MovieChat Forums > La ley del deseo (1987) Discussion > User Comment: A clarification

User Comment: A clarification


I'm trying to understand blake8880's incomprehension or downright rejection of this film. After all the first film of Fassbinder's that I saw was "The Merchant of Four Seasons". It left me puzzled. When viewing an eccentric director's first film, It's hard to decipher whether the artist is a fraud or the real thing. If we can't connect with the artist it may be for a good reason, i.e. he or she really is a fraud or not our cup of tea. Well, after viewing his other films Fassbinder is my cup of tea and I've learned to appreciate "The Merchant of Four Seasons" as one of his master strokes. It then goes without saying that Almodovar is most definitely my cup of tea and that "Law of Desire" is his best film.
It tells the story of a celebrated film director who has at his command the love of any person he desires. He lives in a world which is sophisticated, liberated but very glib. Add to the mixture the fact that it is Spain just after Franco's death and the protagonist is a homosexual in a very machismo world. But the beauty of this film is that the two main characters, the director and his transexual sister, however complicit in this jaded world, yearn for true love. Their journey is frought with irony. An innocent is murdered over a grotesque mistaken identity and finally at the end, our film director must live with the tragic fate of having been most desired by the psychopath capable of bringing about all destruction. The supreme artist meets the Devil.
"Law of Desire" is riddled with humor, tragedy, irony, missed chances and most of all, for a homosexual like myself, homoerotocism. If this be not enough to sooth blake8880's resolve, then I must assume it is not a cup of tea from which he or she will sip. But that is also fine.

CinemaScopeRulz

reply

Who's blake8880? I completely agree with you about CinemaScope! But what about Todd-AO 60 and VistaVision? Also good widescreen processes!

Just being random, hi.

--
I should warn you -- he's a Fourierist.

reply

Nice analysis, vctpagan.

FWIW this film - after one viewing - only gets a 6/10 from me, the lowest score of the 11 Almodóvars I have seen so far, with "Habla con ella", Todo sobre mi madre", "La flor de mi secreto" and "Matador" scoring 10/10.

For whatever reason, this film did not quite click with me. Just not his best IMHO, influential and important (to Almodóvar and Spain) it may have been.

All the same, Almodóvar is very much my cup of tea, as is indeed Fassbinder.

reply

not completely sure i follow you here?
who is the innocent who is murdered over a grotesque mistaken identity? Is that Juan, because he wasnt killed over a mistaken identity, Antonio knew exactly who he was and wanted him dead through jealousy.
and secondly I think you missed the part at the end where the director falls in love with Antonio because he realises that that is the love that he has been desiring all along. He comes to understand Antonio and forgives him for what he has done.

reply

oh so is that why pablo acts that way at the end? cuz i kept wondering why he gave in to everything he asked and treated him so nicely after rejecting him throughout the whole film...that was the only part that didnt make sense to me.

anyways the film overall was brilliant, but it didnt have the ending i expected, i guess i thought it needed more info on many aspects after that...

reply

well, actually it's because he forgot the most of it, because of his car crash. so his mind was quite empty about antonio.

you can really see pablo's in love with antonio when antonio is kiss ing pablo's face and stuff.

it's a wonderful movie and i love the ending, it's so dramatic. and that song "dejame recordar" and the end credits fits so well!

anyone noticed that the music in almodovars movies is always beautiful choosen?
i think so.



(sorry for the bad language :D i'm learning)

reply