Why is this film so unkown?


Not that Herzog gets the credit that Kubrick might get, and perhaps it is a lesser film...
but why the heck is this film so unknown?
It's actually a perfect gem of a film, stunning film, wonderfully acted,
and so timely.



I got a recipe for that. Fricasee of reptile. Very good. Much better than your dogfood.~Road Warrior~

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[deleted]


Really?
Ye gods, I never heard that bit of trivia. Where did you hear that one?
Herzog seems to usually steer clear of popular big-bucks-name actors.
But he did just do his most recent film with the popular Christian Bale.



I got a recipe for that. Fricasee of snake.Very good.Much better than your dogfood.~Road Warrior~

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[deleted]

I have to admit that I hate this movie, but the main reason it's obscure has nothing to do with its quality. It's because it was made on a tiny budget and never received a wide release. In Australia in the 80's the federal Labour government wanted to build up our film industry so they introduced new tax regulations to encourage investment. Basically, for every $1.00 you invested you would receive $1.50 back from the tax office. This meant that every man and his dog started ploughing cash into the industry because of the awesome returns. In order to qualify for the 150% refund the film had to be shown at an Australian cinema for one week. The funny thing is that in many cases it was more profitable to show the film for a week, without spending money on advertising it, and then dump it onto video! This is why in the 80's & 90's you'd go to rent a video and find all sorts of bizarre movies, often starring quite big Australian names, that you'd never, ever heard of. The tax rules are long gone and most of these 80's movies will never get a DVD release, but WTGAD will always be available in some sort of format because Herzog is so highly regarded internationally.

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so is this a good movie or what? Is it worth watching with my friend, for who I want to have a good impression of Herzog films?

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i wouldn't recommend it as an introduction to Herzog

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It seems there wasn't enough in the budget. The last couple of scenes feel modified, and then they reused footage to create the ending. Its one of those movies that end abruptly without fully establishing most points.

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this film is so unknown because it forces Australians to confront how horrible they have treated Indigenous Australians. i don't think it has anything to do with Herzog's budget. he's an international acclaimed director and would have no problem getting the publicity for this film. think about what was happening during the 80's, the Bicentennial celebrations, Indigenous Australians were only just getting rights to vote, or being counted in the census.

this is a great film and should be recognised as one of Herzog's finest works.

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Thanks for saying that. I agree, though I haven't gotten to see or hear much or the aboriginal treatment firsthand, it's a much glossed over point of history everyone likes to forget. I do believe the newest Prime Minister of Austrlia recently made a first-ever national Apology and Recognition of the terrible treatment of the Aboriginies, and that he found it an embarrassingly sad part of the Aussie heritage.
Just listening to Herzog, in the film's commentarty, describing how hard it was to find Aborignes that were't misrabley drunk to act in the film is heartbreaking, as is the description of their general life he observed while filming.
Anyhow, I didn't find the film cutsey poo or romantic for it's presentation, which is sort of a first. Especially here is American cinema, Abbo's are those mystic little dark skinned people who roam Austrlia without a care in the world.
I'm also confused how few Herzog fans seem to care for it or worse, how many have not heard of it.
It's great to see someone else who appreciates it so very much too! :D


I got a recipe for that. Fricasee of reptile. Very good. Much better than your dogfood.
~Road Warrior~

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this film is so unknown because it forces Australians to confront how horrible they have treated Indigenous Australians.
Australian films* hardly have to be confrontational to fail to find an audience within that country. Unfortunately Australians, by and large, avoid Australian films* like the plague, whatever the theme.

[* or films made in or about Australia]

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Australian films* hardly have to be confrontational to fail to find an audience within that country. Unfortunately Australians, by and large, avoid Australian films* like the plague, whatever the theme.


agree, but it's relative obscurity even in Australia is strange when you consider its subject matter, and the fact that Herzog, an internationally acclaimed film maker, wanted to direct a movie here, about a topic that relates to us. I agree it isn't just ignored due to 'controversy', but we do lack real serious discourse in this country, and we hate being challenged, esp about our cultural identity. One of the most interesting contradictions about Australians is how the overt 'pride' demonstrated by the vast majority is curiously offset by the effect of the cringe. As a nation we have yet to deal seriously with our own insecurities.

The other problem is that arthouse cinema is not that well respected in Australia, historically. it's only been recently, with the advent of companies like Madman, that all the classic art films have been available to the general public to buy or rent. We are not a particularly artistic or intellectual country. Culturally speaking, we encourage the pursuit of neither.

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Well, the film isn't Australian for starters. It's West German and as far as I'm aware the Australian government nor any Australian investors had any part in funding it. As somebody else said, there were so many films coming out in the '80s that it was easy for some to get lost (the famed DEAD END DRIVE-IN was released for just one week and is now considered a classic of the genre). Especially one that was genuinely foreign and a tough subject matter.

I am surprised it's not widely known today especially given Herzog's reputation these days and the accessibility of his films, but it's hardly surprising.

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Well, it is pornographic in the recent DVD release.
The chapter menu is scrambled (!) and the film transfer is
appalling. In the courtroom scene, the film quality is so bad, it looks like the figures in the back are wavering in a heat wave.
My ancient French-subtitle copy of it from a VHS is sadly better looking.
The colors are grainy and garish, and the sound transfer terrible. It sounds murky.
Most pornos get better treatment nowadays.

No, it's not Herzog's best at all.
That reserved for his other stuff.
This, like some of his 'lesser' films can be tedious, boring, bombastic, and utterly pointless to many. Perhaps even self indulgent, like Herzog only cares to indulge in a personal mysticism that involves long tracking shots of exotic scenery set to German synth-techo scores, or aboriginal style insturments and voice-work.

But hey, to each their own. ;-)



I got a recipe for that. Fricasee of reptile.
Very good.
Much better than your dogfood.
~Road Warrior~

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Why unknown?

Herzog is not as widely known or appreciated as his fans might wish.

There might be some reluctance for the masses to rush to 'serious' cinema shot in Aus, preferring to stick with 'silly but safe' efforts like Croc Dundee.

I haven't seen DVD or VHS versions, but the cinematography - as seen in cinema - was typically exquisite Herzog. Having spent a bit of time 'out there' in South Australia's desert regions, I thought that the sometimes alien feel of the landscape was brilliantly captured, and it is worth watching a good print for that in itself. I've seen Aus outback depicted in many films, and 25 years on, Green Ants still wins out.

Australia doesn't have a well-supported film industry so a lot of low-budget films get made (then again, multi-million $ 'Australia' sounded like one of the worst wank-fests ever made here - I stayed away in droves).

It could be that there is a reputation for more misses than hits in Aussiewood.

re various comments made -

Correction: Australian Aborigines were counted in the census and given the right to vote circa 1960s, not without some local tensions. At the time the film was made, indigenous land rights were beginning to be fought out in court.

re the trivia comment on the main page, Time - http://www.time.com/time/magazine/article/0,9171,904108,00.html - says (of the Nabarlek uranium mine)

"The ore, buried just beneath the sere landscape in easily accessible formations, is less than 200 yds. from an area known in aboriginal religion as Gabo Djang (the Dreaming Place of the Green Ants). The aborigines believe that if the hallowed ground is desecrated, the insects giving the place its name will turn into man-eating monsters that will ravage the world...The ½-in.-long insects are already more than a picnic annoyance: they abound in the area, living in trees and leaping out to bite intruders. More important, the ants at Gabo Djang are believed by the aborigines to be descendants of the godlike Great Green Ant. They revere the great ant as one of the spiritual beings who established all the patterns of human life and can still influence them for good or ill."

I have stayed in Darwin for long enough to know that the green ants are real enough, but if you ask me they don't have dreams, they have homicidal nightmares.

The court-room scene is allegedly based on a real court-room incident at that time.

Finally, by and large, Australians do not adopt racial terms of abuse for minorities of other countries. If I used the 'N' word here for African Americans (or African Africans for that matter), I would be banned in a split-second.

So unless it is your intent to use terms of racial abuse and denigration, please avoid terms such as 'Abs' and 'Abbos'.

btw I am a fifth generation Anglo-German Australian, but I see no benefit in going round insulting people just because their heritage is not my own, and I make it my business to avoid doing so accidentally.

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Actually this film is unknown among people who know who Werner Herzog is. Only those really interested in films of WH know about the existence of that film. In my country (Poland) there is a DVD box with Herzog features that doesn't include that one.

Similar thing is with "Signs of Life". Many people think, that Herzog's feature debut was "Aguirre".

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[deleted]

that´s what I asked when the movie ended...it's a suberb gem!

10/10

Under the Paving Stones, The Beach

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