Why did Peter Yates allow the DVD in 'Full' screen, etc.?
This is listed as a 1.85 : 1 ratio film. Although I've never seen the theatrical release and have nothing to compare it to, the DVD in in "full screen" format. So does anyone know if 1.33 : 1 is the full use of the negative (like Pee-wee's Big Adventure, et alia) or did Yates foolishly let them release it cropped?
It seems so bizzare to me that he'd do a commentary bemoaning the original negative being printed too bright, and yet he wouldn't try to have them correct that for the DVD release he's so glad about. Would it have cost too much to get the original negative and scan a darker, more natural print of it? At home, some of us can ajust the "Bright" level on our TV's, but I'm disappointed in the DVD.
Still, Yates has every right in the world to be happy at how the film itself turned out, as it's one of his very finest, if not is best ever (I've, to date, not seen Robbery or a good print of The Friends of Eddie Coyle, so can't say for sure now).
Come on, everybody, see Séraphine!share