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Too much Donald Woods not enough Steve Biko


This film should have been more about the charismatic character of Steve Biko (played by the brilliant Denzel Washington). Too much of the movie seemed to be concerned with the escape to Lesotho of Donald Woods (how many times did it show him nearly getting caught?). Although this was interesting it is fairly insignificant compared to the effect Steve Biko had on the eventual disintegration of Apartheid. The problem I would say that at this time Kevin Kline was a much bigger star than Denzel Washington.

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Well, I think this was based on a book by Donald Woods, so if that was the case then of course Woods would be the main character. I would have also liked to have seen more Biko, but I thought Kline was compelling enough as Woods. I would rather watch Denzel in Malcolm X, but then his performance here is really good as well.

THis is a really good movie, and more Denzel wouldn't have made it that much better I think.

Believe me, you don't want Hannibal Lecter inside your head."

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Yes inded the book and the Movie are essentially about DONALD WOODS.

But it is also about his relationship with Stave Biko AND Mr. WOODS vehement efforts for the abolishment of Apartheid.

That being said.

It is important to understand that Donald Woods was an Anti-Apartheid ACTIVIST,(which is also the other main story line to this movie)as were many close (Wife and other immediate family members), as well as distant familiy members (Sister and her family). The movie is (supposed to be) about his efforts to bring about change in that area.

As the editor of The Daily Dispatch from 1965 to 1977. Under Woods, the Daily Dispatch was very critical of the South African government, but was also critical of the emerging Black Consciousness Movement under the leadership of Steve Biko. After meeting with him, Woods befriended Biko, leader of the anti-apartheid Black Consciousness Movement.

Their friendship lead Woods' strengthend resolution to speak out against Apartheid, and the South African Bureau Of State Security monitoring Woods'every movement. Despite this, Woods continued to provide political support to Biko, both through writing editorials in his newspaper and controversially hiring black journalists to the Daily Dispatch.

Soon after Biko's death, which had actually been caused by serious head injuries, sustained while in police custody.

Steve Biko had been involved in clandestine contacts with two outlawed liberation movements, the African National Congress (ANC) and the Pan Africanist Congress of Azania (PAC). Returning to his home one evening from a trip to Cape Town, Biko was arrested, imprisoned and mortally beaten. He was transported naked and manacled for 740 miles (1200 km) in the back of a police van to Pretoria, and died on the way.
His death was reported by James Kruger, the Minister of Justice, "Biko died on a hunger strike". Speaking in Afrikaans, he said of Biko's death, "Dit laat my koud" ("It leaves me cold").

Woods went to the morgue with Biko's wife Ntsiki and photographed Biko's battered body. The photographs were later published in Woods' book, exposing the South African government's cover up of the cause of Biko's death.

After further speaking out against the government and describing the truth aout Biko's death Woods was banned by the government and was effectively placed under house arrest. It became clear to Woods that he and his family were being targeted by the government, and he decided his family needed to leave South Africa to avoid the dangerous threats from the South African government.

On June 16, 1976, rioting broke out in Soweto, in which young students from Soweto participated in a march to protest against being taught in Afrikaans and against the Bantu education system in general.

They marched from the Morris Isaacson School intending to hold a rally outside the Education buildings in Johannesburg. The children were met by the police and ordered to disperse. The children refused and the police opened fire. As the children pelted the police with stones, South Africa went up in flames.

The government responded by banning the entire Black Consciousness Movement along with many other political organisations, as well as issuing banning orders to various individuals.

During this time Woods devised a plan to be smuggled out of his house, and made his way to Lesotho disguised as an Irish Catholic priest, where his family joined him shortly thereafter. With the help of the British High Commission (in Maseru) and from the Lesotho Government , they flew via Botswana to London and were granted political asylum where he continued to foster opposition to apartheid.

Woods was born in East London, South Africa, where his family had lived for five generations. Donald's ancestors arrived in South Africa in 1820 to settle in, what was seen then by whites as, an empty land to the east of Cape Town; the land had however been settled by the Khoisan, Khoikhoi and Xhosa peoples for many hundreds of years. Woods grew up in a typical white South African lifestyle. When he attended the University of Cape Town, where he studied law, he was hopeful that the newly elected National Party government would create a better South Africa, with its new system of apartheid, benefiting the entire population. He became a cub reporter and eventually went to work for the Daily Dispatch newspaper in East London, in his beloved Eastern Cape. During this time he met and married his wife, Wendy. They were soon the parents of a large family (including five children and a dog), and Donald later becoming the Editor-in-Chief of the Daily Dispatch.

After arriving in London, Woods became an active spokesman against apartheid. Acting upon the advice of Oliver Tambo, the President of the ANC, Woods became a passionate advocate of nations imposing sanctions against South Africa. He toured the United States campaigning for sanctions against apartheid. The trip included a three hour session, arranged by President Jimmy Carter, to address officials in the U.S. Department of State. Woods also spoke at a session of the United Nations Security Council in 1978.

On February 11, 1990, Nelson Mandela was released from prison after serving twenty-seven years on Robben Island. That Easter, Mandela came to London to attend a concert at Wembley Stadium to thank the Anti-Apartheid Movement and the British people for all their years of campaigning against apartheid. Woods gave Mandela a tie in the black, green and gold colours of the African National Congress to celebrate the event. On Easter Sunday, Mandela phoned to thank Woods' family for the tie and said that he would wear it at the concert the next day, which he did. Woods stood to attention throughout the phone call.

Woods returned to South Africa in 1994 to support the fund-raising efforts for the ANC election fund. His son Dillon was one of the organisers of the fund-raising appeal in the United Kingdom. On April 27, 1994, Woods went to vote at the City Hall in Johannesburg. A cheering crowd took him to the head of the queue, giving him the place of honour so that he could be one of the first to vote in the new South Africa. Following the election, Donald worked for the Institute for the Advancement of Journalism in Johannesburg.

On September 9, 1997, on the twentieth anniversary of the death of Steve Biko, Woods was present in East London when a statue of Biko was unveiled by Nelson Mandela and the bridge across the Buffalo River was renamed the "Biko Bridge". Woods also gave his support to the Action for Southern Africa event in Islington, London honouring Biko, helping to secure messages from Ntsiki Biko, Mamphela Ramphele (then the Vice Chancellor of the University of Cape Town) and Mandela.

In the last year of his life, Donald gave his name to support the appeal to raise funds to erect a statue of Nelson Mandela in Trafalgar Square outside the South African High Commission, where anti-apartheid campaigners had demonstrated during the period of the apartheid regime. He was also awarded an Order of the British Empire.

Woods died of cancer on August 19, 2001.

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Thanks for filling up the gap about what happened afterwards.

Woods is an admiring figure, giving up his rich life in Africa for the sake of justice.

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I have been to south africa, both are rememebered there.
As a white disabled young person, I felt in awe of being there.
Don't beleive the garbage on tv about crime and aids, yes there is poverty and troubled areas, but there is also a great sense of community and christain botherhood. I was weclomed and valued, everywhere
God bless its people Black, white indian and coloured.

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I too have been to South Africa and found it riven and simmering with tension. See the Blacks and Coloureds sleep on the streets of Cape Town while the White shops have full length metal bars over doors and windows.

Sure its better, but there is still far to go.

If they dont make peace soon it will go up in flames again.

You watched it, you cant un-watch it! - Futurama

http://teamwak.blogspot.com/

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Sadly there is some truth.
As a white kid from New Jersey I was overwehelmed with welcome

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At the time of Steven Biko's death, the knowledge of what happened and how important he was for all of us, black, white and all shades, was barely acknowledged.

Mr. Woods, a man of great moral courage, at that time and an example of same for anytime, was white as we know, so once he escaped from South Africa he was LISTENED to.

No, he should not have been listened to because he was white, but at that time, 1977, his voice could be heard. He could have easily chosen to back off, keep his job, and stay in his beloved homeland.

But he chose a different path, one which put his whole family in danger. And did not veer from this path.

I saw the movie when it first came out. Watching the growing friendship, watching Mr. Woods changing and agreeing to do what he did impressed me more than Mr. Biko. I know that sounds as if I am minimizing Mr. Biko's trials and death, but as a White American this was the first time I had seen visualized not just the horror of apartheid, but also what was needed doing to LEAVE a country.

In my mind, up to that point, I thought of South Africa as an open country, but it wasn't and this movie slammed that into my head.

America was no winner when I was growing up, I had to learn I didn't have to hate and fear those different from me and had to face what society had taught me up to that point and how it was wrong. Thank you, Martin Luther King. You helped me learn I did not have to hate, nor fear, and as an American it was my duty to sit by and let my voice not be added to those who listened and knew you were right and so many of my teachers were wrong.

Mr. Wood helped me see how a whole country was wrong, and by Richard Attenbourgh focusing on Mr. Wood, he was able to show what so many of us didn't realize; if the government thought its policies were correct, why did they try so hard to keep this knowledge from the rest of the world?

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Great follow up. As I said in another thread I would like to see a bio-pic on Biko alone as he seems a very interesting character from what was shown in this movie.

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but steven biko died. the movie was mainly about the effects of this. i doubt it had much to do with who was the bigger star.

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Maybe so. I guess from the relatively small amount of time we saw Denzel Washington's very charismatic portrayal of Biko, I got the impression that it would make for a really good movie on its own right, a true bio-pic of Steve Biko which I now accept this movie was not intended to be.

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I agree with you D8Player on that point. But what I thought you were referring to in a subtle way by your headline is that there should be more people like Steve Biko, people who dare to risk their life to fight for freedom of oppression and racism of white people, and confront it without violence. I believe that even though Denzel Washington's portraying role of Steve Biko had obviously much less screen-time then to Kevin Klines role, that he still pulled a much better and memorable performance. You gotta give him props for the african accent too. Steve Biko was the real important essence of this movie. Donald Woods was just some of the few good white men in this world who had the authority and power to transmit Biko's philosophy and ideas to the rest of the world. And because of Biko thanks to him he gave hundreds of africans a hope of freedom and a braver will to fight these white oppressors, and even succeed by changing the minds of white people such as Donald Woods in future.
Having said all this I still don't think this was one of Denzel's best performances. He's done alot better in the future. And the screen-time he had obviously didn't matter at all because he was the one walking away with an oscar-nomination, not Kevin Kline.

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Since the movie is also, in part, about a book being published...
...and because this movie is non-fiction:
Haven't any of you actually... Uh...
Read the book?

It's brilliant. As is "Asking for Trouble," another book by Donald Woods. (Autobiography)

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Have you also read "Rainbow Nation Revisited"? It's Donald Woods' follow up when he went back to South Africa after his ban was lifted.

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Unfortunately, it is too often the case that films/books about struggling people in the world end up really showcasing the White people who were involved. Not to make light of the efforts made by Donald Woods and other White activists, but its not -about- them.

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The publicity was all about Biko when the movie was being made and released.

Once you watched the film, it became clear that Biko was a supporting character in a film about Donald Woods.

Attenborough has always claimed that there is a good film to be made of Biko but it needs to be made by a black filmmaker.

Its that man again!!

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then you should be looking for another film - a biography of Biko. This was not a biography on him, but the story of a newspaper editor and what he went through to publish the true story of Biko's murder.

Had nothing to do with who was the bigger star - Washington was a complete unkown at the time - he wouldn't really break through for another 5 years until he Oscar-winning performance in Glory.

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To the OP's initial statement. Yes, I tend to agree when I've watched it (about 8 or 9 times over the years) and always wanted to see more of Biko but that's because we all would want to see more of Denzel basically. But that adds the power for me. Less is more. The less we see of Denzel the more power he gives when he's on screen in this. To me it elevates a role to a higher plain. He gives a truly commanding performance. Kevin Kline is excellent in it and that doesn't steal the glory from Denzel. Kevin was the star turn at the time and a great actor to boot and Denzel was a real rising actor after this. He went on to make the career-defining Glory and the epic, powerful Malcolm X.
I would have loved to have seen him in a film with Richard Attenborough too as well as just being directed by the great man. Those two great actors would be class on screen.



Woods:Do you know anyone we can trust who has a car?
Tenjy:I trust me!And I have a car

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Although I would also love to see a movie about Steve Biko, I think Donald Woods deserved to have his story told too. What he did was altruistic, courageous and a true act of friendship for he fought to keep alive the memory of Steve Biko.

This world is a comedy to those that think, a tragedy to those that feel.

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Attenborough always said that a great film about Biko needs to be made but it should be made by a black film maker.


Its that man again!!

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A decent movie, but I agree with Spike Lee when he took Attenborough to task for essentially making a black people movie that's actually all about rich white people.

"What I don't understand is how we're going to stay alive this winter."

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It's unfair how some people accuse Attenborough of having made a film "showcasting white people" or having chosen Kline as the main character because he was more famous than Washington!
Anybody who has seen Attenborough's other films knows that this surely isn't true, e.g. in "Oh! What A Lovely War" all main characters were played by people who had been complete nobodys at the time while the big stars only had cameo roles, and "Gandhi" definitely isn't about a white guy (and Kingsley too was a nobody).

As Prism10 wrote "Attenborough always said that a great film about Biko needs to be made but it should be made by a black film maker", which might be a clue as to why Attenborough decided to focus on Woods. Not only was Woods story much more easier to portray (due to his book and him being alive), for a man like Attenborough it is much easier to relate to Woods, which makes it easier to work with this character and his point of view. Attenborough seems to be a very compassionate and intelligent person, who doesn't pretend to capable of portraying a realistic movie about Biko, his feelings and thoughts. Plus a lot more research would have been necessary to make an accurate film about Biko and in 1986 this would have been very difficult in South Africa.

"Cry Freedom" was surely never intended as a "Ghandi II" about Biko, even if it might have been promoted as such (which wasn't Attenborough's fault).

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Woods shed light on what was happening in South Africa. He was South African, he was white, he was an educated man. He had had misgivings about Black Consciousness in South Africa which evaporated when confronted with Steve Biko. White people everywhere could relate to him.

The target audience for this story was not black people. Black people, with ANY political awareness of what was happening in South Africa, knew about Biko. They, as Attenborough said, were already converted.

The target audience was white people who didn't really fully understand, the evil of apartheid. As a 21 year old white, British student, I watched this film and wept. Our student union bar was named after Nelson Mandela, I knew Apartheid was wrong, I challenged racists but, this film made me truly active.

I can understand if your reaction is "So, when it's a white bloke, directing a film about how good another white bloke was...?". I honestly don't remember it that way. Yes, I was impressed by what Woods did. He was a brave man who stood up for what was right. What I remember thinking was that I didn't want Steve Biko to have died in vain.


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I'm not sure whether you really meant to reply to me, as I wasn't going on about a white director making a film about how good another white bloke was (quite on the contrary, I strongly oppose that allegation, I'm sure Richard Attenborough who seemed to have been a great humanitarian had surely other reasons why he decided to focus on Woods and surely carefully thought about his decision).

I'm glad to read that you've been so moved by this movie (and I think it proves that Attenborough succeeded). I sometimes despair with (film) students who don't seem to be mature or intelligent enough to watch movies (let alone "get them" or their intention), and e.g. start to giggle at horrendous death scenes.

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No, sorry. It was aimed at the people who can't see beyond race.
Attenborough could see beyond it. His family, who took two Jewish refugees into their family, could see beyond it.
I'm quite sure you can see beyond it. Racism comes in all colours.
Biko saw beyond it.

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If all you good people posted here and enjoyed "Cry Freedom",which I thoroughly enjoyed,now do all in your power,no pun intended,to see "The Power of One" which is adapted from Courtney Bryce's book of the same title and you will see how vile the Afrikaans people could be.I speak with first hand knowledge as I spent two years,1970-1972.Based in Joburg I spent time in the diamond mines of South west Africa,now known as Namibia,worked in and around Durban also East London.

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However, it's a story about Woods and his family escaping, not about Biko. That's like saying a movie about Winston Churchill needs more Milton Berle.

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That's like saying a movie about Winston Churchill needs more Milton Berle.
Ah, no it's not because Berle had virtually nothing to do with Churchill. Woods had a strong relationship with Biko, but I agree with others on this thread, that this long film tends to lose impetus after Biko's death, when it is not much more than half over.🐭

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