CmdrCody has it in one - this film is a metaphor for the end of the Victorian/Edwardian Age before the outbreak of the holocaust of the First World War. James Mason (Sir Randolph) represents the gentle and benign attitude of the late Victorian era with its structured society as represented by his household. The servants know their places, but he recognises talent in the gamekeeper's son whom he wishes to send to Grammar School.
Edward Fox represents an Englishman's standards of behaviour where competitive sport, at least, is concerned but this does not stop him keeping a mistress. Lady Hartlip enjoys gambling and other extravagances while denying bestowing her favours elsewhere.
Robert Hardy (Lord Lilburn) represents another sort of Englishman with foppish standards, but sense enough to realise he has a jewel of a wife. And Joris Stuyck (Count Tibor Bakossyl) represents the Germanic cousins in Europe with their vast estates on the Hungarian plains perhaps who all too soon are to be thrown into the turmoil of battle that is WW1.
Finally, we come to Gordon Jackson (Tom Harker) who has respect for his betters, but shows the independent spirit of the working man. Alas, he represents the "Poor Bloody Infantry" who are about to be thrown into battle uttering "God Bless the King," before facing annihilation under the German guns.
Thus, I see the calm disturbed by the little explosion in the fireplace at the dinner table. The younger generation have their heart in the right place by caring for a tame duck, but his elders are just as firmly set upon a course of destruction that all seem incapable of stopping.
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