Still Great After All These Years


I read this book back in 1978 and heard that various people had been trying to make it into a film but couldn't come up with a way to translate the wonderful John Fowles detail and introspection into film. The next thing I heard was that Harold Pinter had been charged with the task, and he came up with the brilliant idea of fabricating an off-screen romance...a film within a film. At first I didn't like the fact that he'd messed with the integrity of the book but then when I saw it, I was amazed. And, watching it again tonight after many years, I am again blown away by the intensity. Still on my top 10 list...

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Good call mate.

I agree. The concept initially sounds risky (And I haven't read the book either), but it WORKS.

I think the time devoted to the film within the film, as it were, was sufficient enough in length to lose us. There was just enough balance betwixt the fictional movie and the making of it to allow us to follow both stories without confusion nor complacency.

There's 3 ways a man can wear his hair; front-parted, side-parted or departed

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Isn't it, though? The screenplay is dazzling. I think it's actually better than the book. The novel's idea of different versions of the story gets a little wearying. The movie retains enough of the book's Hardyesque atmosphere to be fun but then develops the visual style at the end into a post-Morris aesthetic interior that is all light and space. Gorgeous. Pure pleasure from beginning to end.

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I know you all are going to hate me, because I know I hate it when people come on to boards for movies I love and bash them, but I have to. I just watched this movie tonight and thought it was such a waste of potential. With Meryl Streep and Jeremy Irons and a very neat story plot and a lovely script, I do not know how the director was able to make such a B grade film as this, but make it she did. It was poorly directed, the cinematography and editing much below par as to what they should have been and the score was not near powerful enough to carry the movie through. This coupled with a weak ending (a result of poor direction: the director did not lead up to it gracefully), really ruined what could have been such a lovely film. I was greatly dissapointed, and if it weren't for the fact that Meryl Streep is not young enough to reprise the role today I would wish for a remake. And that says a lot, for I hate remakes.

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The director was a man, genius.

I'm happiest...in the saddle.

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In - A - Haze, your name is appropriate.

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@In-A-Haze on Sun Sep 21 2008

You observe, "I know you all are going to hate me, because I know I hate it when people come on to boards for movies I love and bash them, but I have to. I just watched this movie tonight and thought it was such a waste of potential. With Meryl Streep and Jeremy Irons and a very neat story plot and a lovely script, I do not know how the director was able to make such a B grade film as this, but make it she did."

I do not hate you for your remarks. I agree with them. The film in question is one of the worst films I have seen. The book's far better.

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I'm inclined to agree with you wholeheartedly. It takes a genius like Harold Pinter to lift us out of the original text and place the story on screen, thus opening our eyes to his marvellous interpretation. Of course, wonderful actors like Meryl Streep and Jeremy Irons lift the interpretation to new heights which only goes to show what limited imaginations most of us earthlings possess.

Much the same argument applies to the "Smiley's People" stories by le Carre. It took a brilliant Director and an actor of the calibre of Alec Guinness to lift a rather, long, if well written novel on to a higher plane that most of us can enjoy again and again.

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I saw this film on dvd for the first time last night and I absolutely loved it!!

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agreed. still love this film 20 years after first seeing it...

gregory 22810.

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