MovieChat Forums > Tokyo-Ga (1985) Discussion > Werner Herzog is in Tokyo Ga?

Werner Herzog is in Tokyo Ga?


I'm a huge fan of Werner Herzog and also a fan of Wim Wenders. On imdb is Herzog listed in this documentary. How long is he on screen and what is he doing there?

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Yes, Herzog makes an appearance. Not to give away much of the movie but Wenders runs into Herzog in Japan and Herzog offers commentary on society/civilization and such. He's interviewed for about 5-10 minutes if I remember right.

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I saw this movie on as part of the special features of 'Tokyo Story'. Herzog does appear, although he speaks only in German with no subtitles (there's no option to turn subtitles on). So if you don't know German, you're out of luck.

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I don't know what version you have, but the Criterion release of Tokyo story does not have Tokyo-Ga. Tokyo Ga is the 2nd DVD in Criterion's Late Spring set. Herzog is fully subtitled, and is very entertaining in his 3-4 minute talk.

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Tokyo-Ga. Tokyo Ga is the 2nd DVD in Criterion's Late Spring set.
I would like to confirm that: http://www.DVDBeaver.com/film/DVDReview2/latespring.htm

Very interesting movie, Tokyo-Ga. I especially enjoyed the interview with Ozu's cinematographer, Yuuharu Atsuta. Very moving.

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Can someone possibly translate herzog's little speech, I'd be interesting in knowing what he has to say? My dvd of tokyo-ga had no subtitles offered.

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[deleted]

Tokyo-Ga is included in the recently released Wim Wenders set by Anchor Bay, and that version does include subtitles if you can get your hands on it.

http://www.play.com/DVD/DVD/4-/3299472/Wim-Wenders-Box-Set/Product.html

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[deleted]

This is from the Senses of Cinema writeup on Wenders by Dave Tacon:

True to Wenders' statement that his “American phase” was over, his next film, Tokyo-ga (1985) took him to Japan in search of any remnants of the old Japan (that he felt was disappearing) as depicted in the films of Yasujiro Ozu, who had died 20 years earlier. During this pilgrimage of sorts, there are a number of bizarre sequences showing such uniquely Japanese occupations as hitting golf balls on multi-story driving ranges, the meticulous preparation of plastic models of food for window display and the Zen pokie-like pachinko parlour. The film also features a monologue/conversation with Werner Herzog on top of the Tokyo Tower, with Herzog considering applying to NASA to continue his increasingly difficult search for “adequate images”. The strangest of all sequences, however, is undoubtedly footage of Japanese rock 'n' rollers in outfits straight out of the 1950s practising their dance steps to a ghetto blaster in public park—perhaps inspiration for fellow Ozu-fan Jim Jarmusch's Japanese characters in Mystery Train (1989). The film ends on a particularly touching note with Ozu's long-time camera assistant, Yuharu Atsuta who had loyally worked with Ozu since his days of silent film before finally earning the position of cinematographer in 1952. His heartfelt reminiscing of his hard taskmaster to the point where his emotions overcome him is unique and moving—one could not imagine another cinematographer who could be so heartbroken by the death of a director that they are unable to work again.


LOL @ Herzog wanting to go to space to find 'adequate images'.

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Yes, he's not in it for very long, but it's pretty much the most fascinating bit in the whole movie for me at least.

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http://tinyurl.com/m746w8t

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