The Killer's Motivations (And The Tragedy?) *** SPOILERS WARNING!! ***
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Don't read any further if you have not seen this movie and wish to have the ending be a surprise!
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OK, I have been dissecting this film over the past couple of days after re-discovering it on a slasher binge and am intrigued enough by what I can't figure out to puzzle over some of the details. I also think we're missing a scene on the home video releases that might explain the jumbling.
I understand that the Coach (Neil with his green sweater and matching slacks: very cool threads, Yo!) turns out to be the killer at the end -- but what IS his motivation?? I understand that his mom was one of the town whores and he was sent off to Chicago, but why the murder binge when he comes back? He starts hacking up the kids even before the softball game at the beginning (the two kids on the motorbike who's bodies oddly float down the river for the next 2 days without ever leaving the town limits). Is the house the partiers take refuge in what used to be the whorehouse where he lived? It's a separate issue but it seems like the flashback he has right at the ending is taking place in the same room and when he remembers the prostitutes/strippers parading by him it seems that they are walking across the porch of the same house: Is that correct?
There is also the subplot of the death of the sherrif's son. If I understood the dialog correctly, Ramona and the sherrif's son were both riding in a car that Casey -- the seemingly retarded guy who loves trains -- was driving four years before, and for whatever reason there was an accident and the sherrif's son killed & Casey reduced to a childlike mental state. But did that have anything to do with the Coach? He and Ramona seem to at least know each other ... at least they are never introduced during the film until she comes knocking on his shower door and he knows she's a slut who will sleep with anyone. And what about Lilly's mom? Was she one of the prostitutes also? How does she fit into it, or is that a red herring with Lilly just sort of randomly there at the wrong moments? I was even getting a kind of vibe that she and the Coach may have had the same father, or at least whoever their fathers were may have just as well been the same person.
Also, I have a feeling that there was something cut in the scene where the sherrif goes into Neil's garage on the Virgin Vision VHS I have: Letters are written on the windsheild in blood, then something (presumably someone's head, most likely Casey's, though it raises the question of why he was lurking around in the Coach's garage: did he have some reason to be there other than to just be killed?) falls on the car. There is an abrupt shift back to the partiers by the river with Sandy the blonde being killed, but then the next time we see the sherrif is when he appears at the abandoned house at the very end. I can dig the presumption on his part that Neil is killing people, but how did sherrif know to go to the abandoned house to find him? That's why I am wondering if it's the old whorehouse: The sheffif turns up just in time to blow the Coach's head off, plug him a few more times for good measure, then when asked "Why?" replies "I don't know." Does that mean this spree killer had NO motive and the sherrif really super lucky in figuring out he'd be stalking people at the abandoned house? Is there something missing that ties it all together, or did I just miss some tad of Southern Gothic somewhere?
I've watched it three times and can't figure this out unless something is missing -- it's a better story than I first gave it credit for when commenting on it in the main pages here, though it's still a rather unimaginative film with a couple of inspired touches (like the bodies floating in the river), raintsorms that suddenly stop on cue and the most suspiciously convenient appearance of a law enforcement officer in recent memory.