iron curtain cinema
Anyone watching much Soviet-era cinema will see common motifs; a type of short,singular lamp,opaque windows,dreary cityscapes,rainy ruralscapes,delapidated walls,well-worn cotton coats, and decaying infrastructure. A hopeless kind of gaze and listless, rote people, resigned to the enslavement their "liberators" imposed. It seems some countries film were more censored than others, for example, Jakubiskos near LSD inspired frentics compared to Polish Party line heroics. Call it diversity? Probably, nevertheless certain themes are inescapable; long queues, labor deification, and curiously, close families. Maybe socialism demanded socialbility while unchecked freedom fosters alienation. Regardless, Cold War cinema behind the Iron Curtain is how those citizens escaped, brown drear, weathered shoes, sweaty partizans, and hopeful children. Did they find what they were looking for, or was it all an attempt to reflect a reality that economic theory just can't comprehend?
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