MovieChat Forums > Missing (1982) Discussion > How did this win Palm' Dor?

How did this win Palm' Dor?


Don't get me wrong, this was a good movie, a really good movie. But how did it win Best film??? It has alot of flaws. I guess the selection wasn't so good that year...

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Perhaps it would help the thread along if you elaborated on what those flaws are?

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Well, you never knew what happened to him, I don't think Costas-Gravas knows alot about that, so it was kind of unsatisfying but other than that it was a really good movie.

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Well, really good movies win awards. The unsatisfying aspect you mention is precisely the point. Any attempt to get at the truth was blocked by the American government as 'secrets of state'.

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I would say that it won for the same reason Moore's film won.

I was MONUMENTAL! I was EPOCHAL!

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"it was kind of unsatisfying"

I guess you mean reality, not the film....

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That wasn't one of the flaws I noted, I actually thought it helped the film some. The film don't really have many flaws but it got alot of low points and those flashbacks where annoying seeing how it was a little hard to know what was present and what it was that where the flashbacks before they where over. Great film, but not raelly golden palm worthy.

Somebody here has been drinking and I'm sad to say it ain't me - Allan Francis Doyle

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I wouldn't say "flaw", but the way Costa-Gravas filmed the shoot-outs in the streets were surreal. In Latin America, whenever there is a confrontation between the military and protesters with shooting from machine guns, people don't approach to see what's going on, like it did in the movie. If you see a heli or a jeep shooting up people, you're not gonna wanna get near it. Also, the scene where Mr. Horman opened the cab door to hit the jeep and was yelling to "stop" - that kind of shenanigans would get anyone shot, and I mean ANYONE. Doesn't matter if you're American. Hell, they'll probably enjoy it more if they did shoot a yank and then call it an "accident" in the skirmish with the leftists. Still, this did not deter me from enjoying the film and thinking it's good enough to win the awards it won. All performances were excellent, the score was superb, the writing was almost flawless, and the directing itself - save for a few things here and there - was neatly tied without leaving loose ends.


Do The Mussolini! Headkick!

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It won Best Film because it is facile Communist propaganda. The French left, horrified by the frankly and unapologetically anti-Soviet Thatcher and Reagan administrations, were happy to hand the Golden Palm to this boring, fashionably anti-American snoozer.

Some also feel this was a direct reaction to the 1981 award of the Palm to a pro-Solidarity movie by a Polish director - giving the Palm to Missing would show "balance."

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Almost what I said, but I'm not right wing.

I was MONUMENTAL! I was EPOCHAL!

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Well, you've certainly proved that cynicism never goes out of fashion, Will.

Show "balance"? Perhaps you could elaborate. A pro-Solidarity film sounds vaguely leftist to me. Just a thought.

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Well, you've certainly proved that cynicism never goes out of fashion, Will.

Show "balance"? Perhaps you could elaborate. A pro-Solidarity film sounds vaguely leftist to me. Just a thought.

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I would disagree that a pro-Solidarity film is leftist - seeing that the Solidarity movement opposed Soviet Communism and was ardently supported by the Reagan and Thatcher administrations for that reason.

To this day, Solidarity's founder, Lech Walesa, is considered to be a Christian center-rightist in Poland.

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How did films like Pulp Fiction and Old Boy won Golden Palm? At least this one deserved it.

And it´s no commie propaganda is a movie about the loss of your kid by the hands of your own goverment because they didn´t want to get dirty.

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[deleted]

I have to say I'm really shocked to find so many negative words said about the film. It is political yes, as Costa-Gavras' work seems to be in general, but I never was caught up in the political aspects. To me, this was a really well made film about loss and love and coming to terms with having to be constantly questioning everything and everybody, asking questions who nobody is willing to answer, even when they have the answers. The sheer brilliance shown in the struggling characters of Lemmon and Spacek is enough to break your heart and just keep on hoping for the best, even though you realize at one point or another that it's not going to be a happy ending.

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^^I agree with you and Tabbby.


"Did you make coffee...? Make it!"--Cheyenne.

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[deleted]

It won Best Film because it is facile Communist propaganda. The French left, horrified by the frankly and unapologetically anti-Soviet Thatcher and Reagan administrations, were happy to hand the Golden Palm to this boring, fashionably anti-American snoozer.

lmao. You know the "French" are not involved in who wins any prize at the festival, right? Jury members are usually anything but French. But then what to expect from a Rambo moron other than misinformed xenophia?

For every lie I unlearn I learn something new - Ani Difranco

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There weren't a lot of movies or even documentaries who were exposing what was going in South America at the time. I think the strength of the movie is that they do not pretend to give it an ending or an explanation. It's not about solving a mystery, it's about the search and the characters. Ed's journey to find his son is symbolic as well as literal. He comes in ready to get his "boy" back and he ends up learning a lot about the man his son was, whom he didn't know at all.

I think frankly that makes the movie much more powerful than others like Stone's Salvador.

For every lie I unlearn I learn something new - Ani Difranco

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It's one of the best films I've ever seen. My only complaint is the Vangelis soundtrack,and that is nothing ;-)

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