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Evelyn Waugh Describes Charles For Film-Makers


Attempts were were made in the forties and again in the fifties to film "Brideshead." The attempts ultimately failed, but, before they did, Waugh voiced his opinions as to how the various characters should be understood by film-makers. Here is what he said about Charles Ryder:

"Charles is an intelligent, artistic and lonely young man whose mother died in his youth, and whose father is an eccentric and sardonically humorous scholar. The Ryders are far from poor, but, by the father's choice, they lead a life of gloom, and Charles's first impression of Brideshead is of its splendour and grace; in fact it is the fountain and all it represents which captivates him."

I've made this post because other people who use the boards see Charles the character as dull, vanilla, et cetera. I have never found him to be so. Apparently Waugh didn't either.

Here is the reference for what I have described above. It is taken from the Wikipedia entry about the novel "Brideshead." It's the first footnote in the entry.

^ Memo dated 18th February 1947 from Evelyn Waugh to Metro-Goldwyn-Mayer, reproduced in Giles Foden (May 22, 2004). "Waugh versus Hollywood". The Guardian: p. 34.

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I got the impression that Charles was like a desert traveler desperately seeking "water" in an arid wasteland. He sure found it at Brideshead. I think Irons played Ryder very well. He nailed his character.

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@deeveed on Mon Jun 11 2012

I agree with what you say about Charles and Ryder. Incidentally, you may have noticed how tired Irons looks in the last part of the series. That's because he was acting in the series and "The French Lieutenant's Woman" simultaneously.

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I thought Ryder was supposed to look a little disenchanted and tired, at least in the army sequences. At any rate, I didn't notice it in any way that detracted from Irons' performances or the piece overall.



'Irregardless' is not a word

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@Troll_Dahl » Mon Dec 17 2012

You remark, "I thought Ryder was supposed to look a little disenchanted and tired, at least in the army sequences. At any rate, I didn't notice it in any way that detracted from Irons' performances or the piece overall."

What you say makes perfect sense. All I'll add is that I did not claim that Ryder's fatigue detracted from his performance.

By the way, thank you for maintaining, correctly,
that "Irregardless is not a word."

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Cheers to the note on my signature. I no longer use it as I decided to go with something a bit more in the spirit of harmony and universal love, but it does niggle one terribly to hear/read such alarming mutations of the language!



Om Shanti

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@deeveed Mon Jun 11 2012:

I absolutely agree. A perceptive reviwer says, "Charles Ryder . . . is, after all, Waugh's observant eye and eloquent tongue."

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An interesting description.

There indeed may be another dimension to Charles, though I'm not sure if it comes across, either in the novel or the series. He's very bright yet he certainly leads a dull life.

Jeremy Irons said while making the series, "Is the audience going to be bored with this character? He bores the pants off of me."

I view Charles as similar to David Copperfield--another first person narrator who is surrounded by characters more interesting than himself.




"I've got six black Cordelias. Isn't that lovely?"

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I view Charles as similar to David Copperfield--another first person narrator who is surrounded by characters more interesting than himself.

And you know the thing there is that he certainly seemed to be pushed in particular ways to pay attention and try to deal with that boredom (ennui of life???) when interacting with those characters. It looked to me he just abhorred Hooper and I guess all he represented to him. On the other hand, the fabulous Marchmains lit him up. It's like they had a spell on him. In a way, hanging out with those individuals made him 'alive' to something else besides his wretched personal and family life.

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@dizexpat on Mon Jun 11 2012

Thank you for reporting what Jeremy Irons said about the character Charles Ryder ("Is the audience going to be bored with this character? He bores the pants off of me.").

I'm surprised that Irons made such a remark about a character that he plays so well in the series. In fact, I'm surprised he made the remark at all: It's tactless and offensive.

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I'm surprised that Irons made such a remark about a character that he plays so well in the series. In fact, I'm surprised he made the remark at all: It's tactless and offensive.


It was reported in a "Time Magazine" article about the series back in 1981.

If the actor finds the character he's playing "boring" it is a bit difficult for him to convince the audience otherwise.




"I've got six black Cordelias. Isn't that lovely?"

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@dizexpat on Thu Jun 14 2012


You observe that Irons' remark "was reported in a "Time Magazine" article about the series back in 1981."

You go on to say, "'If the actor finds the character he's playing "boring" it is a bit difficult for him to convince the audience otherwise.''"

You're exactly right in your observations. I think, as I've mentioned, that Irons portrays Charles Ryder well. But other viewers find the character of Ryder dull. Perhaps Irons' attitude toward the role comes through despite his careful acting.

As for "Brideshead," a man named Donald Foley uploaded the entire series to YouTube several years ago. Someone else uploaded a documentary about the filming of the work. In the documentary, Irons speaks dispassionately and sympathetically about the series.

The IMDb page for the series has a section titled something like, "See Jeremy Irons Discuss This Work." I never viewed the discussion, and it no longer exists, at least through whatever entity provided it for IMDb.

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/It looked to me he just abhorred Hooper and I guess all he represented to him./

I remember that in the novel he abhorred Hooper but in the series he seemed to like Hooper. I felt that Hooper was a buoyant character. He was, after all, a lieutenant. He seemed to laugh at the very fountain that had so transfixed Charles at the same age. Maybe after the war, Hooper will make his fortune?


"Two more swords and I'll be Queen of the Monkey People." Roseanne

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@ Noir-It-All on Sun Jul 22 2012

But remember that--near the end of the television series--while Charles is praying in the Chapel, he mentally deplores what he styles "the age of Hooper."

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Yes, that was my evidence of Charles deploring Hooper. But, to Hooper, he seemed to be friendly.

"Two more swords and I'll be Queen of the Monkey People." Roseanne

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Charles deploring Hooper. But, to Hooper, he seemed to be friendly.
I consider this to be an extremely superficial friendliness... Charles doesn't want to deal with Hooper at all. So he finds it convenient to put the minimum possible friendliness with Hooper that allows Charles to delegate more orders, the tedious-but-necessary nonsense that must continue to keep the army going - meanwhile leaving Charles with more freedom to wander about - presumably going to see Mrs. Hawkins, for example, or at least allowing time to sit and reflect on time gone by.

So. Charles acted friendly towards Hooper, but held him in deep contempt. He found a purpose for Hooper - it was easier to dump Hooper with some of the worst assignments - those that Charles found to be most useless and idiotic. Charles most definitely deplores what he refers to as "the age of Hooper".

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Well, Irons did a good job with the part anyway. I feel like I'd want to see the quotation in context of the entire interview/article to judge, but on its own I can't really say that I find it "tactless and offensive" per the other poster. For one thing, I appreciate the candor. In a world in which entertainment figures are often pressured to lie through their teeth to get the right publicity, Jeremy's remark can be taken as a breath of fresh air for his intellectual honesty and succinctness. At any rate, I wouldn't read that much into it, at least not when presented without any of the other words that would have been spoken around it. The bluntly humorous honesty seems characteristic of Irons and I kind of like it personally. There's no good being too uptight about these things.


I don't really think Charles is "vanilla" either, although the fact that he's the one telling the story means that he generally doesn't emphasize himself too much and pieces of exposition regarding his life are sometimes highly condensed. For instance, we go through a ten year period, including his marriage to Celia, in a couple of minutes. I think it is evident that the character has some emotional and psychological depth, although the fact that he spends most of the time losing his innocence and having his convictions about life shattered makes it easy for him to come across as naive and weak at times. In other words, he's in over his head quite a bit of the time, so he's probably going to look clueless. And his general lack of happiness and or fulfillment throughout his life makes him come across as hollow.

Of course, he also doesn't emote as much as many of the others, like Julia or Sebastian. Their inner turmoil turns explosive and they are central to some of the most intense dramatic scenes of the story. Charles is the one taking a lot of this in. As Julia says, he sees things secondhand. It's a way he has. On the other hand, I think you can really feel his pain when Julia walks away at the end. That's something of a watershed moment for Charles in terms of emotional intelligence. Unfortunately, living with the influence of his detached father probably crippled that part of his mind early on, and when you combine that with a string of traumatic and deeply unhappy experiences, it's easy to see how one could become so cold. But I don't think "Vanilla" is the right word. Call me weird, but I could actually have watched a lot more of Charles traveling the world, painting, and growing a beard. I know some people are a little bored by those post-Sebastian episodes but I'm not.




'Irregardless' is not a word

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I know some people are a little bored by those post-Sebastian episodes but I'm not.


Thanks in large part to Laurence Olivier, episode 11 is superb--easily one of the best.

I also like episode 10 and finding out what's become of Sebastian.

Episodes 8 and 9 are the ones that don't work for me. With the very happy exception of the sequence with Anthony Blanche in the second half of episode 9--which includes a fascinating look at a London gay bar in the 1930s--the two episodes are quite dull.

The shipboard romance is very flat. You feel like saying, "Oh just have sex and get it over with already!"






Hair today. Goon tomorrow.

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I agree about episode 11--a remarkable piece of work. There's Olivier, who it's nice to see again after the Venice episode, and Stephane Audran is always sympathetic as Cara. The only thing is how supporting characters have this way of disappearing. Over the course of time, we lose track of Edward Ryder entirely. How long did he live? Was he still alive during the Second World War? We don't know. It's probably Gielgud's performance that really brings that character to life. When he says "I shall miss you, dear boy", you get the impression that really loves Charles in his own cold fish sort of way.

In terms of episodes 8 and 9, I suppose I'm mainly fond of the sea setting. Sometimes it's difficult to explain exactly what it is that we like about something. I will say that patience pays. The first time around, I found the scenes with Celia almost too dry as well. This latest viewing, though, it seems to be all clicking into place. A very well-made piece of television from start to finish. It rewards patient attention.



'Irregardless' is not a word

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@Troll_Dahl » Mon Dec 17 2012 17:18:20

Mr Ryder's remark, "I shall miss you, dear boy," is uttered with subtle irony. The full sentence, if I recall correctly, is, "I shall miss you, dear boy, but do not hurry back on my account. The ironic tone makes it clear that Mr Ryder will NOT miss his "dear boy."

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Dare a response about irony.. I think I see the point. The closest he can come to a true emotion requires this couching. It's the best the poor soul can do. There's some sadness left unexplored there.

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I find it refreshingly honest and even a bit amusing personally. I wouldn't take it too seriously, especially without the rest of the interview for context. As I've said before, I don't think boredom comes across in his performance. In other interviews, Irons actually mentioned that he initially wanted to play Charles becaue he wanted to be the everyman; he'd already played tragic hell raisers like Sebastian. Irons has never been one to mince words and the various videos of him that can be found on youtube seem to suggest that he is an intelligent and witty person of multiple talents.




'Irregardless' is not a word

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In other interviews, Irons actually mentioned that he initially wanted to play Charles because he wanted to be the everyman
I have an entirely different take on this. I think of Irons as arrogant..and I got the impression that he wanted the character of Charles because he gets the most screen time, not to mention the narration.
It IS true that at the beginning of filming, Sebastian was seen to be the main character. So, savvy on the part of Jeremy Irons.
Imagine if Anthony Andrews had done the voiceover! Dreadful thought!

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Jeremy Irons said while making the series, "Is the audience going to be bored with this character? He bores the pants off of me."

He certainly plays him as a very boring character. Having not yet read the book I do wonder if that really does the character justice though.

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