A Very Touching Film


I had always planned to get around to this film, having seen other actor turned director Richard Benjamin films ("City Heat", "The Money Pit") and I wasn't disappointed. Just saw this for the first time tonight (widescreen from Turner Classic Movies Channel-I had to put in a plug for them!). A very touching, insightful character study that really captures the feel of the "Golden Age of Television". Clearly Benjamin's best film.

Peter O'Toole is wonderful (does he really ever fail to deliver?) as matinee idol Alan Swann, a man who feels he isn't quite as confident with emotional attachements as his screen persona. And Mark Linn-Baker is very good as the young up and coming TV comedy writer who idolizes him. They both connect and learn something about themselves and each other along the way. Great chemistry between the leads, also. And I was glad to find out that Mel Brooks was one of the producers (no pun intended) on this film, a contributing screenwriter and the character Stone is partially based on.

The slapstick style fistfight on the stage of the show near the end threatens to break the otherwise gentle tone of the character study, but the film still succeeds in spite of this.

*** solid stars out of ****.

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I agree...a very touching movie surrounding a movie legend. Perhaps the most touching scene is when Alan Swann dances with an elderly lady who has been a lifelong devoted fan of his. The acting was such that it seemed to have made both their days.

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I loved that scene. If I am not mistaken, isn't that lady the same actress who played Old Rose in Titanic?

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Yeah, that's her.

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It is enjoyable & Peter O'Toole is wonderful. He's great in anything he does anyway.

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>>The slapstick style fistfight on the stage of the show near the end threatens to break the otherwise gentle tone of the character study, but the film still succeeds in spite of this.<<

(SPOILERS, KIND OF)

It succeeds because there are quieter, gentler scenes which balance out the over-the-top fistfight. The two that readily come to mind for me are Peter O'Toole dancing with Gloria Stuart (the wedding anniversary matron) at the Stork Club, and the scene in Central Park where Swann and Benjy, hung-over from their night of drinking and 'throwing up,' are seen quietly walking at dawn and swapping secrets with each other: Benjy revealing his real, Jewish name and Swann revealing that his work on the television show is really for the benefit of back taxes owed to the IRS. You can see a friendship really blossom between them, and it's probably my favorite scene of the whole movie.





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My opinion of the most touching scene, and I think THE most important scene in the film -- the one scene that got to the root of Alan Swann's character was this:

...at Belle's house in Brooklyn at dinner. Belle tells Alan Swann having a family is "what it's all about" and that he should have children.

Alan Swann: Unfortunately Belle, that part of my life hasn't worked out too well; though I did produce a perfectly glorius little child...her name is Tess.
Belle: See! You're a daddy and this we didn't even know. So where is she?
Alan: She lives with her mother in Connecticut; I haven't seen her in over a year.
Belle: A year? [disapprovingly]...shame on you Swanny.
Alan: [sadly] Oh yes, you're right Belle. Shame on me indeed.

...everyone around the dinner table, Belle, Rookie, Morty, Sadie -- and even Alan -- all have a look of great pity and sadness on there faces. It was the dramatic turning point in the film, and it opened up the character of Alan Swann. Definitely touching.

That scene, and the "Clarence Duffy" scene in Central Park the next morning -- which by the end of that scene turned into a continuation of the "shame on me, indeed" idea -- were the most touching.

Of course both of those scenes leads up to the dramatic climax of the film when Alan finally goes to talk with Tess.

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I really loved the final shot of Swanna waving the sword at the end of the broadcast...the look on his face, for the first time he seemed truly proud and satisfied and I think felt he could conquer anything as a person. Probably ready to finally make amends with his daughter, and feeling that he can do it.

"I know you're in there, Fagerstrom!"-Conan O'Brien

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For the first time tonight, I realized why that final scene as a touch of melancholy; the poignant expressions of the people watching him n camera from the booth.

They don’t break out the violins, but the point is made: Swann is happy and proud, but his rhythm is predicated by
Pinch Scotch.

He’s still glorious, and soon, he’ll be a glorious ghost.

I cried!

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