I Don't Get It


I was kind of baffled when the movie just ended all of the sudden. There were a lot of things I still didn't understand. I don't get what the money was for, why they were staying in the hotel room, why Diana left him money if she wasn't leaving and if she was leaving and just taking most of the money for herself why was he not mad about when she came back. I don't know why Ed was ever going to Mexico since Jack only told Diana to get out of the country and is his wife not looking for him or wondering where he is and did he quit his job? Is he just not worried about that? And why did they go with the Iranians at the airport? They were in public, they could probably have just ignored them. And how did they recognize Ed on the street before he ran into Bowie when they didn't recognize him before when he was pulling out of the garage? And what happened to Bowie?

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There is a lot of subtext and innuendo in this movie--and what else would you expect from a director who employs 16 other directors to make a movie. That means there are 16 guys slithering up to Landis and saying, "Psst, have you thought about doing this?"

You ask some good questions.

1. What was the money for?

A dying Jack Caper makes one last effort to take care of a woman he loves--there apparently have been a lot of other young ones in his life. His care for Diana is clear when she sits on his bed and they cuddle.

2. Why were they staying in the hotel room? Jack Caper, because of his wealth in a city where wealth, good looks and kiss-ass are the negotiable currency, obviously arranged before the shoot-out at the airport, for the federal agent (played by Clu Gulager--what ever happened to Clu Gulager) for Culager to take Diana and Ed in hand and protect them from the SAVAK agents. Culanger puts them into the hotel room, but there is no longer a need for the protection because the SAVAK agents are dead and Shaheen is in federal custody.

3. Diana left the money to show she was coming back. Ed Okin may be the only guy besides Jack Caper to show care and loyalty to Diane--care and loyalty that grew in the course of the movie. She apparently grew to love him.

4. Why was Ed not angry when she came back? Ed is not stupid. When he wakes up by himself, he understands that, based on Diana's lifelong habit of running away from her problems and other men in her life, he probably has been dumped, too. He obviously is puzzled, but there's not a lot he's going to be able to do about it. When Diana returns, he is glad to see her because she didn't dump him.

5. Why is Ed going to Mexico with Diana? When Jack tells Diana to get out of the country, as far as any of them knew, they could well die at the hands of the SAVAK guys. Ed takes a huge risk in going to see Shaheen but does so because of his growing attachment to--and love, apparently, for--Diana. Jack, again a dying man, leaves the love of his life, in the hands of another man who he obviously deems worthy of his trust to care for her. Jack provides money for the both of them to live.

6. Is Ed's wife looking for him? Why would Ed care if she is betraying him with her real estate colleague?

7. Did he quit his job? Who knows? As far as Ed knows, when he boards the plan with Diana, his wife is unfaithful to him, and he is a target for execution from the SAVAK. And he has obviously has fallen for Diana. (The unromantic view would be that he is only boarding with Diana to get away from the SAVAK. I take the romantic view.) He's running to stay alive and to be with Diana. He may have sent a collect telegram--you could still do that in those days--to his employer from Mexico City, saying he's quit.

8. Why did they go the Iranians? The SAVAK guys were obviously undisciplined and answerable only to Shaheen. Shaheen put Ed's and Diana's into the hands of these crazy killers because, though Diana reveals where the stones are, she still wants them dead. We're not exactly certain why she wants them to die; we only know that people who have been involved with the stones, have died.

9. Why did the SAVAK recognize Ed on the street when they didn't recognize him when he pulled out of the garage? If you will look at the garage scene again, you will see that Ed pulls his car up to the SAVAK car and the lights are shining directly into the SAVAK guy's eyes. The SAVAK guy couldn't see Ed clearly. When he was walking down the street, the SAVAK guys got a clear look at him.

10. And Bowie. We presume he died in the fight with Hamid's body guard. (This, by the way, would have been a place to put a sequel hook into the movie: to show Bowie getting up, in pain and bloody and exhausted, finding something that Diana and Ed left behind, and stumbling out the door.)

These are the best guesses I can make based on the information in the movie.

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Wonderfully intuitive guesses!

I have only one thought, concerning #3 (why Diana left money):

I believe Diana had originally intended to leave Ed (for reasons you alluded to in #4). It would make no sense that she would leave him a packet of money if she was coming back -- she would simply share the whole suitcase of it with him.

However, much like the last scene in The Competition (haha obscure reference to one of my favorite Richard Dryefuss movies!), Diana decides to return to Ed because of the other points you made in #3.

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Gotta agree. Diana left him the cash . remeber she got his car towed . she Ed saved her life, several times. She felt she owed him. She wasn't coming back. But she had 24 hours to reconsider. remeber Ed slept 48 hours himself.

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Diana split on Ed who for the first time in years was finally tired enough to sleep for what appeared to be at least a day and a half. In this time Diana decided to come back for Ed... and buy new clothes as well which explains the black jacket.

The garage scene is a bit more simple in that the only guy that sees Ed in the car is the John Landis one. He DIDN'T see him at the airport, only the guy who fell on the hood of Ed's car knows who he is. That agent was at the time snooping around Diana's brothers apartment. Ed just sort of stares down the Landis agent with a poker face saying "Move your car guy I've never heard of or have any idea who you are."

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Yes, that's how it happened - the movie wanted to fool the viewer that Diana left Ed, and create a 'sad, lonely moment' so that Diana changing her mind and returning to the nerd would be all the more happy and satisfying to the viewer, because of this contrast.

The money she left Ed was a proof that she had a little bit of sympathy for him, but ALSO, that she was greedy and selfish, for only leaving such a small amount, and it's sort of proof that she's gone for good.

If they had just woken up together, like an old couple, and left to spend their life together, it would've been less of a big climax (no pun intended).

It's supposedly more 'romantic' that the golddigger that can have any man and now has lots of wealth, too, comes unrealistically back to the beta nerd, but that's the movie logic for ya. I liked the ending of 'Innerspace', because (spoilers!), the nerd -doesn't- 'get the girl' for once.

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>>>> the golddigger that can have any man and now has lots of wealth, too, comes unrealistically back to the beta nerd, but that's the movie logic for ya.

I do find that believable. Jeff Goldblum’s performance as Ed is completely convincing, and frankly the only part of the movie that really works. Diana, while having a history of running away, also knows that in reality she really has no one — no friends except — unexpectedly — former keeper Jack. The night she finds herself in big trouble, she realizes no one is really on her team but this strange, quiet man — an epiphany that paralles Ed’s regarding his own life.
She trusts Ed and feels safe with him, and needs someone like that in her life beyond that night’s adventure.

I wouldn’t call Ed a nerd. He’s actually a pretty cool cat who’s been brain-dead for years in a nowhere life with a nowhere life, unconscious in a nothing job where he’s the last to know they switched protocols weeks ago. He’s an unconscious man who never sleeps, but by the end, he can “talk straight” even to dangerous criminals and at least articulate what’s been wrong with his life. At that point he’s someone very appealing to women, and essentially graduates from the hamster wheel. I don’t think he goes back to the office anytime soon.

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It was a random act of kindness on her part - if you were in that situation, and planned on leaving and living a luxurious life with all that money, wouldn't you also give this simp that helped you so much, at least a tiny token of appreciation for all his trouble? It's just the human thing to do, so even a selfish golddigger feels it's doable to part with 0.001% of her massive wealth for a good cause.

It's like a final, sweet 'thank you', as well as a 'dear John'-letter all in one package.

Her leaving the money is EXACTLY the opposite message as explained here - it's exactly to tell Ed she's _NOT_ coming back.

If she wanted to send him a message that she IS coming back, she would just not even have taken the money with her whatsoever. Ed would see the full (or almost full) amount of money and realize she's coming back.

It's exactly because she took everything, but then left a tiny portion so Ed can have a bit of fun, too, that tells Ed and the viewer she's NOT planning to come back.

It wouldn't be a hollyweird movie if it was this realistic, though, so they had to have the injected romance syrupy unrealistic ending, where the simp always gets the girl.

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I bought her coming back to him. Her bad habit was to take off, but she kind of ‘grew up’ during the film and realised she’d finally come across a man of good character, who didn’t use her, and who understands healthy long term relationships - which is eventually what every woman needs unless she wants to end up a perpetually unhappy feminazi who dies in a puddle of cat piss.

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