I'm surprised there's been no discussion on this movie directed by Margi Clarke's brother Frank and starring Craig Charles's brother Emile as Eddie, Louis Emerick who was Mick Johnson in Brookside, Robbie Coltrane in a dress and the late great Robert Stephens, whose film career spanned nearly 40 years from War & Peace in 1956 to England, My England made shortly before his death 1n 1995!
But the star of the show for my money was Tony Forsyth playing Eddie's friend Michael. Who can forget his scenes in Brighton Dolphinarium?
What a line-up, and the locations weren't bad either: Brighton, town of my birth, and Liverpool, home of my favourite football team!
I would like to second everything miles-93 said about the surprising lack of discussion on this wonederful film. Yes, I know I can't forget the scene in the dolphinarium. Why this hasn't been released on DVD, I will never know. I encourage the rights holders to strongly consider releasing it on DVD ASAP!
Hear! Hear! But, Miles, it was in fact directed by Philip Saville, whose brilliant Fellow Traveller is also mysteriously unavailable on DVD. And to add to your info on the cast, the film also featured Paula Ann Bland, whom older Grange Hill fans may remember as Claire Scott (1981-1985). Of course, in The Fruit Machine (a.k.a. Wonderland) an enthusiastic dolphin helped her to bare her breasts, in the name of 'family entertainment'. Disappointlingly for some - perhaps less so for others - it's also one of only two downloadable clips from the film I could find. The second is the encounter on Brighton Beach between Eddie (Emile Charles) and Hazel (Julie Graham):
It seems Paula was keen to cultivate this look in 1988, appearing as she did in Vol. 23, Issue 3 of soft-porn magazine, Mayfair: http://usedmagazines.com/titles/Mayfair/Volume23/. Whatever, I'm just dead keen to see the film again, which like so many other unsung 'small' British films of the period often fed into my developing enthusiasm for engaging in the social and political issues of the period, not least in relation to race, gay rights and the role of the British working class on (and off) screen - but absolutely NOT 'animal rights'!.
There are twelve other high quality (but small) stills from the film here, featuring all of the major characters: