Some weird stuff I noticed....


The creepy kid in the Tor Johnson mask who hovered in the background in several scenes. He/she never took the mask off. Seriously seemed like a bad omen. I kept thinking it was the messenger of death.

The evil developer was a dead ringer for Clay Shaw.

For being "hurt real bad," Turbo doesn't need his arm or leg casts just HOURS later. His powers of regeneration are amazing.

The power of breakdance WILL bring a flatlined patient back to life after his doctors have abandoned him to get funky with it.

Cops can dance AND give a traffic citation at the same time.


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How about Strobe dancing with Kelly all intimately at the end while Ozone is off in la la land with his pink shirt, not noticing!

The Electorocks randomly deciding to side with TKO and knowing all the prearranged choreographed dances.

"Everything I do, I do it for you."

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A few I'd like to add:

They need a lot of money to save Miracles, but they seem to have an unlimited wardrobe budget.

This is an impoverished neighborhood, but the worst crime reported is a guy getting some kind of parking ticket while he's sitting in the car.

Turbo and Ozone seem to share the same tiny bed.

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I'm just expressing my opinion.

You may all go to hell, and I will go to Texas.

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They need a lot of money to save Miracles, but they seem to have an unlimited wardrobe budget.
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ha.


Ice-T wasn't always on roids

Sonny Bono had a type

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It's funny you mention that about Tor being a symbol of death, the first time I watched this all I could think is maybe after the success of Street Jazz, Kelly ODed on drugs (I mean, she is "Special K" after all) and Breakin' 2 is some kind of death dream. Heck, the first movie even ends with a montage of events from the film, some of which were cut out from the actual film, as if Kelly's life were flashing before her eyes.

Everyone in the world can break out in dance, the world is magical (gravity defying dancing, regenerative healing powers, dancing can revive the dead, etc.) and colorful, almost everyone in the neighborhood is saying "yay! Kelly's back," she is suddenly a successful dancer, a bottomless wardrobe of outfits, and she is suddenly the child of rich parents. In the end, she saves the day by giving up her show in Paris to come back and convinces her parents to donate the last $50K needed to save the community center.

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Turbo's girlfriend was a faith healer.

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