european cinema vs hollywood


the difference between Wings of Desire and City of Angels ideally illustrates the difference between European cinema and the films that come out of Hollywood studios today.

I saw City of Angels first and must admit that I actually liked the whole idea... but after watching Wings of Desire, one has to say that City of Angels is an insult to the true masterpiece, and its also an insult to today's audience.

Angels retains a little of the spirit of the original German film, but has zero of the class that Wenders breathed into Wings.

Just look at the difference between the breathtaking cinematography, the poetical dialogue, the beautiful philosophy, the nostalgic reflection of the past, the celebration of a simple life, the enlightening perspectives on mysterious spirituality, the edgy/rocky musical atmosphere... thank you Wim Wenders for creating this memento.



Carpe Diem

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How come that only Hollywood feels the need to re-make non-Hollywood films, and why is it never the other way round? Hang on, Hollywood now also re-makes Hollywood movies. Go figure

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city of angels is 10 times better ... way better. it is very good thing this movie has been remade .. in city of angels you could have felt love between two characters trough entire movie and with wings of desire it seems main angel was obsessed just with living real life

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What? Each to their own I suppose but if you want a cheesy love story (which admittedly I do like every now and then) watch When Harry Met Sally or another Tom Hanks Meg Ryan film.

Wings of Desire is on a different level. It doesn't resort to tried, tested and tired emotive cliches like City of Angels.

Perhaps you might prefer Faraway so Close? Probably worth a look. Although perhaps not if you think COA is ten times better ;)

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"Wings of Desire is on a different level. It doesn't resort to tried, tested and tired emotive cliches like City of Angels. "

Yes. And who needs that escapist 'romantic' drivel anyway?

If Americans were not so busy escaping reality so often they might actually know there are other countries.

Lol.

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Let me get this straight: There are other countries?!?!?! But even if, USA is the greatest country, right? No? Ah....now I remember.......the greatest country is North Korea. Long live Kim Jong-il. ;-)

Im Kino gewesen. Geweint. ---Franz Kafka

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*holds 12gauge shotgun to vladimir fieldv's head and pulls trigger without blinking*
well my man, if you don't feel the love between Damiel and Marion in the original i pity you for then i'm most certain you have NEVER experienced love in your entire life

"Power to the people who punish bad cinema!!" - Cecil B. Demented for president!!

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"*holds 12gauge shotgun to vladimir fieldv's head and pulls trigger without blinking*
well my man, if you don't feel the love between Damiel and Marion in the original i pity you for then i'm most certain you have NEVER experienced love in your entire life "

Well, I know that's not the case for you. I can just feel the love flowing from this statement.

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>wings of desire it seems main angel was obsessed just with living real life

Duh? That's THE WHOLE POINT of the movie! It was not a love story, but a political metaphor. That's why the original title is "the heaven over Berlin". West Germany was reality, East Germany was the perfect fantasy from which people wanted to escape.

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I agree manjo. I appreciate Nicholas Cage as an actor, but WOD spoiled me for any HOllywood re-do (bleh). I saw City.. but the dreamy, gossamer, film noir-esque beauty just wasn't there for me. I didn't find City of Angels memorable or moving in the same way (just as most people didn't find Faraway So Close, a close second).

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I AM a german and saw both pictures. And you're damn right, Hollywood copies the best ideas from the rest of the world since the western died (with good old Sam Peckinpah from the US and because of an Italian director: Sergio Leone). Since then all Hollywood movies just were No. 1 in the world for technical aspects. Remember two of the best movies around the end of the 70s/beginning of the 80s: "Alien" and "Blade Runner", they were filmed by an Englishman ("Alien" was produced in England). "Star Wars" had a story you'd laugh about without the special effects (and Harrison Ford, I'd say). It's just a mixture of old ideas. For Teenagers. Not to complicated. That's the whole story about Blockbusters. Then the industry reacted and nowadays you got: Hollywood as it is. I really liked "City Of Angels" because the main topic is so great that it survived being adapted to a dumb teenage audience. But what is real great cinema? Not only European, not only Asian (John Woo was far better in Hongkong times...), even in America you can find great cinema. Just watch out. "Million Dollar Baby" was one. Or "Fight Club". Real American Cinema. Not the 08/15-new-smashing-hit-by-Bruckheimer-Spielberg-Lucas-or-whoever. Most Hollywood films tell the same storys just with new actors in the actual time with all the trends that surround the time. With new elements from allovertheworld. That's entertainment, baby.

Seriously, I don't like Wim Wenders too much. His films are really slow without a deeper meaning. I more like Aki Kaurismäki or Jim Jarmusch or Werner Herzog. But that's just taste. I'm sorry this took so long. But it had to be said. I think.

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this you have to explain to me: you don't like Wim Wenders too much because "His films are really slow without a deeper meaning" but you do like jim jarmush who's like, the king of minimalistic cinema??? maybe we've seen different movies from them but from what i've seen so far both jarmush and kaurismäki's films are VERY slow paced with meanings not always clear as day... if you've done the trouble of figuring out their meaning why not of those of wenders? to me all three play in the same league in the same division, they only wear different uniforms sort of speak... for instance where jarmush keeps his settings minimal (and i don't mean less interesting) wenders' are of haunting beauty accompanied with perfect music.
as for kaurismäki, at the time of his/her writing, hirnverbrannt hasn't seen aki's last work 'lights in the dusk' which is a total waste of time and money, a complete opposite to the brilliant 'man without a past'
(haven't gotten into Herzog's work yet)
i must admit, not all movies Wenders made are great but a lot of'm ARE

and to finish:
all people stating city of angels is 'x' times better should be shot on the spot!!

"Power to the people who punish bad cinema!!" - Cecil B. Demented for president!!

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Well said!

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It's probably not fare to compare one of Europe's best films with one of Hollywood's more mediocre offerings.

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Artisticly speaking european cinema beats american cinema any day!

Big budgets do not mean that the movies made are going to be good!

The director has to have some sort of vision and too much money usually clouds it!

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personally, I don't think you can compare Der Himmel Ueber Berlin and City of Angels, because, even though it can be considered a remake of the former, City of Angels doesn't address the same topics in my opinion.

I enjoyed both, and I agree with what a lot of people had to say about them on this board, like Der Himmel Uber Berlin is much more beautiful and breathtaking, and has so much more depth.

However, I really think CoA is quite good too, and I don't think for once that this is the type of movies that are just stolen by Hollywood, like a lot are, presumably for the sake of making them in a better way (which is not always a success...).


CoA is much more focused on love, the joy of existence, and the trade-offs faced by the fallen angels when they become mortal, when they loose eternity and the beauty of a lot of things they have access to as angels (like the music at sunrise) to be able to enjoy mortality through their feelings and senses.


WoD, on the other, is not only focused on this, and also focuses on history, on many levels: somehow history of Mankind, everybody's history, and writing history as it is when you're mortal.


That's why I think CoA can't be regarded as just a useless scam and copy of WoD: I think it achieves what the director had in mind, it's a little easier on the eyes for today's audience, a little easier to follow, and it deals with its topic correctly.

And I have to say, it seems like CoA is easier to understand/follow, because I'm quite afraid that so many people have very basic questions about WoD, that aren't raised for CoA... but I suppose it's because of the subtitles. being able to understand both english and german quite well, I could watch both in their original versions. I guess having to watch WoD with subtitles makes it harder to understand the message and the subtlities of the angels' condition than in CoA.

(for instance: the black & white thing is not explicit in WoD, and it not shown in CoA but we hear the angels talk about it if I remember correctly; the ability to understand all the languages on earth is also explained in CoA and isn't explicit again in WoD; the Fall from Grace; Peter Falk being an angel is again not explicit compared to the one fallen angel in CoA; and a few other stuffs that are more subtile in WoD than in CoA, but it doesn't disturb me either way).


I have to say that WoD has something CoA doesn't: on the personal level, I've been both to Berlin and Los Angeles, and even though I'm not entitled to decide which one is the true City of Angels ( ;-) ), I think the historical point of view of WoD is quite a great bonus, as it brings more substance to the movie. (the Wall; the post-WWII wasted Berlin; the purgatory-like city between heaven and hell, itself cut in half by a wall of shame...; the old man looking for a potsdamer platz he can't find as it's now (well.. back then in 1987) a wasteland, a field... And all of this is so much more valuable now that we can have another look at Berlin... Having been there many times over the past 12 years, I was able to see it evolve a lot, and it's amazing... I'm really moved when I look at WoD or pictures of the Potsdamer Platz in Berlin's Museums and go out to have a walk in the "New" Berlin).

But again, it simply wasn't the goal of CoA, when it maybe was one of Wender's goal with WoD...



All this being said, I really enjoy both. They're great.
Great acting in both moving, whatever you might.
Great music in both, but again not quite comparable (can't really compare the Nick Cave with U2 or Alanis Morrissette :) ): they just all fit with their own version.
Great poetry too. even though of course WoD is far ahead :-) CoA still has its own kind of poetry.





Have a nice day, and please don't compare things that can't be anymore.
I wish people on IMDB could sometime have a more open mind.
Or people in general. an open mind and the ability to appreciate another point of view is all that makes the difference.

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And for those who would think that european filmmakers would always beat the hollywoodian ones on the battlefied of graphic jewelry... I also beg to differ.

It's really enjoyable to see movies that are very clean, with a neat image and perfect lights. Of course it's less realistic, but it can be good if it helps the audience to get into the story. (and I don't speak of explosion and stupid stuffs like these, those are just action-related eye-candy. I really speak of the graphic quality of the picture and of the shooting).

On the other hand, a more raw shooting and more crude lights can have the exact same effet and help the viewer get into the same movie, it all depends what the movie is about. And sometimes both fit.

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"I don't think for once that this is the type of movies that are just stolen by Hollywood, like a lot are, presumably for the sake of making them in a better way (which is not always a success...). "

There is only one, very simple reason why Hollywood remakes foreign language films: to make them English language films (well, American English...).

It's a crying shame, but most people seem to lack the ability to read subtitles and watch the images at the same time. Or they just plain can't be bothered to read subtitles.

It's sort of the same with black and white films - I think a lot of people associate black and white with "old and rubbish", which is ridiculous.

Hence, there is a big market for Hollywood to remake foreign films so English speakers can understand them, the idea being that the original story was so good that they can't POSSIBLY make a bad film. And yet, they almost always seem to manage (Insomnia is one of the few good ones I can think of, although I've not seen the original so it may pale in comparison really!).

As long as people can't be bothered to read subtitles or consider them to be "in the way", Hollywood will keep doing rubbish rehashes of great European films. And then some.

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Here is a quote from Andy Warhol that describes well what I feel Hollywood cinema is all about.

"Of course what I think is boring must not be the same as what other people think is, since I could never stand to watch all the most popular action shows on TV, because they're essentially the same plots and the same shots and the same cuts over and over again. Apparently, most people love watching the same basic thing, as long as the details are different. But I'm just the opposite: if I'm going to sit and watch the same thing I saw the night before, I don't want it to be essentially the same - I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel."
- Andy Warhol


As for European Cinema, I feel that it is constantly trying to progress and invent cinema, therefore it is never the same, and as Warhol says about feeling emptier and feeling better through those kind of American shows, European cinema is just the opposite. It tries to confront you with life and asks you to question yourself and your place in the world, therefore bringing a deeper understanding of life. Just look at the films of Kieslowski, Angelopoulos, Antonioni, Rossellini, Bergman, Almodóvar, Bela Tarr, Sokurov and many more.

I use to feel that you can't blame Hollywood cinema, because it is basically a business and its sole purpose is to make money. But there was a time, once upon a time back in the 1970's, when there was a European influence in Hollywood cinema, and the world was treated to the best cinema that has come out of that continent in decades. There was great directors like Altman, Coppola, Scorsese, Bogdanovich, De Palma, and more. But as a lot of those directors say today, they cannot make films like they once did because it is all about making a profit now, and no studio wants to take a risk.

Hopefully the Hollywood cinema of today will implode like the studio system of the 1960's, and yet again leave room for American directors to be able to make films like they want to.

But European cinema will always be superior to that of Hollywood,and will always lead the way for cinema and constantly bring it to new heights.

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>>But European cinema will always be superior to that of Hollywood,and will always lead the way for cinema and constantly bring it to new heights.

You mean crave the "the more personal movies"? And what are these new heights you speak of?

>>therefore bringing a deeper understanding of life.

Such nonsense. People who make such movies, act in them and fawn over them who holds such pretense as yours are no more insightful nor are they anymore philosophical. They're just pseudo-intellectuals.

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Normally I would agree with you but in this case I have to say that this film was just boring and completely without any redeeming features apart from its stylistic elements and cinematography. I like most of Wim Wenders movies but this one just didn't engage me at all it was excruciatingly slow with too much time was spent looking at angels being boring, sure it gets the point across but it was just too much.

I disagree totally that City of Angles was an insult to the original and it most definately wasn't an insult to the audience. You may need a films message to be tediously repeated and drawn out. I don't.

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You may need a films message to be tediously repeated and drawn out. I don't.

but it's not about what how long someone needs to understand. Also that statement doesn't lift the responsibility off the viewer to be a viewer - to listen and pay attention. That's getting demonstrably harder for people year by year.

Still, if it's not for you, fair enough.

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I'm not sure what you're really saying. Are you suggesting that a viewer has a responsibility to just sit there and wait for the film to finish [read: filmmaker to finish their statement].

While I have sympathy for what you may be getting at; that film goers attention spans are getting shorter, it isn't the only explanation. It could just be that some of them are more clued up and less willing to endure overly verbose hyperbole even if it is in the form of images.

What some film makers should be asking themselves is whether their target audience is actually more astute than they assume. At the end of the day the viewer has only one responsibility, that is to make the best use of their time. To walk away from things and people that are overly circuitous or rambling is to be applauded.

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It's not that people who prefer films like this are somehow in need of tediously drawn out messages and you're not, and that people who don't, are more clued up. That's very unlikely. In fact if you want to look at it that way, films like City of Angels, enjoyable as they are in their own way, are not aimed at a clued-up audience.

Although (like you, I think) I'm not taken in by pretentiousness, I don't think that the reason why films which don't demand too much of you are made, is because people are clued up, it's precisely the opposite. What I'm saying is not so much about attention spans, though that is a factor, it's more about being willing to lay aside your usual way of viewing, in order to take in what someone else has to say, while saying it their way. It's about being willing to listen to a different kind of voice, for want of a better word.

When I say the responsibility of the audience - well maybe I used too strong a word, maybe I should say role. We'll have to agree to disagree on that one, because it's not just down to the director, in my opinion, to please everybody with one film. It's also down to people to bother listening, sometimes harder than with other films. You might still walk away not liking it, I don't know, but surely not because its pace is different to the usual?

In your last paragraph you're suggesting that Wenders, of all people, is targeting a film at an audience who aren't astute, well that's funny, 'cause that's exactly the impression I got from city of Angels. I don't think Wim Wenders thought the audience wasn't astute at all.

The thing is, all the words you've used to describe this film are negative, therefore making it difficult to enter into a fair debate about why it's considered a better film. If you think it's verbose hyperbole, then what can I say to you that will make you reconsider? Very little. In any case, I might agree with you on one thing - it's not my favourite film of his - though I haven't seen all of them.


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The difference between european cinema and hollywood like the difference
between Beethoven and justin bieber

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"Overly verbose hyperbole even if it is in the form of images".

Is this sentence above even supposed to make any sense?



"facts are stupid things" - Ronald Reagan

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Most Hollywood and European films suck. There are only a handful from any industry of creative films.If you want to watch art films than go watch all the independent films that come out of Hollywood.Big budget Hollywood films aim is to appeal to as many audiences as possible and make a profit. Of course Hollywood could go back to the golden age of filmmaking.



Religion is regarded by the common people as true, by the wise as false, and by rulers as useful.

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It seems rather inane to completely disregard hollywood vs. european cinema on the basis of the best German movie of the 1980s versus a medicore Hollywood remake. It seems simplistic when you consider:

1) Wings Of Desire has a wonderful performance from a great Hollywood character actor Peter Falk. The lead in WOD is great understated acting and the female lead is not particularily strong so the movie needs Peter Falk to carry some of the emotionally weight and he completely comes through.

2) The second best film of Wenders is filmed in and mostly acted by Americans. (Talk about a performance watch Harry Dean Stanton.)

3) WOD is great movie that uses the Berlin wall as great Expressionist object of people's isolation from each other. Talk about historical luck that the wall would be down in two years which makes the movie even more moving.

4) Maybe you should compare WOD to a better American movie, let us say Back To The Future. History is full of poor Hollywood remakes of foreign movies but that happens. So what.

CR

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I don't consider COA a remake, just a similar story in a different town. There are naturally going to be different motivations and emotions. LA anything versus German anything. Dining, dance, comedy, death. Love them both.

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Sanity in a thread that takes very easy shots at American cinema. Thanks.

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