MovieChat Forums > Heaven's Gate (1981) Discussion > Cimino was right all this time

Cimino was right all this time


I saw an interview with Cimino where they asked him a rude question, "how could you make a movie like Heaven's Gate? The money you used could have fed a small country". Cimino just smiled, and I now know why. He knew -- he knew that he had made a magnificent film, and that one day people would catch on. Saw the film yesterday on blu-ray, in the criterion 2012 technicolor version (it should always have looked like this). The version where he removed the yellowish-brown sepia tones. It looks GREAT now. And with subtitles. I was caught up in the story, and on the edge of my seat. It's a SUBLIME film.

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Thumbs up!!!

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Exactly. Remember that Vertigo was also flop when it first premiered. Great art like this is made for eternity, not for fleeting contemporary reaction

Michael Cimino's Heaven's Gate is haunting, beautiful, melancholic epic masterpiece. One of the greatests films ever made.

Just like Olivier Assays said, it’s not just that it has aged well; for some reason the passing of time (remember the genuinely moving tagline of the film: "What one loves in life are things that fade") reveals this film as the extraordinary, transcendent triumph that critics couldn't see then. And the way it finally reaches us through the echo of time only makes it more moving, heartbreaking, even.

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I've never seen Heaven's Gate. Now I may have to. I just wish people felt this way about Ishtar! haha I thought it was hilarious and everyone I recommended it to liked it. I know it's considered a big flop.

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So true, some things really get better with time. Seeing the film today I believe there are two reasons it failed in 1980. If you exclude the bad press the film received when it was released, the two things that made it a significant failure was the sepia color and the sound. As I mention in my original post, the sepia color that Cimino originally used for the film was a grave mistake. I saw the film on laserdisc back in the early 2000's with sepia intact, and I didn't particularly like the film. Although it was better than it's reputation even then (back then the film was seen as one of the worst ever made). In addition, the dialogue during some sequences was very hard to hear and understand. Adding subtitles would have made it a much nicer experience. I do not believe the laserdisc had subtitles. These two issues bogged down the film.

Seeing the film again on the Criterion blu-ray, in Cimino's own 2012 technicolor version, I marveled at the film. The colors were beautiful, and now the film came alive. This is the way it should ALWAYS have looked. Not in sepia, but Technicolor. With added subtitles I could follow the story perfectly - and the story and characters are great. I could now appreciate all the meticulous work Cimino put into the film.

The film was so good that I read Steven Bach’s revealing book Final Cut, about the volatile making of the film, and I realized if only the film had looked back then the way it looks now, with perhaps some added subtitles, it might have been received totally different. And time would have made it an obvious masterpiece to everyone, and not just to the few people who have seen the Criterion blu-ray.

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I think it's a fantastic film, it has flaws (even though the first half hour of the film could have been cut imo, just the camera work, just epic scope of it is must see). But some great performances from Christopher Walken, John Hurt, Isabelle Huppert, Kris Kristofferson, Sam Waterston (damn he plays a right bastard in this) and Jeff Bridges. A fantastic and underrated soundtrack, some of the most stunning cinematography you are ever likely to see, the set design is top notch. Amazing that Cimino even got this made, it's such a downbeat subject and pretty much a non commercial film. I don't think even a Christopher Nolan and all his power would get a film like this made today.

You have to see the longer version to get the real justice from this film. As I said it's not perfect but it's a lot better then it's reputation.

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Great post, although I do not agree that the first half hour could have been cut. An aspect of the film I really like is the friendship between Kristofferson and John Hurt. The contrast of how they went from a carefree time, being silly woman chasing partying students, to the seriousness of the real world as grownups, which Hurt's character couldn't completely embrace. He wanted to be back at the happy party days of youth. Not the serious drudgery where people's lives and future are at stake. While Kristofferson had entirely grown up, and accepted this development.

Sure the speech at Harvard perhaps feels like it goes on a bit too long, but it's all about Hurt's character being silly, and it fits the entire thing. In the last scene of the opening, before we see Kristofferson on the train 20 years later, Hurt says while they are having the last celebration. "James do you realize? It's over" and he was kinda right. It would all change.

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They could have cut it down a little and let it flow a bit better, that's the problem I have with Heaven's Gate is the pacing with a little smoother editing it could have been a all time classic imo. Some scenes drag in places.

The Harvard scene is a case in point, also Hurt and Kristofferson were way too old for those parts as students. Both very good actors especially late great Hurt but neither early 20 something years old lol. But it's always great to see Joesph Cotton and as I said some of the set design is fantastic. That huge dance scene in the middle of the court yard is fantastic. David Lean would have been proud.

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Yeah, they were too old to play youngsters, but they had the right attitude in their portrayal, and sometimes that's enough. I've seen much worse age crimes in other films. The dance scene is great. I also liked the scene in the beginning where Kristofferson is running because he is trying not to be late for the ceremony. It might be a small inconsequential scene, but it's cool.

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