end. This has become too much of a cliché and also makes such movies far too predictable.

Besides, it's a movie about cops. Cops are arresting criminals, they are not "executing" them because they happen to hate them. It's ironic that this movie's ending could be considered original just because the main character is merely doing his job in the end.

reply

I agree.

To me, the movie was more about Nick and his choices not about Sato getting his just desserts. He always had remorse for his past actions as a dirty cop (or conspiritor). I think the movie showed a good message towards ethics and "doing the right thing. Even though I was one of the guys in the theatre audience screeming "do it! do it!" when the camera showed the wooden spike, I was still very proud of his recognition as being the American cop that captured Sato and brought him back alive.

But I didn't like the fact that the cool cop doesn't get to #$%& the hot blonde.


reply

I was pleased with that too, when I first watched it I was sure we were going to get a clichéd "hero kills the villain" ending, especially when we were shown the spike.

I'm only going to say this once: stay out of Camberwick Green - Sam Tyler

reply

Yeah, that was a great ending. Nick did promise, though, that he would bring him back in.

I own the night!

reply

The real reason that he didn't kill sato was because to a yakuza it's more disgrace to get arrested then being killed. Sato didn't mind getting killed but now he would ashamed all of his life being arrested by a gajiin.
it's like that Samurai movie "Seppuku" where Tatsuya Nakadai doesn't kill those three samurai warriors, instead he cuts a piece of their hair after defeating them. The yakuza kinda follow the samurai codex but with slightly different rules

.../ `---____________|]
../_==o;;;;;;;;_____.:/
.. ), --.(_((_) /
..//(.)//
.//__//

reply

I always thought that he did not kill him so that Masa would get his job back.

reply

He didn't kill because of the possibility of a sequel. JK, but seriously, what a great ending.

reply

He didn't kill him because that would be wrong. The whole film is about Nick's moral redemption and him killing Sato would just mean throwing this out of the window. That's why it's so great because the screenplay actually tackles moral issues and stays true to its themes.

As others have said it is quite interesting that this is considered original. Quite sad really. Interesting point: The French Connection has a scene where Popeye (Gene Hackman) kills a criminal and the filmmakers expected there to be a lot of reaction towards that scene. It never happened and somewhere between the release of that film and the mid-eighties it became commonplace for film-cops to double as executioner...

http://www.tBenjaminLarsen.com

reply

The original filmed ending had Sato being impaled. They filmed Sato being pulled into the Osaka police department later. At least, that is what Ridley Scott has said. Would love to see the 3 hour cut of this film.

reply

Police Story is one

"My god. I'm a tomato"

reply

This is one of the reasons I consider this film to be underrated. Unlike most thrillers, especially where the hero loses someone close to him like a family member, friend or partner, the hero doesn't submit to vengeance. He ends up doing the right and moral thing by simply apprehending the scumbag and taking him to the proper authorities rather than murdering him.

I like that. It's a positive message.

reply

You look at many American Western movies and TV shows including the Lone Ranger, where many criminals including the head boss were killed so a criminal being killed is pretty standard operating procedure even in that time period.

I like the movie The Northwest Mounted Police with Gary Cooper. In that movie, the criminal was challenged to a draw by Cooper, but the guy refused to take the bait. In the end, the criminal was arrested by the Mounted Police; however, Cooper managed to steal him from the Mounted Police to take him back to Texas, so that that is one movie I like where the police just arrested the criminal and then turn him over to the court system for trial and punishment.

I did like the movie Nighthawks where Stallone argue with the British cop about turning police officers into murderers instead of arresting terrorists and bringing them to justice.

Yeah, I like it when Sato was pushing into the detective unit and then he was march down the room in full view of the Japanese police officers. That is another part of Japanese culture where cops take an arrested person and escort him/her in full view of the public to shame them publicity (loss of face).

reply