MovieChat Forums > Cocoon (1985) Discussion > How did Don Ameche win an Oscar for Coco...

How did Don Ameche win an Oscar for Cocoon..??


I mean what does he do in the movie..all of the other actors have their moments but Ameches character barely does anything..Definitely one of the most undeserving Oscars of all time

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disagree. the academy historically and to this day acknowledge older actors through a new film based not just on that performance but also on the body of their work. After an illustrious career stretching back to Hollywood's hayday, the wonderful Don Ameche was enjoying a belated comeback revival thanks to films such as "Trading Places" and indeed especially "Cocoon" and was justifiably appreciated with his Oscar nod and win...plus he is actually really good in "Cocoon". A lovely gentleman in a lovely gentle film - you can't begrudge him his ultimate moment.

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I just watched this too, and thought the same thing, his character doesn't have a "moment". I thought Wilford Brimley was the standout in the cast.

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Dont get me wrong but Don Ameche was a terrific actor..Definitely one of my favorite actors from Hollywoods Golden Age..I think this Oscar was more of a lifetime achievement thanking him for his large body of work rather than a deserving Oscar..The Academy has a way of honoring older Actors who have never won before in the best supporting category..James Coburn for Affliction,Alan Arkin for Little Miss Sunshine and Don Ameche for Cocoon are some that come to mind

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The academy historically and to this day acknowledge older actors through a new film based not just on that performance but also on the body of their work.

A lovely gentleman in a lovely gentle film - you can't begrudge him his ultimate moment.

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This performance does not justify a win or even a nomination. Very shallow of the Academy. You could say the same about Wilfred Brimley, Hume Cronyn and Jack Gilford for their body of work. These other 3 gentlemen gave so much more in their performances, were more moving and had more depth to play, in the context of the films narrative. I have an edge for Brimley's performance.

This was a wasted nomination and the win for Ameche was even more absurd!!!


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'I disagree. the academy historically and to this day acknowledge older actors through a new film based not just on that performance but also on the body of their work. After an illustrious career stretching back to Hollywood's hayday, the wonderful Don Ameche was enjoying a belated comeback revival thanks to films such as "Trading Places" and indeed especially "Cocoon" and was justifiably appreciated with his Oscar nod and win...plus he is actually really good in "Cocoon". A lovely gentleman in a lovely gentle film - you can't begrudge him his ultimate moment-
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Yes, you can begrudge him his ultimate moment.
It doesn't matter if he's a lovely gentleman in a lovely gentle film, or if it's a comeback. What does that have to do with the Oscars? You think it's ok to toss over an Oscar because you're charmed by an actor? People love saying that cliche "body of work".

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we won the oscar for his sweet ass breakdancing.

His anus is soaking wet- Walter Bishop - Fringe

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He did not do the break dancing in the film. It was a stunt double and it was VERY obvious.
I remember at the time (1985) thinking that Ameche was the Hume Cronyn role as I got the actors confused. Cronyn had a much meatier role, and the way he dissed Tandy's character with his night out on the town, and the argument with Jack Gilford's character in the dining room; all of that was great stuff. Then, when I saw Ameche go up for the award I remember thinking, "That's not who I though it was!". But yeah, he really didn't have much to do here. Cronyn deserved it more and even Jack Gilford should have gotten it as he had that argument about not going to the pool at the car, the argument in the dining room, and then the heartbreaking scene where Rose dies. He definitely deserved an Oscar. But Ameche? Not even close. That was a "Here is an Oscar before you die" moment.

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You can argue that the other actors made a more dramatic impression, but the problem with Cocoon is that it's such an ensemble film and it was a "Best Supporting Actor" nom, so Ameche fits that category more. Looking at the other actors nominated that year, the only other nomination that comes close for me is William Hickey for Prizzi's Honor, though admittedly, I've never seen Klaus Maria Brandauer in Out of Africa. Personally, I'm amazed Raul Julia wasn't nominated for Kiss of the Spider Woman, when William Hurt was nominated for Best Actor for the same film and won (deservedly so, IMHO).

IS THIS SOMETHING YOU CAN SHARE WITH THE REST OF US, AMAZING LARRY?!?!

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You can argue that the other actors made a more dramatic impression, but the problem with Cocoon is that it's such an ensemble film and it was a "Best Supporting Actor" nom, so Ameche fits that category more.
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I don't quite understand what you are attempting to convey here. Because Ameche wasn't as dramatic, that makes him more worthy of a supp. actor nom? What aspect of Ameche's performance, makes him fit this category more?

This was one strange nomination and even more absurd and bizarre win, like your comment.

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What I meant was, if they were going to give a nomination for acting in the support category, Ameche was the better fit... Brimley left more of an impression, but he would have qualified for Best Actor more and that was less likely to happen with the other candidates that year (like Hurt, Nicholson and Voigt).

IS THIS SOMETHING YOU CAN SHARE WITH THE REST OF US, AMAZING LARRY?!?!

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Ameche was the better fit...

Brimley left more of an impression, but he would have qualified for Best Actor....
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I see COCOON as an ensemble piece and the characters were in support of each other. Brimley was still support to my eyes and the academy has often put what could be considered lead characters into support categories and vice versa. Cronyn and Gilford fitted the support category, just as much as Ameche and had much more depth and stronger character arcs to their performances.

Ameche's nomination and win was one of the biggest farces of academy® history.

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I agree completely. Here are my thoughts why he was nominated. The breakdance scene. Back in 83/84 hardly anyone knew anything about stunt doubles. (Remember Flashdance when everyone thought it was Jennifer Beals in that final dance scene when obviously today it was CLEARLY a body double and it basically ruined her career before it even took off?) So people were impressed that someone his age could be dancing like that. Yes, he had been around for decades, but so had Jack Gilpin and Hume Cronyn too and they were far better in Cocoon than Ameche.

Funny thing is back then at work we'd all chip in for a winner takes all Oscar Bet. I figured Ameche would win but it was a tossup between him and William Hickey, and I chose Ameche. I won that Bet like I usually always did.

But yeah, this was one of the worst Oscars ever awarded for a performance. Or lack of one.

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Eric Roberts was robbed that year. He should have won for Runaway Train.

Don Ameche's oscar win stands out as bonkers today. He was nowhere near deserving, not even for lifetime achievement.

If anyone in Cocoon deserved a nomination it was Hume Cronyn, or Wilford Brimley. But yeah, that silly dance scene might have done it.

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