Image quality


I was actually in that movie as the cop killed in the beginning. I can't believe they never even tried to put out a decent image quality dvd. Everything I've seen has been mastered from VHS. I know the movie was shot on 35MM and great care was taken to make it look good. The picture turned out pretty good and they did that! The only good copy I saw was when it had a short run in a theater here in Manhattan. It looked beatiful. Hey, show biz!

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I thought I got a bad quality copy but this film has a lousy quality. the film wasn't much good anyway. I only watched it becuase of Harvey Keitel.

My vote history: http://www.imdb.com/mymovies/list?l=41932309

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I can't see how this garbage could have possibly been shot on 35. It is vague, discolored, has no depth of field, and looks like any B-roll ENG footage from the early 80s. I shot my own show on video in 1986 and it looked like this.

I saw this on digital TV in L.A., and it actually has the worst of both worlds, it has all the above mentioned defects of low band video formats, PLUS the flecks and grain of film. I doubt that this was from being shot on film, but rather here is how I think it was done:

It was shot on video, sold to a desperate pile of a distributor who needed a projection print, transferred to film for that, then somehow that long-rented and worn print was used to make the TV and home video versions because, by then, someone had mercifully discarded the master video tapes.

Oh, and this movie bites ass all the way around. Harvey Keitel can't save it.

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Mail 2775 you pompous git do you really think that Roberto Faenza would direct a film on video in 1982/83???

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Thank you for the thoughtful reply padj, I learned a new word from you (I had to go to the urban dictionary to look up git because it isn't in the English language dictionary).

Do I really think that Roberto Faenza would direct a film on video in 1982/83?

Is that a serious question?

You ask it as if we were talking about George Lucas.

As for Roberto Faenza, the guy has 15 directing credits in 40+ years, none of which I had ever heard of until happening upon this "film" on television.

Let's frame that question with a few other questions:

Would Roberto Faenza direct a film that stars an over-the-hill punk rocker with zero acting experience as the star?

Would Roberto Faenza direct a film that is to end up looking as horrible as this one does? (Please note the countless posts knocking the image quality, even positive posters posting on unrelated topics can't resist slamming the poor picture quality.)

Would Roberto Faenza direct a film that clearly has no budget whatsoever?

We're not talking about Kubrick here...


You can easily tell by looking at this "film" that it was as low budget as anything could possibly be. You can further note that since it was made in 1981 and not released until three years later that the low budget production actually went totally bankrupt at some point. Films don't ripen in the can; any delay is a sign of severe financial problems, often a studio or bond company questioning the benefit of even completing such garbage.

You can save a lot of money by making a film on video, that was true even 20 or 30 years ago. You can save money on a film production that has gone broke by doing a telecine transfer of existing footage, doing the rest of the shots on video of the same format, and editing the whole project in a linear video editing bay. The process of editing the whole project in a linear video editing bay would cost about 1/20th of what it would cost to do it with film (then, not now).

Note that every single person has witnessed negative image artifacts that come from videotape.

Note that no one is credited with any negative cutting, dissolves, or anything else related to film or lab work on this "film".

Note that I witnessed a lot of bad artifacts from film, where it looked like it was a transfer from a worn print. My initial post offered an explanation for that.

How can you explain the look of this film?

If they made the TV master from a VHS tape and authored the DVD from a VHS tape, as many posters have claimed, why would it have a worn film print look with scratches and flecks? If film, they'd have made it from a newly made print, not a rental return from film distribution.

My post is the only one that even offers an explanation for this.

How would you explain it?





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Just because you have not heard of Roberto Faenza does not make him any less of a filmmaker than 'cough cough' George Lucas.

What does Kubrick have to do with it?
Most definitely a better director but what's your point?

I never said it wasn't low budget and just because it is doesn't mean it was shot on video.

The film has minimal depth of field, yes it's very flat but i believe this was done intentionally.

Why can't a film star a 'over the hill punk rocker'?
Why is that frowned upon?
Lydon's inexperience as an actor actually works in favour of the film.

I can't explain why all the DVD releases have been poor. A lot of the Italian Charles Bronson movies have suffered the same fate.

It's only a matter of time before a special edition widescreen version is released with Faenza, Keitel & Lydon providing a commentary to explain why the film has taken so long to get to DVD.

P.S It was shot on 35mm :)

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Yes!! Well done in tracking down a print.
Question is how and where? :)

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Well I saw it in the theater when it was released (as "Corrupt"). I remember the build up (seeing ads for it in The Village Voice) & then pleasantly surprised when it finally came to a local theater (it showed in Whitehall, PA). I distinctly remember the film looking like film & it was in a wider aspect ratio than full frame (it was at least 1.66, but probably wider than that). While the color & lighting may have been stark & gritty befitting a NY film (think Taxi Driver), it was not the washed out/hazy image that you see in many of the full frame presentations that are widely available. I liked the film so much, I wanted to see it again, but I don't think it lasted the full week in the theater. I would love for someone to give it a proper dvd release with both the English & Italian soundtracks, though perhaps the Italian release may not be the same....

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You were very lucky to see this in the theater. I found this on VHS for 99 cents in the clearance bin of a video store, and it's very grainy with muddy sound. I normally am very tolerant of sloppy reproductions as long as the story and performances are strong, but it's obvious I'm missing out on quite a bit here. I guess we takes what we gets.

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How is a film made in the 80s already in the public domain?

This will be the high point of my day; it's all downhill from here.

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