Corey Parker


He did a recent interview with Diabolique Magazine. He has a couple of wild anecdotes about Michael Winner.

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Almost everything I've heard of Michael Winner points to him being a nasty bastard.

Poor Cristina Raines (lead actess in The Sentinel 1977) hates his guts. Doesn't have a nice thing to say about him.

He has some allegations of sexual misconduct against him too.

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Sally Kirkland said she didn't know what a misogynist was until she worked with Michael Winner.

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Here are Cristina Raines comments on Winner, in case you haven't seen them;

That was another one where Monique James told the director, Michael Winner, not to use me, and he told me that. He picked me anyway, but that was a terrible experience. All I can say is that the New York Teamsters, who worked on the crew of that film, saved my life. That's all I'm gonna say. They were a stellar group of guys and they protected me from Michael Winner. If any of them are reading this, I want to say 'Thank you' because they made a point of letting him know that he'd better not mess with me. And I've never been afraid of anyone before, but that man was scary. It was really a frightening experience working for him. That man put me through hell.


You know...he used people with real disabilities for the finale of that film. They were lovely and kind people, and he was unkind to them. He would also try to shoot Ava Gardner making her look really awful. Ava was still a stunningly beautiful woman, but he would go out of his way to light her badly, on purpose, to try and make her look bad. I wasn't aware at first that Michael was doing that. The cinematographer came over to me and he said 'Look at the way Michael's lighting Ava. He's trying to make her look horrible.'

So I said to him, 'OK, let me see what I can do to help out.' I would work with the cinematographer and we would be in cahoots together so that we could figure out a way to give her better lighting to make sure she didn't look bad. What we would do is that I would distract Michael long enough for the cinematographer to reset the camera, that sort of thing. NOBODY liked that man. He was just unkind."

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Ava Gardner was...what's the word? She was such an icon, she was just this great lady who had a great sense of humor--a bawdy sense of humor--and she didn't miss much. You know, people would kind of try to pull things over on her, like the director, and she just would look at me to show me that she knew what was going on. That woman was savvy. She got very protective of me when she was on the set because he was so awful to me, and then she would step in and do her thing in her Ava Gardner way and he would back off. Yeah, she was real protective, she was amazing.


I had a strange scene with Beverly and she just had a wonderful sense of humor about it. It's like I said, she went for it tongue-in-cheek, you know, they both did. They made fun of it themselves. That's how they got through it, which is another thing that made Michael Winner really mad! (laugh) He didn't like anybody, he didn't like anybody having fun, he didn't like anybody liking anybody else! (laugh)"

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Konvitz was on set and I think he was protective because Michael Winner was taking great license and changing what he wanted to change without authority. And it upset Konvitz because it was not what he wrote and the book was really very good. So there was a lot of drama and turmoil between Michael and the executives at Universal. Apparently, he wouldn't let anybody see the dailies and he hid them and he just did some weird things and he made everybody's life miserable. To tell you the truth, I've never seen it because it was such a bad experience. I cried every single day to work. It's too bad because I felt at the beginning that it would be a good part and would make a good film. Oh well, I tried! (laugh)"

https://hillplace.blogspot.com/2014/06/since-youve-gone-cristina-raines-interview.html

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