Film ruined by the score


I really like this film but I've always hated the score from hell that's with it. Not only is it very eighties and synthesized, it's also quite screechy and difficult on the ear. Nasty nasty

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I enjoyed the score. Sensual and dreamlike, much like Sarah herself. It fit the aesthetics of the visuals and story very well.

Limit of the Willing Suspension of Disbelief: directly proportional to its awesomeness.

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The parts I heard were celestial and, pretty much, timeless.

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