Godard's is quite good

It was excellent (but subjectively speaking not as good as Sturridge's....., but I'd rate both segments a 10/10) because every second of the sequence was rigourously choreographed to represent each and every second of the accommodating Armide excerpts utilized, to explore the intrinsic meaning of those excerpts, and to deconstruct those meanings through his trademark Brechtian joltagism - all the while remaining rigourously faithful to the libretto and musicality - to make viewers think beyond the visuals, the libretto, and the intrinsic themes.

G-dard applied a painstaking binary formula comparing and contrasting the music and the words and the actions of Armide with the music of the gym and the inner emotions and actions of the two women (both women representing two halves of same person, Armide), while also exploring the conflict of the interstices between two spaces, between two images, between two sounds, between two women, oppositional halves of one psyche (lust and hatred for the same person), the space between text [libretto] and image, sound and vision, mechanical and emotion, the interstitial spaces that have the power to destroy binary oppositions.

And that's not all. G-dard also delivered a fresh syntheses of images and sounds that are at once absurd and sublime. That alone earns his segment high marks.

His short is faithful to Armide, intricate, and symmetrical. He masterfully disaggregated every second of the music and images for experimental, theoretical, and thematic effect. The setting and cinematography might not be dazzling, G-dard's colour schemes might not be as vivid or contrasted as they normally are, the gymn setting, his humour might be marginalized, and the bodybuilders might make you cringe (bodybuilers, men self-obsessed with their looks = today's Knights....), but it doesn't mean it's a bad segment. It means a bit of familiarity with Armide goes a long way.

And Mireille, French In Action, lol!