MovieChat Forums > Firefox (1982) Discussion > Why all the hate and why such a low scor...

Why all the hate and why such a low score?


I was 3 years old when this film was made and it was one of those early eighties films that my parents had on video and was regularly watched during my formitive years.All i can say is that in my opinion it is a well made,well acted film that really deserves better than 5.7. It has a certain feel that evokes the cold war and the soundtrack by maurice jarre enforces that feeling,creating an uneasiness that permeates the film.Yes the effects could be better but this was 1982.I dont understand the hate and would like someone to justify why firefox is classed as failure as in my opinion it is a great little film that deserves more than the pitiful score of 5.7.Am i alone in feeling this or are there others who feel as i do?also having read the sequel 'firefox down'i think that could be made into a good film but maybe its too late what do people think?

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I agree 100%.

I had never, ever heard of this film until about 2 weeks ago when I caught it on Encore and I was blown away.

It was indeed "a great little film" and I deduced, being a huge Clint Eastwood fan and having never heard of it, that it must have been a flop and I couldn't understand why.

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Before I type up this post, know that I'm a HUGE fan of Firefox. I think it's an amazing film of the espionage/cold war/suspense genre. I'm not gaga over the final act with the flying scenes, but it's overlookable-enough considering the rest of the film is a 10.

But Firefox has two things going against it.

First, like I just mentioned, the flying scenes. The special effects are quite bad, and some critics think that even in '82 they were hardly top of the line. Add into the fact that the film was advertised at the time of it's release with the plane being the main focus. So when it turned out to be only the last 45 minutes with the plane and hour and a half of "boring" stuff leading up to it, that probably annoyed a lot of people.

Which brings us to the second reason why this film is hated; "it's boring". I don't agree with this camp personally, but it's slow paced lead-up to the theft of the plane can realy turn off the mass audience. It's a style that the great spy films have, but because it's not a marketable trait for a major studio film to have, they don't come around too often. I personally scoff when films like the Bourne series, the Mission Impossible series (well, at least the sequels), and even some of the recent James Bond movies are labeled as "spy movies". Though I DO like some of the films from thhose series (I have quite a taste for Bond for it's own strengths), the majority of what modern audiences label as "spy" films are really just hyper-kinetic action flicks. There's nothing wrong with that, like I said I enjoy a lot of those kinds of movies when they are well made, but when I think "spy movie", I picture middle-aged Clint walking down the streets of Moscow at night being followed by the KGB. I DO NOT picture Jeremy Renner jumping off rooftops kicking random hench-men butt.

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Which brings us to the second reason why this film is hated; "it's boring". I don't agree with this camp personally, but it's slow paced lead-up to the theft of the plane can realy turn off the mass audience. It's a style that the great spy films have, but because it's not a marketable trait for a major studio film to have, they don't come around too often. I personally scoff when films like the Bourne series, the Mission Impossible series (well, at least the sequels), and even some of the recent James Bond movies are labeled as "spy movies". Though I DO like some of the films from thhose series (I have quite a taste for Bond for it's own strengths), the majority of what modern audiences label as "spy" films are really just hyper-kinetic action flicks. There's nothing wrong with that, like I said I enjoy a lot of those kinds of movies when they are well made, but when I think "spy movie", I picture middle-aged Clint walking down the streets of Moscow at night being followed by the KGB. I DO NOT picture Jeremy Renner jumping off rooftops kicking random hench-men butt.

QFT

I feel the same way. Speaking of Bond movies, I much prefer movies like "From Russia With Love", "On Her Majesty's Secret Service", "License To Kill", or "Casino Royale" over the Roger Moore/Pierce Brosnan types that are all action and comedy and very little substance.

I much prefer movies with depth that "drag out" as some people call it because it allows you to become immersed in the world and become a part of it. The Micheal Bay style of "Explosions, explosions, sex, explosions, comedy, more explosions" is horrible IMO.

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Yeah, I'd say From Russia With Love is one of the few true "spy" films of the Bond series, though On Her Majesty's Secret Service, the Dalton's, and Casino Royale are among the best too. I enjoy some of the Brosnan's and Moore's stricly as well-made pieces of entertainment, but they ARE kinda fluffy.

My favortie spy-related titles: Tinker, Tailor, Soldier, Spy (the mini-series from '79, but the 2011 film was good too), Smiley's People, The Day of the Jackal, The Odessa File, Firefox, Munich. I might as well throw in From Russia With Love, too.

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Don't misunderstand, I like all of the Bond films for different reasons, I just prefer the ones more like "From Russia With Love". Of course, even the worst bond films still beat out the Bourne type movies IMO.

I haven't seen either of the "Tinker, Tailor, Soldier, Spy" movies yet, but I've heard good things. I'll definitely give them a look! I still need to see Munich too. I've heard really good things about it.

I haven't even heard of the other ones. I'm a spy movie fan, but not a fanatic. I catch them when I can. I just recently got into the Bond series. I saw the Brosnan ones when I was young and saw Casino Royale when it was released, but hadn't watched any Bond since until recently when I downloaded the complete collection and watched all of them. The Connery Bonds were definitely my favorites, but I really enjoyed OHMSS and some of the Dalton movies like "The Spy Who Loved Me". My second favorite Bond would probably be Timothy Dalton, followed by Daniel Craig.

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Ha! I feel just the opposite. I thought the action leading up to the theft of the MIG was tight and suspenseful. Once Firefox was stolen and in the air, it became too campy. We knew he'd make it all along, but the suspense of trying to get into the base was well done.

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The special effects are quite bad, and some critics think that even in '82 they were hardly top of the line.


That's why this film deserves a modern re-boot!

Set it 10 years or so from now in a world where the USA is now bankrupt, the cold war has returned and China is also trying to steal the plane...

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I watched this movie when ift first came out in 1982 and then again recently. It was a first rate spy/thriller movie in its day. There weren't many movie back then that portrayed the Soviet Union for exactly what it was-a brutal and suppressive communist dictatorship.

Unlike most people, I am fine with the slow pace. The character development of the Russian scientists and resistance fighters, along with the Soviet officers were first rate. I particularly liked the British agent who ran the ops...first rate ! A compelling and interesting story.

I scored the movie a 9. I also played the video game back in the day.

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Yeah, that's another thing I love about this movie. There has never enough films showing the soviet union as up close as this, not limiting itself to the "bad guys". The recent trilogy of novels written by Tom Rob Smith, Child 44, The Secret Speech, and Agent 6 are great novels that take place in the USSR throughout the cold war. There's so much more to the country and it's people than the high ranking evil officials that we typically see in Hollywood films.

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Hey everybody, Goldfinger is hands down the best, most classic Bond film. Well to me. Back to the main point. I can see some people's problems. Some of the characters are caricatures. Maybe the tone is too one note for many, over the top in the portrayal of Soviet ruthlessness to others. I will not call it an overall high quality movie. That said, I appreciate this thread that gives it credit. It has some riveting scenes and is thought provoking. I am watching it now and will try to watch most of it. So there to the haters, huh.

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I sometimes wonder if some of the people who hate this movie are bothered by the very negative portrayal of the Soviet Union. Could they be thinking "how dare you portray them as ruthless totalitarian thugs? Don't you know this is an era of peaceful coexistence?"

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I think it just doesn't measure up in a lot of ways.

As a spy caper, it's not that great. Eastwood's Russian is comically bad, but it's supposed to be good enough to fool native speakers. And the dialogue in many of his encounters with Russians is stilted.

As a flying movie, it's not that great. It doesn't compare well in that respect with Top Gun, which came out only 3 years later.

As a "stealing Russian weaponry" movie, it compares poorly to Hunt for Red October.

As an Eastwood film, it compares poorly with his great work of the 70s and his great work since the 90s.

I do think this would be a good candidate for a remake. The bare bones of a good story is there. If the script for the espionage parts was spruced up a bit, modern effects could make the flying parts much better.

It's not that it's a _bad_ film. It's just that it could have been better, and it's not as good as most of Eastwood's body of work.

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I watched this film for the first time today. I read some of the reviews, saying it was as bad as 'The Eiger Sanction', which I hated. Surprisingly, I enjoyed it, particularly the stuff wth Clint and Warren Clarke. We're not talking about a great movie here, but I would maybe vote it a 6 or 7 out of 10. The score is reasonably accurate, but perhaps a bit harsh.

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So you compare movies that came out in the future? That's like saying The Birds suck because the CGI in Sharknado is sooo advanced. F--k remakes. It's just an uneven movie. Find a new original script and move on. Enough with the damn cultural navel gazing already.

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"his great work since the 90's"

You regard The Rookie, Absolute Power, True Crime, Space Cowboy,s and Blood Work has great work?

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I'm trying to watch it now. The first half hour has just been people explaining to Clint what he has to do, with occassional clips of planes flying around, presumably to add 'excitement'. In short, it's boring - maybe that's 'why all the hate and why such a low score'.

As a first time watcher going in with no expectations, that's my assessment so far.



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Watching it now for the first time in a while. The music, as he takes off in the plane, I find particularly cheesy.
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OMG people talk...how boring. It's called exposition. Most spy movies have that.

Jamie Lee Curtis survived Halloween, the Fog, Prom Night and a Terror Train & now she can't poop!

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Yes it's exposition, and yes, it's boring. There's no rule in the moviemaking book that says exposition has to be boring. In Firefox it was, and it also went for far too long.

But if you enjoyed it, good for you.



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I was 11 when this came out, boy, and it was so dull I nearly fell asleep in the movie house.

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I think it's a good movie, but it's a bit slow in places. I think maybe if they shaved the running time to merely 2 hours then it would be a lot more appreciated than what it is.

And you can deal with me; Doug Masters!

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Because it's one of the most boring films ever made.

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