And duly note that he is not simply portraying a Stalin figure.
Varlam Aravidze is an amalgamation of Stalin, Hitler, Mussolini, Beriya, and an antichrist figure, and the entire history of tyranny and oppression itself, and Makharadze channelled all of them and all of history with unchartered tour-de-force withcraft.
Makharadze travelled trance-like between Tophet and Edenville in the blink of an eye, he was the physical incarnation of Shakespeare's Sonnet 66 (which he quoted), he was wicked and remorseless and remorseful and upright (Varlam ended his life as the beloved mayor), he was everything (because he dominated everything) and nothing (Aravidze means nothing), he was the father and the son (and as the son he confronts himself, in character, during multiple epiphanies) and the holy spirit that kept a stranglehold on the past and present and future, he delivered one the greatest male performances ever.
The entire film is one of the greatest films ever crafted.
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