Argento's films have a lot of surreal imagery. I think Suspiria and Inferno are his best.
I don't think Fellini has been mentioned 8 1/2 and Satiyricon are mildly surreal and way out there respectively.
Bill Morrison's films present archive footage which has been distorted and bleached by time. You're never quite sure what you're seeing the effect can be very unsettling. Look for The Bells or Decasia clips online to see what I mean. Guy Maadin's films have a similar quality. I like The Saddest Music in the World and The Forbidden Room. Von Trier's Europa has a similar vibe.
Post Tenebras Lux is startlingly filmed with moments of intense strangeness
We English have a healthy vein of surreal culture, from Alice in Wonderland through the Goons, Beatles, Monty Python. I can recommend Sir Henry at Rawlison End, Herostratus, Tommy and The Devils, Sleepwalker Under the Skin, the Man Who Fell to Earth and Performance, , A Field in England, Berberian Sound Studio and Duke of Burgundy. Repo Man has been mentioned, but Alex Cox also made the brilliant Borges adaption Death and the Compass and Tarantino inspiring crazy cowboy caper Straight to Hell. A recent favourite is Aaaaaaah! and it's great!
Tarkovsky's "Mirror" is beautiful and subtly strange, as are most of his films.
Celine and Julie Go Boating, You, The Living, Jan Swankmajer's films, the Cremator, Possession, Only Dwarves Started Small, The Saragossa Manuscript, The Beast,the Lobster, Orphee and Holy Motors all fly the flag for Europe
Enjoy!
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