Spike Lee meets Monty Python
Ok, I'm not doing this to start the inevitable flame war, but I have to say that this movie is every bit as on-the-mark as any Spike Lee film in terms of race relations. However, unlike most Spike movies, this one has a sense of humor that, while at times bleak, never turns into a sermon. Although Spike is a competent filmmaker, I find a satire like Hollywood Shuffle much more enjoyable than, say, Bamboozled (which dealt with a similar-ish topic).
And I honestly believe that part of what helped make the message in Townshend's film work was the use of comedy... at times, even absurdist comedy. For example, the BLACK ACTING SCHOOL sketch is something that could have been pulled straight from Monty Python's Flying Circus (the show). And though it was humorous, it still retained that morbid edge in showing how far Hollywood hadn't come in roles available for black actors. But goddammit, it was funny too!
So, while it was indeed a social commentary on the lack of quality roles available to black actors, the use of comedy made it that much more poignant and, to me at least, more relevant and poignant than one of Spike's half-cocked (but beautifully filmed) two-hour sermons.