MovieChat Forums > Sans soleil (1983) Discussion > What did you find most striking/confusin...

What did you find most striking/confusing/ fascinating?


What features of Chris Marker's "Sans Soleil" did strike/confuse/fascinate you the most? Why?

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- takenoko-zoku (i like dance and electronic music)
- the score during the first 10 minutes was very sci-fi and drew me in
- sport hunting/killing the giraffe (i'm always annoyed at how this bothers me)
- paying then praying (i felt like an alien watching real humans)

I'll think more about this. I have to finish reading Cybernetic Samurai first. Thanks!

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I think the giraffe's death is one of the most fascinating image I ever saw on film...

Other than that, the kids dancing in Tokyo streets, the new year celebrations at the shrine and the animal sex museum are quite surreal moments...

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Those "baby martians" are incredibly weird but fascinating.
Confusing would have to mean the parts where the images go through "The Zone"

Great fiction film BTW. Lot of people watching this, great!

"Charlie don't surf"

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the giraf killing scene was interesting to watch, i can't say i enjoyed it but it was well edited. i liked the scenes with the fisherman, the san fransico part about "vertigo", the scene of the girl looking at the camera.

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The horrible dead body with the maggots on the leg.

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The train sequence is one of my favorite things ever done.

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The opening minute of the film instantly seduced me, and I think it's one of the greatest segments of film ever made.

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The ferry trip from Hokkaido to Honshu struck a chord of memory. As a 10-year old Army brat, I was aboard the Toya Maru en route to Camp Crawford with my brother, sister and single-parent father (who was in the army C.I.C.) in September of 1954 when Japan was in a simpler place. Now a "chunnel" has been built rendering the ferry "de trop". In 1983, the auteur observes that "le gens de richesse" travel by air and he films sleeping adults obtusely asleep while a little boy looks out a window while his mother's head keeps nodding.

I remember still the train trip from Yokohama on a railway whose cars were as old-fashioned as the railway in the opening chapter of Dostoevsky's "The Idiot" when Prince Myshkin is returning from the Swiss asylum to Russia, only lacking the samovars for "cha" which were on Russian trains. Travel was so different in Korean War era Japan--no sleeping cars, no bullet trains, no refreshments--and we arrived at Camp Crawford (the train actually was loaded onto the ferry) in the mid of night. It was a month before the Toya Maru capsized after debarking during a typhoon and drowning everyone. The Japanese I noted were a very regimented people.

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Those darned cats.

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The brief glance from the African woman is stuck in my head. I guess it is the most fascinating moment in the documentary for me.

Language! The thing that means stuff.

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The shots of the animals in sexual ecstasy.

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In all honesty, the entire film from start to finish. The narration, combined with the visuals, was nothing short of mesmerizing. Definitely one of the more unique films I have ever seen. Just beautiful beyond description. There really isnt one aspect to it that I find superior. The entire experince was again, just mesmerizing.

Still Shooting With Film!

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- The train scene
- The staring african woman
- The giraffe killing
- The cat shrine
- The dancing youngsters

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I saw it. A thing that was cold and dry. It was me. - La Belle Noiseuse

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